What happened to the "digital amp revolution"?

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What bothers me about valve amps is the 'mushy', somewhat overblown bass they produce IME. Almost invariably when I hear realistic, life-like bass from speakers they are active and driven by ss or class d amps.

It happens when amps with relatively high output impedance drive speakers which designers assumed electrical damping. Similarly, on mid frequencies such combination of amps and speakers produce kind of "soapy, rounded" sound.

During BAF 2009 we used my tube amp to audition speakers, including some 3-way speakers with complex crossovers. Nobody complained, sound was nice. Why? Because that amp had local feedback by voltage around output tubes, in addition to a global one.

But I personally use SS amps to drive woofers and subwoofer in my home setup.
 
I'm also of the opinion that many believe the sound of digital audio is ultra-realism & they are accustomed to the sharp attack on notes tending towards harshness at times. But hey that's must be in the recording, right.

Much truth in that. I have compared my direct mike feeds with the same signal passed through A/D and D/A, and damned if I can hear any difference as long as the levels are set correctly. I wouldn't characterize the sound as "tending toward harshness," but that's why I use the mikes that I do.
 
Hi J,

It's only when jitter (I believe this is what it is?) is reduced to a low enough level

TBH, if I had any real clue what is going on, I'd tell and claim my nobel...

All I know is that I have observations insufficiently explained by traditional metrics and I have no alternative metrics to make them tractable.

Though, to paraphrase Robert Anthony Wilson, I know very little and believe nothing, but I do have a lot of suspicions.

And jitter (if not taken single number, single dimensional) does feature prominent in some lists of suspects....

Ciao T
 
I agree with Nico , device and topology differences are "subtle". Some of my listeners will say "wow" because the amp has a lot of headroom (it is loud -duh).
This is the reaction to a "blameless" w/EF2- 3pair BJT at 200w .. BTW.

I show them (in the midst of the 120db experience) that some designs will retain the "first watt" detail at these levels. How the amp "scales" (1w - 200w) is another factor that I take into account. This is the "subtle difference" that I can hear on a hawksford cascode with a triple OPS.

I have taken into account the "listener". Most are patrons of drinking establishments ... but the hawksford has many putting chairs between the speakers to really listen (with a "buzz"). The "blameless" is not bad , very reliable and scalable .. but it's reputed PPM THD is not everything (sonically). There must be other topology "magics" (PIM/IM) , at play here. 😕

PS - I continue to study the Japanese " masters".
OS
 
I have listened to AirTight valve amps & would not accuse them of sloppy or overblown bass. This also applies to the Baby Huey design from this forum.

I use a Naksa SS amp & would say that it is one of the best representatives of the SS amp genre.

I've got a Tripath amp that I haven't fired up in a while - must get it out, run it on batteries (I already was doing this) & compare it to the others!

I agree , the Naksa combines FET and BJT. I will ultmately have a CFP fet/bjt input pair driving another MOSFET/BJT pair (hawksford)VAS. Why ?? just to use exotic parts ? No ... it sounds better, and fets have different early effect characteristics than bjt's (ohhh - more tubelike). All these "hint's" and guess what you have ... the $30 luxman (b1000f ) . 😀😀
PS - just one difference , one can have super low thd with this topology. Could be the best of both worlds. 🙂

OS
 
TBH, if I had any real clue what is going on, I'd tell and claim my nobel...

All I know is that I have observations insufficiently explained by traditional metrics and I have no alternative metrics to make them tractable.

Though, to paraphrase Robert Anthony Wilson, I know very little and believe nothing, but I do have a lot of suspicions.

And jitter (if not taken single number, single dimensional) does feature prominent in some lists of suspects....

Well thanks a lot Thorsten, having dragged us all off into the wilderness, you're now going to admit you have neither map nor compass.

Thomas Gray said:
To each his sufferings: all are men,
Condemned alike to groan;
The tender for another's pain,
The unfeeling for his own.
Yet ah! why should they know their fate?
Since sorrow never comes too late,
And happiness too swiftly flies.
Thought would destroy their paradise.
No more; where ignorance is bliss,
'Tis folly to be wise.

w
 
I've got a Tripath amp that I haven't fired up in a while - must get it out, run it on batteries (I already was doing this) & compare it to the others!
Which Tripath are you using? Into what load?

If it'll take up to 30V, use a 10 amp/25.6V LiFePo4 batt-pack similar to the ones from Ping Electronics... probably the closest you'll get to the RWA.

The Virtue amps I'm using have the doubled "high-current" output configuration and can really sing with 4 ohm loads. Combined with the LFP pack, it's pretty amazing stuff.
 
Hi 'baki,

Well thanks a lot Thorsten, having dragged us all off into the wilderness, you're now going to admit you have neither map nor compass.

I dragged no-one anywhere.

