I have tried to stay away from the whole concept of a DSP in my system but I finally caved in. The DSP from 3e Audio seemed versatile and well built so I bought one with the intention of using it as an active crossover and Linkwitz Transform. I quickly saw the potential and found the DSP a bit underutilized as just a crossover. It is currently used as the preamp, headphone PEQ and speaker EQ in my latest integrated. New use-cases keeps popping up the more I learn about SigmaStudio and the DSP.
I wish there would have been some sort of holistic primer or tutorial that could have gotten me up to speed but I could not find one. I have therefor started to sum up my experiences in a series of blog posts, tutorial style. I hope it can be of use for the ones starting out with SigmaStudio and a DSP (especially the one from 3e Audio).
You find the "tutorial" on my blog, here is a link to part 1: SigmaStudio Tutorial Part 1.
I wish there would have been some sort of holistic primer or tutorial that could have gotten me up to speed but I could not find one. I have therefor started to sum up my experiences in a series of blog posts, tutorial style. I hope it can be of use for the ones starting out with SigmaStudio and a DSP (especially the one from 3e Audio).
You find the "tutorial" on my blog, here is a link to part 1: SigmaStudio Tutorial Part 1.
Wondering if you made mention in the tutorial of allowing for prevention of intersample overs?
Intersample Overs in CD Recordings - Benchmark Media Systems
Intersample Overs in CD Recordings - Benchmark Media Systems
Interesting article but no, I will keep the tutorial fairly straight forward focusing on SigmaStudio and the DSP. But feel free to add relevant information and comments in this thread.Wondering if you made mention in the tutorial of allowing for prevention of intersample overs?
Part 3: SigmaStudio Tutorial Part 3.