New Purifi Tweeter Data Sheet

I have another. This is an in-box measurement, absolute calibrated (accurate to +/- 0.4dB) however -10dB has been subtracted to show the 1 metre equivalent SPL reading value. The fundamental has 1/24 octave smoothing (fixed) and the harmonics are based on a log chirp aka exponential sine sweep:

image.png


The legend marks the cursor position.

The last study that I looked at into ultrasonic detection is some time ago. The method is one where the experimenters allowed participants ie. listeners to perform ABX tests, to see if people could reliably tell the difference between high-rez audio, and audio that had a low pass filter at 22KHz, and then at 11KHz inserted.

However, they also attached electrodes to the subjects skull, to measure electrical changes in the electroencephalogram (EEG). The music was played through speakers with high frequency response, not earphones, to allow for detection of other possible modalities of ultrasonic perception eg. head related transfer functions, tactile response. This was in case it may be detected by any other means, in other parts of the brain.

The study is almost 5 years old now (Dec 2020) which in my field of training is starting to get old and considered “almost out of date”

Reference:
https://pmc.ncbi.nlm.nih.gov/articles/PMC7730382
 
Last edited:
@tktran303 I read the article diagonally and it appears one aspect of its summary is what i learned some 45years ago from earlier mentioned meeting with Michelle Reverchon and his engineers. That just the tone is not audible but when part of a audible transient its contribution is audible. Yet how our (total) sensory system detects and notices it is not yet fully understood. ( i understand my references a waay out of date according to your study standards ;-))
Anyhow even while the breakup is well above 20kHz i will place an rlc to dampen its output as it is energy i am not interested in ;-)
 
Why not performing some objective AB and ABX tests yourself?

Just a reminder that there's no actual data on 99% of recordings above 20kHz.
Sometimes even above (roughly) 15kHz.
Depending on the hardware, many DACs have quite a steep LP around 22-30kHz.

So the only thing that could be left, is some additional very minor harmonics.
 
Why not performing some objective AB and ABX tests yourself?

Just a reminder that there's no actual data on 99% of recordings above 20kHz.
Sometimes even above (roughly) 15kHz.
Depending on the hardware, many DACs have quite a steep LP around 22-30kHz.

So the only thing that could be left, is some additional very minor harmonics.
Perhaps lateron, bit complex but i have the hang loose convolver to instant switch between filters, but the on off switch of the RLC is the difficulty.

For the Midrange i did do a test, be it by prolonged listening to A and then to B and repeat. Again here with midtange filters designed for each case, as the passive filter introduces some change in time domain.

My conclusion: there was a difference , especially on voices in choirs (onset of notes/words) of and sound space. But not so prominent, and if done blind i doubt it it will be a perfect score.
Never the less it is now standard in place.

May be if done mono on one 1 box, and instant blind switching, may be a better score, not high on my checklist. I am more focused on clarity and soundstage.
 
Why not performing some objective AB and ABX tests yourself?

Just a reminder that there's no actual data on 99% of recordings above 20kHz.
Sometimes even above (roughly) 15kHz.
Depending on the hardware, many DACs have quite a steep LP around 22-30kHz.

So the only thing that could be left, is some additional very minor harmonics.

So here is a Two Tone FFT plot at 4 volts rms input at both frequencies. So the only thing that could be left, is some additional very minor harmonics?

Note the IM Distortion sidebands on either side of the 17k test tone.

FFT Spectrum Hidden Brand tweeter 2 tone 2k 17k.png
Thanks DT