Phono preamps work with a very low signal from a cartridge and have a non linear response that follows a pre determined "curve". The output level from a cartridge can be in the 100's of microvolts region to a few millivolts depending on type.
RIAA equalization - Wikipedia, the free encyclopedia
Line level sources usually do not need amplifying, just control of volume so that gives rise to the "passive" preamp which is little more than a selector box for different inputs and a volume control/
Old "Din" specced equipment has a low output level of a few hundred millivolts and usually would need modest gain to fully drive a power amp. The response of all line level amps is linear with regard to frequency.
RIAA equalization - Wikipedia, the free encyclopedia
Line level sources usually do not need amplifying, just control of volume so that gives rise to the "passive" preamp which is little more than a selector box for different inputs and a volume control/
Old "Din" specced equipment has a low output level of a few hundred millivolts and usually would need modest gain to fully drive a power amp. The response of all line level amps is linear with regard to frequency.
The bass is really at a much lower level on the disc because it would take up too much space on the disc if it were recorded flat. So the RIAA curve compensates for this.
Also some preamps have a tape position (NAB) which is for a tape head.
Also some preamps have a tape position (NAB) which is for a tape head.
Here is schematic of phono corrector for MM head that I like. MM means Moving Magnet, it has higher output level and higher inductance than MC head (Moving Coil). Usually they are specified to be loaded on 47K resistance, but in reality sometimes is better to load them on lower resistor in order to equalize highs using inductance of the head.
This corrector had been designed by Russian designer Alexander Bokarev. It is simple, but very good sounding.
Professional turntables usually use MC heads: they have lighter moving structure, but have lower output level so need more amplification factor, so noises and microphonics of input tube play higher role.
I myself currently work on MC corrector. It has input and output transformers. Input tube is very unusual for audio: it is planar UHF triode 6С17К. The tube had been designed and was manufactured for radars in rockets, so it has almost zero microphonics. Noises as well are very low. It has tiny planar grid made of 8 micron thick wires, with distances between wires 18 microns!
The tube is made of Titanium and special ceramic with the same temperature coefficient.
The complexity of usage of the tube is caused by very close distance between the grid and the cathode. It results in input current that is much higher than ordinary tubes have.
Also, one side of filament is connected to cathode so it has to be grounded.
But it is not a problem at all!
No resistors in cathode is good! Bias can be made by adjusting of nominal of grid leak resistor!
Here is the picture of the tube: it is tiny and weights 5 gram only!
This corrector had been designed by Russian designer Alexander Bokarev. It is simple, but very good sounding.

Professional turntables usually use MC heads: they have lighter moving structure, but have lower output level so need more amplification factor, so noises and microphonics of input tube play higher role.
I myself currently work on MC corrector. It has input and output transformers. Input tube is very unusual for audio: it is planar UHF triode 6С17К. The tube had been designed and was manufactured for radars in rockets, so it has almost zero microphonics. Noises as well are very low. It has tiny planar grid made of 8 micron thick wires, with distances between wires 18 microns!
The tube is made of Titanium and special ceramic with the same temperature coefficient.
The complexity of usage of the tube is caused by very close distance between the grid and the cathode. It results in input current that is much higher than ordinary tubes have.
Also, one side of filament is connected to cathode so it has to be grounded.
But it is not a problem at all!
No resistors in cathode is good! Bias can be made by adjusting of nominal of grid leak resistor!
Here is the picture of the tube: it is tiny and weights 5 gram only!

Actually the bass is at a slightly higher level on the disc (due to the mid-band shelf), but a magnetic cartridge is a velocity sensor so it gives higher output at treble. RIAA corrects for both effects. Not non-linear, but non-flat.
Here is typical RIAA curve drawn by Audacity software:
An externally hosted image should be here but it was not working when we last tested it.
Now that is a cool tube! How does the size compare to a nuvistor? low microphonics huh? Looks like I need to do some research on that one. Thanks for the tip.
Now that is a cool tube! How does the size compare to a nuvistor? low microphonics huh? Looks like I need to do some research on that one. Thanks for the tip.
Actually, nuvistors ring like bells, while this one is grave quiet! It is specified for 500g acceleration (when the rocket starts, I suppose). For vibrations 5-200 Hz it is specified up to 10g: I suppose radar in the rocked have to continue working when it flies, huh?
It was assembled in vacuum, like nuvistors, but I suppose equipment was needed more precise. And it should cost if start manufacturing now much more than vintage Telefunken 12AX7 costs. But they are dirt cheap on ePay currently, I suppose because audiophiles did not discover them yet...
Here is the datasheet:


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Those curves don't look very impressive to me, should be good for adding 'colour' to your sound.
I've seen better for Nuvistors and as far as I know, not all of them ring like bells.
I've seen better for Nuvistors and as far as I know, not all of them ring like bells.
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Those curves don't look very impressive to me, should be good for adding 'colour' to your sound.
I've seen better for Nuvistors and as far as I know, not all of them ring like bells.
For MC signal levels curves are pretty good! Especially, when to use with active load.
I like solid state preamps.
But I have found that a rumble filter is essential if you want to transfer records to CD.
But I have found that a rumble filter is essential if you want to transfer records to CD.
By the way Bigun;
what kind of non-ringing nuvistors did you mean? I suppose, some nuvistors exist that have special non-ringing construction, yes?
what kind of non-ringing nuvistors did you mean? I suppose, some nuvistors exist that have special non-ringing construction, yes?
6CW4
Nuvistors were used in RCA video tape recorders such as TR70 as a preamp for RF coming off the head. I don't ever remember changing one so I thought they were pretty good. And they had to have pretty good noise characteristics to be used in this application as the RF was pretty weak coming off the head.
Nuvistors were used in RCA video tape recorders such as TR70 as a preamp for RF coming off the head. I don't ever remember changing one so I thought they were pretty good. And they had to have pretty good noise characteristics to be used in this application as the RF was pretty weak coming off the head.
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I don't have many Nuvistors, a couple of 51s (good for low B+ but not that linear) and over a dozen mil spec 52H's which I've yet to read a bad report on. Sure, they aren't rated for 500g, but neither am I 😀
Don't forget that low noise at RF does not guarantee low noise at audio, because of 1/f noise. Also, microphonics do not necessarily have the same effect either. At audio an internal vibration is a signal, at RF it may just modulate the signal which if FM may not mind.
Don't forget that low noise at RF does not guarantee low noise at audio, because of 1/f noise. Also, microphonics do not necessarily have the same effect either. At audio an internal vibration is a signal, at RF it may just modulate the signal which if FM may not mind.
Please don't forget that I am talking about my own experience... 🙄
Nobody guaranteed theoretically low noise for generator tubes, but some people found that they have very low noises in audio band. Nobody guaranteed low microphonics theoretically for rocket radar tubes, but people found them to be low microphonics. 😉
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Wavebourn,
The specification of mu shows a pretty large + and - deviation.
How is this in practice? Do you need a large batch for selection?
The specification of mu shows a pretty large + and - deviation.
How is this in practice? Do you need a large batch for selection?
It was not experience I was concerned about, but assumptions. Good performance as an RF head amp in a video tape machine does not necessarily imply good audio performance (or vice versa). Some valves can do both, like the exotic Russian ones you often seem to find!
I don't have many Nuvistors, a couple of 51s (good for low B+ but not that linear) and over a dozen mil spec 52H's which I've yet to read a bad report on. Sure, they aren't rated for 500g, but neither am I 😀
To silence 61's, 51's ans 52's I glued big heavy nuts on them by epoxy. The whole nut-tube construction I glued on a peace of computer mousepad glued to PCB. 😎
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