I will start that I suffer from word salad and delusions so feel free to test my reality if you can understand any of my babble. In fact, this metacommunication explains my experience with electrical engineering. You'll see! Lmao
I know next to nothing about electronics and music. If you are asking for words to exonerate the noteworthy accolades of the prestige, you might get a primal syllable or two.
But enough with the fun and agitation.
I have recently looked into connecting to purity and comfortable sound identification.
I own Pass xa 100.5's , Adcom gfp-750, Mcintosh Mr77, and Joseph Audio Perspective 2's, with unbalanced Audience Ohno III interconnects and speaker cables 3 and 8 ft respectively. 3 ft balanced Dh labs air matrix between pre and amps. Which the mr77 and adcom will soon need attention instead of cables now.
I bought this with inheritance, but have an impovershed income so it takes time.
I tried to read Dr. Nelson's excerpt about speaker cables and gathered his taste to appreciate diy with no recommendation for specific speaker cables, understandably as it might not be in his intrests to endorse, Herbie Hancock , if you will, other products. I only made it 3/4 of the way, though. I may be reading into his excerpt, but I found full capacitors, clean connections, with a tesla resistance possibility at entropy interference to other functions at 25 ohm. Aka, self insults of mental distortions contorted with unfamiliarity comes to mind. Lol
So my basic question aside from an assumed static free environment necessity, is if I coil or even oscillate my cables at particular given point could I manipulate the proper resistance for low frequency tesla like resistant speed acceleration for bass and achieve high frequency optimal variability with zips and ground magnifcation, be it different everywhere.. Basically, if I understood right, from and argumentative point, can the high inductance, low resistance thick Fulton chord for low frequency optimization be achieved with a.m. coil in light chords.
And, also, what's the oxidation rate of chords, which need periodically replaced right?
Next, I also believe that body is as important as mind. If ones senses are not sensitive enough for perception or dull with age, an unhappiness will grow.
Finally, thank you for the opportunity to express any thoughts. Evaluations that may have been tested or any positive insights are greatly appreciated.
Thanks.
I know next to nothing about electronics and music. If you are asking for words to exonerate the noteworthy accolades of the prestige, you might get a primal syllable or two.
But enough with the fun and agitation.
I have recently looked into connecting to purity and comfortable sound identification.
I own Pass xa 100.5's , Adcom gfp-750, Mcintosh Mr77, and Joseph Audio Perspective 2's, with unbalanced Audience Ohno III interconnects and speaker cables 3 and 8 ft respectively. 3 ft balanced Dh labs air matrix between pre and amps. Which the mr77 and adcom will soon need attention instead of cables now.
I bought this with inheritance, but have an impovershed income so it takes time.
I tried to read Dr. Nelson's excerpt about speaker cables and gathered his taste to appreciate diy with no recommendation for specific speaker cables, understandably as it might not be in his intrests to endorse, Herbie Hancock , if you will, other products. I only made it 3/4 of the way, though. I may be reading into his excerpt, but I found full capacitors, clean connections, with a tesla resistance possibility at entropy interference to other functions at 25 ohm. Aka, self insults of mental distortions contorted with unfamiliarity comes to mind. Lol
So my basic question aside from an assumed static free environment necessity, is if I coil or even oscillate my cables at particular given point could I manipulate the proper resistance for low frequency tesla like resistant speed acceleration for bass and achieve high frequency optimal variability with zips and ground magnifcation, be it different everywhere.. Basically, if I understood right, from and argumentative point, can the high inductance, low resistance thick Fulton chord for low frequency optimization be achieved with a.m. coil in light chords.
And, also, what's the oxidation rate of chords, which need periodically replaced right?
Next, I also believe that body is as important as mind. If ones senses are not sensitive enough for perception or dull with age, an unhappiness will grow.
Finally, thank you for the opportunity to express any thoughts. Evaluations that may have been tested or any positive insights are greatly appreciated.
Thanks.
Ah-ha ,. Hi!
I suffer from early morning wake up and more over, I'm Sick for speakers, room et C...so I'm finding you entertaining
The cables should have the same length
3 to 8 is a big difference.
I suffer from early morning wake up and more over, I'm Sick for speakers, room et C...so I'm finding you entertaining
The cables should have the same length
3 to 8 is a big difference.
