Passive radiator out of phase issue.

Seems like I'm only one here to join the club of BR/PR haters. Simple logic IMO... My first hifi speakers were sealed 3-way in ´70s. Then I tried to live with big and mid-size BR speakers during 80s-10s. Then diy was possible again and my latest builds have been sealed 3-ways with dsp. No going back to BR!

The problem is to make definitive measurements to show the problems with phase mismatch. I have only a USB-mic, so no way to keep timing/phase angle fixed. But for sure the PR or port do radiate lots of "noise" from the box, and with phase difference to direct sound, because of different pathlength.

Best place for the port/PB is the backside of the cabinet, because then sound well above tuning resonance will get attenuated most, and gets even more time delay.

Nearfield measurements of the driver and the port can be done, but summed response must be measured further away which will show also diffractions and even room modes if done indoors. Low frequencies need long gating...

Best measurements to show port/PR problems are those done with Klippel NFS at ASR or Erin's Audio corner

Here my measurements of my poor 10"+passive 10" sub (from my museum). Drivers are side by side as per instructions... Spl of gp measurement is not with same amp gain. 500ms and 20ms gating.

Nearfield of each unit and groundplane at 60cm, all indoor. We can see summation below 25Hz and at 50-60Hz, then a deep notch at 65Hz, low notch at 85Hz, peak at 105Hz etc.

xls10 nearfiel act pass 500ms 124.jpg
xls10 nearfiel act pass 20ms 124.jpg
 
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ok lets agree they produce sound. but out of phase righr?

did you notice that I was querying the issue.

OK, but to fully understand the action of a port requires knowledge of the physics of the Helmholtz radiator.

https://newt.phys.unsw.edu.au/jw/Helmholtz.html
The attached diagram shows the internal force acting on the compliance and mass of the air within the port.

At frequencies higher than resonance, the mass hardly moves and the internal force works mainly against the spring or compliance of the air in the port. Acoustically, the applied force is 90° behind the air flow into the port.

As the frequency decreases towards resonance, the spring and mass begin to move together as a single mass and the acoustic impedance increases. Acoustically, the applied force is 90° ahead of the acoustic flow into the port.
 

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Juhazi posted interesting measurements. So would be good to see more of similar. And especially outside the sweet spot of resonance of passive radiators
And again just to learn the issue
Not to prove that ports and passive radiators are bad in general. So far it seems they are not so great in audiohile set up..maybe great for small portable Bluetooth speakers

So those "hardly moves" spots and radiation of midrange through the dish of passive radiator. Since radiator is like a patch paper/aluminum foil over the box


Maybe in a full range speaker midrange radiation is far worse than in a subwoofer
 
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Seems like a lot of radiation from the PR. I've not seen anything that bad before.
Me neither. Actually I can't find published nearfield measurements of subwoofers with PR. Only simulations....

Galu, this thread is not only about resonance maximum, but wide band noise from port or PR. And it happens! Phasematch is another more difficult topic here. Noise is not a big problem for subwoofers or 3-ways, but an awful disaster for 2-ways...

Here are measurements with Klippel NFS and nearfield, of a speaker project with PR.

https://www.audiosciencereview.com/...sponse-open-source-purifi-speaker-png.157078/
1640287685690.png


And a good case of BR port on the backside, woofer 8"
https://www.audiosciencereview.com/...onitor-audio-silver-100-review-speaker.29190/

1640288257320.png
 
Would a double chamber, triple ported ( or triple PR? ) speaker have the same phase characteristics as a conventional single chamber, single port?
I guess you could use a simple rule, PR best for really small ( Bluetooth speakers ), ported best for small ( bookshelf/stand mount ) sealed for medium, double chamber with aperiodic vent between for large speakers.