Regulators right beside OPamps pins

Right. Thanks to Mooly's guide I have gotten LTspice going and managed to simulate something that looks like my schematic.

Rearranged schematic frequency response.png
To my untrained eye things look ok. For reference, here is Rod's frequency response graph:
1729325884461.gif


The two look close enough to me.
Frequency response is up 40dB at 20Hz and down to 0dB at 20kHz according to the sim.
Phase looks ok to me. Fairly flat across the audio band except at the bottom where I don't imagine it is as much of an issue.

For the sake of due diligence I will rearrange it back to the original schematic and see if anything changes.
 
Seems to me that ltspice is the 'industry standard' here on DIYA
To me, that's not enough reason to use it. There's no doubt that it's a very powerful simulator, but the UI is just so awful that I refuse to use it.

I happened to bump into Bob Cordell at BAF today and he mentioned QSPICE: https://www.qorvo.com/design-hub/design-tools/interactive/qspice
Apparently it's done by the same guy who originally wrote LTSpice. Could be worth a look.

Tom
 
So with a reverse RIAA filter on the output response is fairly flat.
rearranged with reverse riaa.png
Slightly flatter if the rumble filter is changed to an 18db filter:
18db rumble filter reverse riaa.png

All looks good there to me.
Need I be concerned with the phase shift below 100Hz?
From my admittedly noob brain, this is fairly unavoidable with all of the filters involved.
 
That's what I thought. Thanks for the confirmation.

I have made a bit of a pivot towards the pearl 3. A far more sophisticated design imo.
Since no stand alone pcbs ate available I'm back to pcb design with everything discussed above still relevant.
 
Need I be concerned with the phase shift below 100Hz?
From my admittedly noob brain, this is fairly unavoidable with all of the filters involved.
A big part of the phono playback rumble is usually out of phase, that's why some designs offer a differential rumble filter (often called an "elliptic" filter) and/or downmixing to mono for bass signals. By this, the standard high-pass can be reduced to 1st or 2nd order, just enough to prevent potential clipping.