Yep. I don't know if it was ever tested, but jcx thought the new input stage design of the ADA489x series would help in this regard.
I think the rationale went something like, "It's beyond linear, well compensated, multi-tanh is highly effective before adding global feedback, and really really fast".
Might have been primarily the advantage of the multi-tanh compensation of the input pair.
Might have been primarily the advantage of the multi-tanh compensation of the input pair.
Multitanh would certainly help, but how do you know it has a multitanh input stage? I can't find anything about it in the datasheet and the ratio of slew rate to gain bandwidth product is close to the 4 pi kT/q expected with a plain old bipolar differential pair.
Any op-amp of which the input stage is a bipolar differential pair without emitter degeneration can only handle a couple of millivolts more or less linearly, say 10 mV or so.
How can this value be visible in datasheet? How much can handle AD828 (which has open loop output impedance of 8 ohm and a degenerated NPN differential pair at its input)?
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Multitanh would certainly help, but how do you know it has a multitanh input stage? I can't find anything about it in the datasheet and the ratio of slew rate to gain bandwidth product is close to the 4 pi kT/q expected with a plain old bipolar differential pair.
It was a tip from Scott, I think. The ADA4899 might use it also, I forget, or at least something similar.
I'd be interested if someone could measure an impact in the audio band. There are plenty of DACs out there with NE5532s in this position.
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Did someone test a "damped RC" Scott capacitor between inverting input and ground (instead of just the cap)? Any benefit? I'm testing this and I don't dislike the sound.
I'm currently adding R=5ohm in series to the Cap of few nF.
I'm currently adding R=5ohm in series to the Cap of few nF.
Multitanh would certainly help, but how do you know it has a multitanh input stage? I can't find anything about it in the datasheet and the ratio of slew rate to gain bandwidth product is close to the 4 pi kT/q expected with a plain old bipolar differential pair.
https://www.diyaudio.com/forums/sol...p-amps-linear-barrie-gilbert.html#post2622071
I apologize as I both haven't *done* the critical analysis JCX has, nor am I sure I would be the best (or even a decent) party *to* do such an analysis. I may have an EE background by degree, but I'm more of a confused materials scientist. 🙂
Edit: I went through to JCX's link, which was partially broken by the forum's new way of referencing posts, here it is: John Curl's Blowtorch preamplifier
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Assuming a traditional op-amp with high open-loop input impedance on both inputs (that is, not a so-called CFB op-amp):
Very often the feedback network around the op-amp consists of a resistor and a capacitor in parallel, so the transimpedance amplifier (or current to voltage converter, whatever you like to call it) makes the first pole of the analogue reconstruction filter.
With such a circuit, after each step of the DAC output current, the error voltage across the op-amp's input jumps from a near-zero value to the magnitude of the current step multiplied by the open-loop output impedance of the op-amp. Then the feedback kicks in and reduces the error voltage to a near-zero value again.
In this case, you have to ensure that the maximum DAC current step multiplied by the op-amp's open-loop output impedance is smaller than the maximum voltage the op-amp's input stage can handle without significant distortion. Any op-amp of which the input stage is a bipolar differential pair without emitter degeneration can only handle a couple of millivolts more or less linearly, say 10 mV or so. It can be much larger for FET op-amps, especially those that have a high ratio of slew rate to gain-bandwidth product.
I received some private questions related to this post that I could not answer in plain text, so I wrote a little document about it. It is attached just in case anyone else finds it useful. It's just two pages with basic op-amp theory.
Attachments
- Home
- Source & Line
- Digital Line Level
- TIM distortion and slew rate in IV opamp