You are precisely where you where before, in precisely the same wilderness without map nor compass. The difference is that I have (if successful) destroyed the illusion that you (and others) where not in a wilderness and actually did know where you where going with your supposed map and supposed...

One one realises the true situation it may be changed, while living in illusions nothing can be changed.

Living in illusions is comforting though to many.

Ciao T
 
Hi,
there´s certainly no lack of serious research on hearing, everything being explored in great detail, no need for own made-up arbitrary concoctions¤ with a touch of psychopathological mysticism; subliminal imaginations, unexpected expectations, theoretical illusions and similar nonsense as ingredients.

¤ a more modest designation instead of Thorsten`s "moronic debunker type's assertions"
 
.... I'm also of the opinion that many believe the sound of digital audio is ultra-realism & they are accustomed to the sharp attack on notes tending towards harshness at times. But hey that's must be in the recording, right.
Much truth in that. I have compared my direct mike feeds with the same signal passed through A/D and D/A, and damned if I can hear any difference as long as the levels are set correctly. I wouldn't characterize the sound as "tending toward harshness," but that's why I use the mikes that I do.
SY, you ignored the next part of my post
jkenny said:
It's only when jitter (I believe this is what it is?) is reduced to a low enough level - <10pS (& data-correlated jitter eliminated) that this edginess & harshness is seen for what it is - distortion caused by jitter. It is evident in the sound.
Like the masses, you like the sound of jitter!
 
Which Tripath are you using? Into what load?

If it'll take up to 30V, use a 10 amp/25.6V LiFePo4 batt-pack similar to the ones from Ping Electronics... probably the closest you'll get to the RWA.

The Virtue amps I'm using have the doubled "high-current" output configuration and can really sing with 4 ohm loads. Combined with the LFP pack, it's pretty amazing stuff.

It's a TA2020 based board - I ran it from lithium batteries for a while & liked the sound.What Tripath chip does the Virtue use?
 
Hi J,



TBH, if I had any real clue what is going on, I'd tell and claim my nobel...

All I know is that I have observations insufficiently explained by traditional metrics and I have no alternative metrics to make them tractable.

Though, to paraphrase Robert Anthony Wilson, I know very little and believe nothing, but I do have a lot of suspicions.

And jitter (if not taken single number, single dimensional) does feature prominent in some lists of suspects....

Ciao T
Two candidates that probably feature strongly in the mix of suspects?
- jitter
- RF noise

Jitter tends to be the catch-all category into which "unknowns" are slotted!
 
And yet they don't.

Outside controlled test conditions. I don't really expect anything other than howls of protest, this site being the haunt of so many whose interest is neither electronics or music but equipment worship, but could all the rest just go +1 or some such?

Yep, funny that Waki doesn't hear this (or allow himself to hear this) - how is your DAC coming along - does it sound the same as what you had before? Was it a complete waste of money then?

Yes, it sounds the same as all the other DACs I have here, the one in the Bluray, the one in the soundcard, the one in the DVD I haven't thrown out, the ones in the portable CDPs, the Fostex 8-traack recorder.

No it wasn't a waste of money, it kept me entertained for an hour building it.

w
 
Try the 2000/2050 combo

It's a TA2020 based board - I ran it from lithium batteries for a while & liked the sound.What Tripath chip does the Virtue use?
AFAIK, Virtue's first offerings ran TC2000 controller w doubled current output 2050s
The 2020 has much lower power and IMO doesn't have nearly enough, especially into a 4 ohm load.

I think Virtue may be using the same controller but with Apogee output chips on their Sensation, which is their best amp.

I have had several 2020 based units which sounded good, but there appears to be a significant improvement in sonics, (at least part of which is the much greater power output) when moving up to the 2000/2050 combo, and another jump in quality when using 2000 + double 2050's

The 2020 may be equally good when used with very high efficiency speakers, but on anything else, it seems clear that the 2000 based units are superior. It may not just be the power, Vinnie at RWA says the 2000 is the best sounding of the Tripath controller chips, better than their higher power brethren.


For a good idea of the "el cheapo" performance, try one of the Sure Electronics boards with the 25.6V supply, and replace the input coupling cap with a 2.2uF Mundorf Zn...it's a pretty good start.

Then if you want to further experiment (and you will, I'm sure!), you can start replacing the output filter caps and chokes, the onboard electrolytics with elna Silmics, etc.

With those mods you'll be able to get a better idea of the actual potential of these chipsets.
I've been comparing between various stock versions of this amp as offered by Sure, Arjen Helder and Meanwell, in hopes that I can get something close to the Virtue for use in a self-powered speaker that I'm working on... and then modding them.....so far, the Virtue has bested all my attempts.

Drop us a note when you've had a chance to hear one of the "el cheapo" mods!
 
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