The Totem beaks - WTF?

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Doug, thanks for giving the coin thing a go. I am also trying it with one pound coin and two 10p coins. No conclusion as yet. If it were pure snake oil surely the highest value coins possible would be obligatory? Krugerrands? Maria Theresa dollars? Pieces of eight?

Well, in this case, it's easy. Put the speakers behind a black acoustic curtain (a la Floyd Toole), and have the devices randomly placed and removed while the listener indicates whether or not he hears a change. It's subjective (involves a human giving a sensory evaluation) but at the same time objective (he either hears a difference or doesn't).
Easy but really resource heavy - out of reach of the average diyer on a daily basis. Your comments on the difficulty of repeatability of measurements is also noted. We're not much forwarder, are we?

I suspect that a way out of the impasse would be to correlate what people judge to be good sound with a simple set of measurements. This could be delivered via a killer iPhone app and would give us a large pool of simple data. This is the approach taken by ornithologists and astronomers, who give interested eyeballs simple jobs to do. As ever, Shakespeare was there first. "Friends, Romans, countrymen, lend me your ears!"
 
Easy but really resource heavy - out of reach of the average diyer on a daily basis.

Yeah, a couple of eyehooks, a few yards of fabric, and a friend. That's a much tougher deal than building an amplifier.

I suspect that a way out of the impasse would be to correlate what people judge to be good sound with a simple set of measurements. This could be delivered via a killer iPhone app and would give us a large pool of simple data.

That's not data, any moreso than a pool of people who report on their horoscopes.
 
hmmm...

shun mook
Harmonix, etc. Are they all wrong? Until you try any tuning device for yourself and come to your own conclusions, try to have an open mind. When I first tried the coins, I thought I was totally wacko! Really try it and if you or others can hear no decernable difference then that's fine. If you do, then that's fine too. Just try it. at $1.20 to try (well free 'cause you already "own" the coins🙂 ) it may be the best $1.20 you've spent. If not, you haven't spent (perhaps) hundreds. Go buy yerself a Coke or the soft drink of choice with the coins and relax.

Please don't take this as a personal attach, but I'm afraid this is not really good enough. Rather than "try it and see", I would prefer to see an explanation of how this works and why we will "see" if we "try".

As for the shunmook site you provided a link to, I read approximately half of the explanations in there and they make no sense whatsoever! Contradicting the opening paragraph that claims all this is based on "simple high school physics", the descriptions for the various products give absolutely no hint as to why and how these wonderful changes will occur.

It was hard to pick a favourite, but this is probably it:

A legendary Shun Mook product now being made in a very, very limited number. This record clamp is made from extremely rare pieces of dried ebony briar. This extra heavy century old ebony root which were immersed in the swamps of Africa has a unique power that no other wood possesses. The vibration generated by the diamond stylus in the vinyl groove besides inducing an electroflux through the phono-cartridge also excites the ebony molecules, causing it to resonate. This in turn is feed back through the stylus and is reproduced as expanded sound staging, enhanced separation, sharpened focus and enriched tonal balance of the music. Due to the rareness of this timber, there is no doubt that it will become a collector item in the future.

Had I tried to make up an ironic advert for audio-snake-oil products, I could not have done better.
 
Peter_m and other healthy skeptics

Like I said, you wanted to ask Nanook.

Now, please go here and read, laugh, snort or try it out.
Groundside Electrons - diyAudio

And then here and do the same
EnABL Processes - diyAudio

I don't support or deride anything, until I have had an opportunity to work with it. The second link, if you push through it, has some very interesting tests, provided by some pretty interesting folks. Shortly, some of your fellow countrymen will be running some blind listening tests, specified by another one of your country's most skeptical contributors.

All of it looks like foolishness. All of it. But, so did Lincoln Walsh's speaker cone ideas and Lynn Olson's amplifier ideas and Le Cleach's horn flare rate ideas.

