PMA,
"The music is more liquid. And the "tail" dissappears. "
What do you mean with ""the tail"?
/Peter
"The music is more liquid. And the "tail" dissappears. "
What do you mean with ""the tail"?
/Peter
"tail"
Let's forget over-masterred music (techno, funk, rock etc.) and consider acoustical instruments, classical music.
If you listen e.g. to the sound of the recorded piano, sometimes you may hear a sound that comes "behind" the piano tone. That's what I call "tail". It means unclear, masked, blurred sound.
Let's forget over-masterred music (techno, funk, rock etc.) and consider acoustical instruments, classical music.
If you listen e.g. to the sound of the recorded piano, sometimes you may hear a sound that comes "behind" the piano tone. That's what I call "tail". It means unclear, masked, blurred sound.
This is very interesting, I use AD8610's in the tweeter section of my active xover, OPA627's in the midrange and OPA2134's on the bass.
Id be interested in biasing my OPA627's in class A etc if it really is worthwhile. Bare in mind this is 10 opamps lol. Now I take its exactly the same with an active filter with the resistor use?? Also if you are using 12volt supply lines what resistor value would you suggest? Baring in mind some of the stages within the xover have high gain (open baffle compensation etc).
Cheers for any help.
Id be interested in biasing my OPA627's in class A etc if it really is worthwhile. Bare in mind this is 10 opamps lol. Now I take its exactly the same with an active filter with the resistor use?? Also if you are using 12volt supply lines what resistor value would you suggest? Baring in mind some of the stages within the xover have high gain (open baffle compensation etc).
Cheers for any help.
Re: Now try this
Instead of reading anything you find on the net and take it serious, to have an oppinion you should test the method I described, with similar values, like Pavel (PMA) did, and listen .
You won't feel the need to use fets, believe it or not.
Sometimes people find it hard to make it simple...🙄
Don't take conclusions just by testing an op-amp on an I/V stage of a dac, as in some cases a bipolar op-amp may work better there.
In that case, you're comparing different things.
Try the output buffer/filter stage too.
Try a pre.
etc.
Dr.H said:After all the benefit shown from a simple R between V- and output, read how bad this is for sound...
http://tangentsoft.net/audio/opamp-bias.html
Instead of reading anything you find on the net and take it serious, to have an oppinion you should test the method I described, with similar values, like Pavel (PMA) did, and listen .
You won't feel the need to use fets, believe it or not.
Sometimes people find it hard to make it simple...🙄
Dr.H said:Clear, but delicate, this being in the IV stage of a DAC.
Don't take conclusions just by testing an op-amp on an I/V stage of a dac, as in some cases a bipolar op-amp may work better there.
In that case, you're comparing different things.
Try the output buffer/filter stage too.
Try a pre.
etc.
5th element
basic stuff: v=i*r thus r = v/i
choose a bias current (say 7,5mA or 0,0075A) and fill in the formula:
r=12/0,0075 = 1600 or 1.6k ohms.
do check the datasheets for the different opamps for current capability, some opamps (like nicke said about the ad823) can't deliver too much.
basic stuff: v=i*r thus r = v/i
choose a bias current (say 7,5mA or 0,0075A) and fill in the formula:
r=12/0,0075 = 1600 or 1.6k ohms.
do check the datasheets for the different opamps for current capability, some opamps (like nicke said about the ad823) can't deliver too much.
To Pan : If you will have several amps, which every will have " tail ", you hardly recognize it, 'cos you will think, that is normal. But if you once will hear amp without tail, you will know this forever. Unfortunately absolutely most of amp tail have.
You don't know the real thing until you hear it.😀
Some people I know lived happy with midi systems and all-in-one AV
packages until the day they came to my home.
I feel petty, because some of them became very unhappy.
Some people I know lived happy with midi systems and all-in-one AV


I feel petty, because some of them became very unhappy.