Isn't ohm load just on pairs, not necessarily between a pair of 3 ft xlr's and a pair 8 ft speaker cables.
I did find when I put some 1 inch wood boards under the speakers, the room resonance changed for about 1 or 2 minutes, then returned to same. I attribute it to molecular static feedback. Seriously, lol
The problem of speaker positioning (matemathically Is called immersion) and isolation, if not well understood and 'absorbed', would generate infinite variations.
I just questioned something along that according to possibly expanding a soundstage by dampening about 3 ft away from back Port and using brightening alloys in front. Say chimes metal plates or something not horribly intrusive.
That might be applied to every component of the system, and taking care of eliminating mutual inductance/capacitance caption of room electrical interference from cables...
Ehi, that was a bad period/Word salad! I I Just wanted to write EMF but that Word evoked Ghosts of previous forums that...
Were closed for boringness
Ehi, that was a bad period/Word salad! I I Just wanted to write EMF but that Word evoked Ghosts of previous forums that...
Were closed for boringness
Thanks for the lingo, I would guess it's a bit like the matrix in some sorts of fashion and interior design.The problem of speaker positioning (matemathically Is called immersion) and isolation, if not well understood and 'absorbed', would generate infinite variations.
I was once told wind towers emf travel 10 to 20 feet. I would imagine a smaller emf, if you will, would travel further, but be impeded easier, that's if it could escape the 8% iron crust that has an insane polarity. But don't know too much about waves, ghosts, or residual energies, but I appreciate you mentioning emf's. LolThat might be applied to every component of the system, and taking care of eliminating mutual inductance/capacitance caption of room electrical interference from cables...
Ehi, that was a bada periodo/Word salad! I I Just wanted to write EMF but that Word evoked Ghosts of previous forums that.....
Just read about purist audio design. A physicist that looked into some sort of cable immersion.The problem of speaker positioning (matemathically Is called immersion) and isolation, if not well understood and 'absorbed', would generate infinite variations.
Mmmmh I was to use something like that... having seen a documentary on Wind Dynamo towers (yes, those) and the segmented blades at the ending Edge of the propeller, in order to minimize turbulence so Raising efficiency of the machine.Say chimes metal plates or something not horribly intrusive
Other than that, the only material useful for room acoustic che smwtycs...Just want to Say ciao sme...cosmethics, c'mon, isn't that hard!
Oh my bad!Other than that, the only material useful for room acoustic che smwtycs...Just want to Say ciao sme...cosmethics, c'mon, isn't that hard!
I didn't write the Word F.E.L.T.
Yeah!Just read about purist audio design.
Most Will Say : Yawn!
Others would Say: What?
"Dulls with Age"
..."unhappiness"
Dramatic, eh?!
Thanks, those seem like fine ideas, but wouldn't they immerse eventually too? And just Dynamo towers look interesting in an an off shoot, metal work is way too expensive, if those are your suggestions.Mmmmh I was to use something like that... having seen a documentary on Wind Dynamo towers (yes, those) and the segmented blades at the ending Edge of the propeller, in order to minimize turbulence so Raising efficiency of the machine.
Other than that, the only material useful for room acoustic che smwtycs...Just want to Say ciao sme...cosmethics, c'mon, isn't that hard!
The sound medium is mostly vertical, correct? I am thinking of throwing a couple of dyson fans behind the Joseph's and periodically changing the speeds and see if the white noise or electromagnetic frequency has subtle or any diffusing effects. My thoughts are tempature and sound albeido might be effected, but negative entropy and entropy might be so short lived that it would be impossible to keep up with. I am thinking of resorting to a disco ball for heat and sound magnification reasons as well. Not my field, so you and most forum members difficulty level proffeciency is well beyond my reach and competences. In other words, seems very complicated to me; as earlier surmised a 1,000 is more than 1. Occum's razor is too subtle for my occasional mania! Lol
Oh my bad!
I didn't write the Word F.E.L.T.
Not sure about F.E.L.T., but felt is definetly a go to for me.Yeah!
Most Will Say : Yawn!
Others would Say: What?
"Dulls with Age"
..."unhappiness"
Dramatic, eh?!
And not dramatic, just overly sensitive or maybe it's utterly musically callused in constant search for an electrical pumice of satisfaction. So, yeah, probably Dramatic! 🤣 🤣 🤣
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