Another point to make is that you can try this nutso stuff out and you don't have to tell anyone you did, or pay a penny for the experiment. Your rep is not on the line here.

Loosen up a bit, these are not diseases you can catch, really, nothing to fear.

Bud

Admittedly I am only familiar with only a couple of these (EnABL and Le Cleach) of these ideas, but this bullet thing and the majority of "resonators" are a completely different animal. Whether or not convincing, the merits of the EnABL treatment and Le Cleach's designs can be backed with scientific explanations. In contrast, unless I missed it, there is no explanation of why bullets, wooden-discs-tipped-with-steel-tipped-with-diamon or swamp-treated-aged-ebony-root record clamps will actually affect my sound, other than the obscure nonsensical unsubstantiated claims made in marketing material!
 
Before passing judgment, it is essential to do the experiment and observe change or not. Then measure and theorise. If you accept that you have perceived a change, but your measurements do not reveal this change, then maybe the wrong measurements are being taken.

On the basis of this argument, if I were to suggest that painting your wall pink would enhance your listening experience you should experiment, then measure and theorise! Surely there must be a threshold of reason below which one is not prepared to experiment!

I am really not asking for much - all I want is a brief and sensible explanation of WHY and HOW these bullets/pieces of wood/coins etc will affect what I hear...
 
Yeah, a couple of eyehooks, a few yards of fabric, and a friend. That's a much tougher deal than building an amplifier.

And a load of different speakers, and a means of moving the speakers in and out of the space unsighted and a bunch of people. Most amateur DIYers don't have these resources to hand in their homes. They build one set of speakers and tweak until happy, or Bonfire Night.

That's not data, any moreso than a pool of people who report on their horoscopes.

Tell that to the Royal Society for the Protection of Birds who can convince tens of thousands of ordinary people to give up an hour of their time to observe birds in their gardens. Tell that to astronomers who absolutely rely on interested amateurs to scan the skies and report unusual events.

Of course to collect data like this you have to connect with and trust the community. That would be all of us here.

Terryj - so that's why my trousers are always hanging off....
 
Further to your quote from the Shun Mook site I'd like to point out that african ebony grows in the savannah, possibly thousands of miles from the nearest swamp.

That is the magic. You must hand transport the ebony, thousands of miles, on foot, while flagellating tour left elbow with a whip consisting of the finest frog hair.

If the incantation is not just right, it will not work.

And this is the crux of the whole thread. Unfortunately, it seems that humans are predisposed to accept totally unfounded explanations for observations that they lack the understanding for.

It is natural for people to get sucked up into the world of Peter Pan when they turn their back to reason and logic.

The world of audio is not the only domain where this runs amok. Every field has their share of the irrational thinkers.

In 1619, René Descartes initiated what is known as the scientific method. Nearly 400 years later we still struggle between the forces of irrational and rational. I leave you with the four rules of Descartes' method:

1. Never to accept anything for true which I do not clearly know to be such.

2. Divide each of the difficulties under examination into as many parts as possible.

3. Begin with the simplest and easiest and then work step by step to the more complex.

4. Make enumerations so complete and reviews so general that I might be assured that nothing is omitted.
 
Doug, thanks for giving the coin thing a go. I am also trying it with one pound coin and two 10p coins. No conclusion as yet. If it were pure snake oil surely the highest value coins possible would be obligatory? Krugerrands? Maria Theresa dollars? Pieces of eight?


Easy but really resource heavy - out of reach of the average diyer on a daily basis. Your comments on the difficulty of repeatability of measurements is also noted. We're not much forwarder, are we?

I suspect that a way out of the impasse would be to correlate what people judge to be good sound with a simple set of measurements. This could be delivered via a killer iPhone app and would give us a large pool of simple data. This is the approach taken by ornithologists and astronomers, who give interested eyeballs simple jobs to do. As ever, Shakespeare was there first. "Friends, Romans, countrymen, lend me your ears!"


I will humor this discussion since I even enjoy ghost hunters 😉

Proper weight matters? How about how bad the resonsance in the speaker box is at the start?