5th element said:Now I take its exactly the same with an active filter with the resistor use??
Yes
5th element said:Also if you are using 12volt supply lines what resistor value would you suggest?
A standard value of 1.5k will do the job.
Wonderfuly.😀
Tried it... its playing... its great 😀
First I tested with my preamp running only one OPA627AP on each channel, biased into class A with 8mA. Wasnt really impressed, until I changed the opamps to OPA627BP. Yes, I first tested the BP´s without class A biasing, and they sound better with bias!
First I tested with my preamp running only one OPA627AP on each channel, biased into class A with 8mA. Wasnt really impressed, until I changed the opamps to OPA627BP. Yes, I first tested the BP´s without class A biasing, and they sound better with bias!
Guys, whatabout trimpot - small class A, middle class A, high class A, overdimensioned class A etc. 😀 .
OK well ive looked thru all my resistors and ive got enough 1k's for both the DAC filter (OPA627BP's) and the filter stages in the xover (OPA627AP's) As the 627's can output 45mA.
Qoute...''The OPAs, and most of the modern/fast op-amps, need a good layout and PSU bypassing. They are very picky. The fact that an NE5534 works better on a circuit doens't mean nothing to me...''
Carlos, correct me if I am wrong but the OPA627, which has a unity gain bandwidth of 16MHz, is hardly any faster than the NJM2114 (15MHz) or the NE5534 (10MHz). To put it another way the difference is one semi-tone (insignificant) and six semi-tones (hardly significant) respectively.
Sunsun 22.
In my experience both the OPA2604 and the AD823 benefit from a 2mA c.c.s. on their output. I have not found an op-amp that doesn't...yet.
Tim.
Carlos, correct me if I am wrong but the OPA627, which has a unity gain bandwidth of 16MHz, is hardly any faster than the NJM2114 (15MHz) or the NE5534 (10MHz). To put it another way the difference is one semi-tone (insignificant) and six semi-tones (hardly significant) respectively.
Sunsun 22.
In my experience both the OPA2604 and the AD823 benefit from a 2mA c.c.s. on their output. I have not found an op-amp that doesn't...yet.
Tim.
TimA said:Qoute...''The OPAs, and most of the modern/fast op-amps, need a good layout and PSU bypassing. They are very picky. The fact that an NE5534 works better on a circuit doens't mean nothing to me...''
Tim.
Untrue. OPA627, OPA134 are not any fast and do not need special care. What you are saying is true for AD8065/8066 etc.
BTW - 5534/5532 is a horrible amp concerning sonic results.
A clarification
Carlosfm, PMA,
Gentlemen, it appears that I have been misunderstood, but then I may not have expressed myself clearly.
Your very positive findings on class A biasing using a simple resistor is a well understood and accepted mod for most op-amps. And I can confirm that I have tried it as well on the humble OPA2604.
I was simply, in the name of progress, suggesting the reading on the website to show that, when using the simple R, modulation of the op-amps output can occur, that some of the benefits of the high input impedance of the buffer can be negated, etc.
And so, I was suggesting that as good as resistor-based biasing is (and there is no doubt at all that it brings meaningful sonic benefits), there are better methods, like JFET for example.
So, I agree, R biasing is good, but if you liked that, you owe it to yourself to try JFETS, I think you'll be happier with the sound, whatever the theory.
Yes Carlosfm, I agree that I refer to the use of the THS4061 in a specific application, but in fairness remember that I have posted my impressions of the same op-amp in the very pre that made all gaincloners so happy and I came to the conclusion that in my specific set-up, I preferred THS4061 over OPA627 in the pre.
Of course I will be posting my results on the biased THS4061...
Happy DIYing and lets continue sharing impressions, opinions, experiences etc. That's what makes this a good place.
Ryan
Carlosfm, PMA,
Gentlemen, it appears that I have been misunderstood, but then I may not have expressed myself clearly.
Your very positive findings on class A biasing using a simple resistor is a well understood and accepted mod for most op-amps. And I can confirm that I have tried it as well on the humble OPA2604.
I was simply, in the name of progress, suggesting the reading on the website to show that, when using the simple R, modulation of the op-amps output can occur, that some of the benefits of the high input impedance of the buffer can be negated, etc.
And so, I was suggesting that as good as resistor-based biasing is (and there is no doubt at all that it brings meaningful sonic benefits), there are better methods, like JFET for example.
So, I agree, R biasing is good, but if you liked that, you owe it to yourself to try JFETS, I think you'll be happier with the sound, whatever the theory.
Yes Carlosfm, I agree that I refer to the use of the THS4061 in a specific application, but in fairness remember that I have posted my impressions of the same op-amp in the very pre that made all gaincloners so happy and I came to the conclusion that in my specific set-up, I preferred THS4061 over OPA627 in the pre.
Of course I will be posting my results on the biased THS4061...
Happy DIYing and lets continue sharing impressions, opinions, experiences etc. That's what makes this a good place.
Ryan
In the name of progress?
Sorry, Ryan, but we better look for a real light at the end of our audio tunnel, because better specs (modulation, distortion) seem not to be in the same field as good audio results. By audio results I mean sounds which are more life like, instruments that sound natural and not amplified.
Constant current sources seem to be contradictory, perhaps very much like current mirrors. Specs look better, but sounds worst. So what do you go for?
The best compromise seems to be to listen to it and see how it sounds. Using a FET with a resistor is easy to arrange, to anyone who is willing to try. But a resistor is so simple!...
Carlos E. Martinez
Dr.H said:I was simply, in the name of progress, suggesting the reading on the website to show that, when using the simple R, modulation of the op-amps output can occur, that some of the benefits of the high input impedance of the buffer can be negated, etc.
And so, I was suggesting that as good as resistor-based biasing is (and there is no doubt at all that it brings meaningful sonic benefits), there are better methods, like JFET for example.
So, I agree, R biasing is good, but if you liked that, you owe it to yourself to try JFETS, I think you'll be happier with the sound, whatever the theory.
Sorry, Ryan, but we better look for a real light at the end of our audio tunnel, because better specs (modulation, distortion) seem not to be in the same field as good audio results. By audio results I mean sounds which are more life like, instruments that sound natural and not amplified.
Constant current sources seem to be contradictory, perhaps very much like current mirrors. Specs look better, but sounds worst. So what do you go for?
The best compromise seems to be to listen to it and see how it sounds. Using a FET with a resistor is easy to arrange, to anyone who is willing to try. But a resistor is so simple!...
Carlos E. Martinez
PMA
Please get your quotes from the correct source!
We have both made a similar point regarding OPA op-amp bandwidth, yet you have incorrectly attributed a qoute to me that you should have attributed to Carlos.
Tim.
Please get your quotes from the correct source!
We have both made a similar point regarding OPA op-amp bandwidth, yet you have incorrectly attributed a qoute to me that you should have attributed to Carlos.
Tim.
TimA said:Carlos, correct me if I am wrong but the OPA627, which has a unity gain bandwidth of 16MHz, is hardly any faster than the NJM2114 (15MHz) or the NE5534 (10MHz). To put it another way the difference is one semi-tone (insignificant) and six semi-tones (hardly significant) respectively.
Check slew rate too, and settling time.
Anyway, my point and my experience is: put these op-amps on, for instance, a cdp or a pre, and you won't be impressed.
Because most commercial products have miserable layout and psu bypassing.
Put some caps under the circuit, where they are needed, and it sings.
AD op-amps are not so picky, im my experience.
And the NE5532/4 works everywhere, even with psu caps at 5 cm distance.

