Shure SM 58's are pretty ubiquitous when it comes to vocal mic's and gets pressed into service in some instances that it shouldn't so yes many a recording contains that characteristic presence peak that centered around 2K (but it's fairly broad and is meant to counter the bass boost that occures because most vocalists use them so close to their mouthes)
warmth on a vocal is acheived with careful tuning between 250 and 800 and the right "icing" between 2500 to 5000 so Indy your half way there.
without some subjective terms general sense could not be conveyed.
i half a pretty good idea what is being said when bored 184 is referencing a warm tone.
warmth on a vocal is acheived with careful tuning between 250 and 800 and the right "icing" between 2500 to 5000 so Indy your half way there.
without some subjective terms general sense could not be conveyed.
i half a pretty good idea what is being said when bored 184 is referencing a warm tone.
Hi, I have just repaired a GFP-555 IC101 with NE5534 and can do the job, as is rated to a max 22 volts
Put a socket, easier to change out different chips.
If the pre amp has a higher slew rate than the main amp it is enough.
The R/C networks and impedance loads will have to be matched.
Put a multi turn or regular pot on input and output to modify if needed.
And leave well enough alone, you can always make an external unit to play through your amp.
Those chips are not available any more.
So if you blow them up, you are in a tense situation.
Better make another, and do what you wish with it.
If the pre amp has a higher slew rate than the main amp it is enough.
The R/C networks and impedance loads will have to be matched.
Put a multi turn or regular pot on input and output to modify if needed.
And leave well enough alone, you can always make an external unit to play through your amp.
Those chips are not available any more.
So if you blow them up, you are in a tense situation.
Better make another, and do what you wish with it.