China Compression Driver, China Compression Driver Manufacturers, China Compression Driver Suppliers and Companies on Alibaba.com
You will notice that there are usually large minimum order quantities, but the prices are very low. Are they any good? Thats the real gamble.
You will notice that there are usually large minimum order quantities, but the prices are very low. Are they any good? Thats the real gamble.
Thanks a lot dirkwright,the problem is the shipping cost(I live in Romania)and here I can find the Selenium D202Ti in my town...sorry and many thanks anyway...
There are Selenium D200 and D205, unsure if those are as good as D220.
Also consider:
Eminence APT 50
Faital Pro HF 100
Also consider:
Eminence APT 50
Faital Pro HF 100
I just bought a pair of drivers locally. some china "b&c", ferrite magnet, 3" titanium diaphragm with polimer(?) surraund,1.4" exit. $96.767 ea..
I've just bought a pair of Eminence ASD 1001 at 60$...much better resolution and dynamics then APT 50....the Apt 50 has an phenolic diaphragm and is too polite on highs and sounds darker....the ASD 1001 has a titanium diaphragm and it's more dynamic but could be harsh if is "tranzistor amplified"(or put in the wrong horn) but one guy on another forum has said that these are suprizingly natural,rezolutive and dynamic for their price if are valve amplified(of course + a round wood horn for a wonderfull tone)...I can't even wait to see(hear)this superb price/performance ratio(60$ for a pair!!)!!
As an upgrade in the future it will be a pair of BMS for shure...best price/performance ratio!!
Flaesh I'm glad for you 🙂 ,some technical details about these drivers please?!?What is the lowest recomended crossover point for them??
Thanks!!
>>> I've just bought a pair of Eminence ASD 1001 at 60$...much better resolution and dynamics then APT 50...
I agree. Have heard both. Not even close imo, they sound very different to me.
I always wondered how the 1001 sounded compared to the B&C and the Selenium for around the same money?
I use a tube amp and wonder if that's why the 1001's sound as good as they do? It's on top of the unfinished cab sporting the 7" Dayton waveguide. I ended up using it with the 4.5" Dayton waveguide. The frequency response of this driver looks bad (big dip) but they sound really great. If i didn't enjoy them i'd put them in the pile with all of the other unused drivers i own.
I agree. Have heard both. Not even close imo, they sound very different to me.
I always wondered how the 1001 sounded compared to the B&C and the Selenium for around the same money?
I use a tube amp and wonder if that's why the 1001's sound as good as they do? It's on top of the unfinished cab sporting the 7" Dayton waveguide. I ended up using it with the 4.5" Dayton waveguide. The frequency response of this driver looks bad (big dip) but they sound really great. If i didn't enjoy them i'd put them in the pile with all of the other unused drivers i own.
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A close look at the FR of the APT50 should give you a good clue as to how it sounds. I use a pair as super-tweeters and they are nice, but not perfect. I use them on a Dayton 6" waveguide. They are OK if you're careful with the crossover.
Affordable compression drivers with a great top end aren't easy to find.
Affordable compression drivers with a great top end aren't easy to find.
manufacturer page Soundking Group Co.,ltd. ordering of pair such $20\ea drivers in China with shipping will cost $280 and will take undefined time.
I'm sleeping [in my loudspeaker] now and will go to work soon, sleep then and don't know what will be then .. so measurements\listening impressions\internal view coming next year..
this what I could see: 3slit phase plug, small exit angle. Re 5.3- and 5.3+.
I'm have not 1.4" horn at the moment.. how can I use (temporary of coarse) 2380a?
I have got good results with some vintage gear here in mid/hi section.
Friend of mine brought a pair of Electro Voice DH1506 compression drivers mounted on iron horns. They were pulled out from some cinema gear.
I made a nice active crossover with compensation for slightly falling curve in freqency response. Crossed arround 500-600hz/12dB with a pair of 15 inch Beymas this combo sounds amazing.
Regards, Jernej
Friend of mine brought a pair of Electro Voice DH1506 compression drivers mounted on iron horns. They were pulled out from some cinema gear.
I made a nice active crossover with compensation for slightly falling curve in freqency response. Crossed arround 500-600hz/12dB with a pair of 15 inch Beymas this combo sounds amazing.
Regards, Jernej
There is some similar discussion here: http://www.diyaudio.com/forums/mult...ed-driver-you-have-worked-14.html#post2837317
The Neo version of the film 'fram Celestion I've heard and it's very nice indeed. Have not heard the ferrite version yet, but would like to.
If I were building a new speaker with a 1" horn, I'd probably pick the CDX-1730. It's really good.
The Neo version of the film 'fram Celestion I've heard and it's very nice indeed. Have not heard the ferrite version yet, but would like to.
If I were building a new speaker with a 1" horn, I'd probably pick the CDX-1730. It's really good.
Ok,I've seen their presentation on the site...I'll wait for some listening impressions and measurements...Regards!
The falling HF response should be fairly pleasant to the ears. It's a 1.4" driver, so not too many horns available for it.
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