Why do you think manufacturers like and use them so much?
Less parts needed!
PMA said:Untrue. OPA627, OPA134 are not any fast and do not need special care. What you are saying is true for AD8065/8066 etc.
BTW - 5534/5532 is a horrible amp concerning sonic results.
The OPAs NEED special care.
I'm talking PSU bypass here.
The OPA627 and OPA134 will have overblown bass that mucks up everything on a bad circuit.
Then some people don't like it...🙄
The only BB OPA that I know and tested that works everywhere without special care, like the NEs, is the OPA227 and 228.
PMA said:BTW - 5534/5532 is a horrible amp concerning sonic results.
Oh yes, measures well, not bad spects, etc. but sounds like

My oppinion too.

Upupa Epops said:To Pan : If you will have several amps, which every will have " tail ", you hardly recognize it, 'cos you will think, that is normal. But if you once will hear amp without tail, you will know this forever. Unfortunately absolutely most of amp tail have.
I understand what you mean. Was pussled for a while though since I use the term "tail" most often regarding lowlevel reverberation and maybe fading of acoustic instruments.
No tails (by your definition) in my home though, no opamps, no feedback loops. Balanced class A single end in SACD and class A power amps with only metalfilm shunt attenuation in between. BW DC-1MHz in amps.
/Peter
Re: A clarification
Ryan, I haven't tested the THS, so I can't comment.
I have them here to make a test.
With those beautiful specs I have a feeling...
It may even be that working with the BUF634 they outperform the OPA627.😱
And alone?
Possibilities are plenty, but I have no time now.
Dr.H said:Yes Carlosfm, I agree that I refer to the use of the THS4061 in a specific application, but in fairness remember that I have posted my impressions of the same op-amp in the very pre that made all gaincloners so happy and I came to the conclusion that in my specific set-up, I preferred THS4061 over OPA627 in the pre.
Ryan
Ryan, I haven't tested the THS, so I can't comment.
I have them here to make a test.
With those beautiful specs I have a feeling...
It may even be that working with the BUF634 they outperform the OPA627.😱
And alone?
Possibilities are plenty, but I have no time now.

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