Two matched pairs of 211 Psvane II
250 € /pair,
I can send pictures of the curves and valves.
They are in Spain.
Thanks
Esteban Bikic
250 € /pair,
I can send pictures of the curves and valves.
They are in Spain.
Thanks
Esteban Bikic
Thx for your quick reply Esteban,
do you know approximately how many hours they have?
And which special type PSvane it is? They have multible...
do you know approximately how many hours they have?
And which special type PSvane it is? They have multible...
New, They are in original box, PSVANE II.
I have the ongaku clonne trannies and I finish the amp but at the end I never puted in on. I built 80 percent of the project but I am
to busy and after lost some hear for a blast of the batteries from my solar system, I abandon all the projects. Right now I restarting but I have a sailboat. The good news is that my hearing
is some better and after listen plenty of music and systems, discovered that the most important part of my hifi chain are the transducers. All the amps well connected with the right load charge and damping sound the same. Single ended, class A, class AB1. Specially with Jazz and low complex harmonics. The problem became with symphonic high level of harmonics and intermodulation distortion. I start to use Biamp. with Basses until 600Hz, 12dB of slope, Open Baffle with Acoustic Elegance in "H" Shape, two 15" drivers per channel and the best are the Horns, Pionner TAD 4001 with tractrix. I tried all my amps, valve, single ended, First Watt J2 and F7, Nakamichi, Quad, I have a incredible japanese Luxman with vacuum tubes triodes, so rare, Yamaha B2, all sound the same, the challenge is the crossovering, and the room response.
I built also but is only for jazz an chamber music, Lowther DX4 in a Mauhorn Signature One I build and spend thousend of euros. I got Feastrex, expensive one electrodynamic. But remember, multiamp with Openbaffle and horns. The other i like are the Quad electrostatic last generations. But the answer is the same, Transducers transducers,
Bst Rgrds
I have the ongaku clonne trannies and I finish the amp but at the end I never puted in on. I built 80 percent of the project but I am
to busy and after lost some hear for a blast of the batteries from my solar system, I abandon all the projects. Right now I restarting but I have a sailboat. The good news is that my hearing
is some better and after listen plenty of music and systems, discovered that the most important part of my hifi chain are the transducers. All the amps well connected with the right load charge and damping sound the same. Single ended, class A, class AB1. Specially with Jazz and low complex harmonics. The problem became with symphonic high level of harmonics and intermodulation distortion. I start to use Biamp. with Basses until 600Hz, 12dB of slope, Open Baffle with Acoustic Elegance in "H" Shape, two 15" drivers per channel and the best are the Horns, Pionner TAD 4001 with tractrix. I tried all my amps, valve, single ended, First Watt J2 and F7, Nakamichi, Quad, I have a incredible japanese Luxman with vacuum tubes triodes, so rare, Yamaha B2, all sound the same, the challenge is the crossovering, and the room response.
I built also but is only for jazz an chamber music, Lowther DX4 in a Mauhorn Signature One I build and spend thousend of euros. I got Feastrex, expensive one electrodynamic. But remember, multiamp with Openbaffle and horns. The other i like are the Quad electrostatic last generations. But the answer is the same, Transducers transducers,
Bst Rgrds
Thank you for your detailed answer.
Can you add a photo of the tubes and the packaging?
Good to hear your hearing is back again
Can you add a photo of the tubes and the packaging?
Good to hear your hearing is back again