The only way out of the impasse of subjective vs objective is the following.

1. Measurements are accurate and do indicated of its truely a different sound or just a placebo induced conclusion.

2. We need to record the differences into a wave file and poste them online. If you are hearing differences then a recorded wave file will also have those differences for all others to hear.
 
Look guys, I'm sorry if I scared you posting about pleasure and joy and fun. These emotions clearly have no place in the grim business of "evaluating" a system. Not that any of you have actually deigned to reveal your methodology or results. So tell us, how do you do it? Is it all smoke and mirrors in the objective world of hard audio science?

First of all, I didn't get the feeling that anyone was scared. Secondly, trying to reduce people that post here to a bunch of emotionless technocratic geeks, who have lost touch with the music and are only interested in measurements and system fidelity, shifting the blame on them for not "getting" the magic of the bullets/coins/whatever else is a rather cheap defence.

More importantly, if I understood this correctly, you are suggesting that efforts to provide objective, scientific and transparent explanations and measurements of the various attributes of equipment are riddled with "smoke and mirrors"? You are saying that no one has "deigned to reveal" their "methodology or results"? I believe you need to look around the forum, where you will have a wealth of information on methodology and numerous case-studies and results. If you are not satisfied, just start a new thread and ask.

I should also add here that to suggest that the measurements approach is opaque, when you are prepared to accepting/trying approaches which are based on little more than good will and magic is at best confused.
 
I am really not asking for much - all I want is a brief and sensible explanation of WHY and HOW these bullets/pieces of wood/coins etc will affect what I hear...

So do I. A good place to start would be if the phenomenon were repeatable.


To test whether or not those bullets have an audible effect? Really? REALLY?

Beg your pardon, I thought you meant blind testing generally. Any way, you'd want to be testing repeatability with other speakers, wouldn't you?

I am not at the end of a process advocating something that I believe works/makes a difference. I am at the beginning - wondering whether there is an observeable phenomenon. So far on this thread we have 2 yeses a no and a dunno (me) about the coin thing. If there is an observeable phenomenon e.g. these speakers appear to have more treble, then it may be time to get the rulers out and/or try the same treatment on as many speakers as you can lay your hands on. The cause may turn out to be cabinet resonance, we don't know, none of us, because none of us have measured anything. Incidentally, surely the ideal cabinet is not inert, but one that deals with unwanted vibration in a non-deleterious way?

Loren42 I think you would accept that I am at number one here

1. Never to accept anything for true which I do not clearly know to be such.

2. Divide each of the difficulties under examination into as many parts as possible.

3. Begin with the simplest and easiest and then work step by step to the more complex.

4. Make enumerations so complete and reviews so general that I might be assured that nothing is omitted.

If I'm still baffled I'll move on to the other steps. I'm talking about the coins here.
 
If I'm still baffled I'll move on to the other steps. I'm talking about the coins here.

When you are testing the coins are you the listener too? You can not do both and actually make valid conclusions about what you heard. Now you can measure the speaker with and without coins. Do you have measurements?


Hint: DIYers should always know how to measure 😉
 
Incidentally, surely the ideal cabinet is not inert, but one that deals with unwanted vibration in a non-deleterious way?

I forgot to ask you, why do you think that?

If cost, size, time is unlimited then the box can be completely overbuilt and there will minimum vibration...definitely not enough for a couple of coins to make a difference. My speakers tend to weight > 50lbs to start with and this for "smaller" 2-ways!!

What speakers are you use too?
 
All it takes is one. Next excuse?

What's the procedure, error bars, and repeatability?

SY, now I am confused. You seemed to have formed some belief that I am somehow advocating some form of magic. I am attempting to look at something from a different angle. I suppose it is possible to drive either on the right or the left of the road. It is clearly impossible to do both at the same time. I definitively withdraw from the argument as it is simply spiralling into misunderstanding on all sides.
 
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