Hi Peter
😱 That much ?
well go figure
BTW what did you do with your Kenwood L-O7 D ??
🙂
regards
keith birss
😱 That much ?
well go figure BTW what did you do with your Kenwood L-O7 D ??
🙂
regards
keith birss
This message is for Paul Ebert. Hi Paul. Ièm about to buy a Teres platter and bearing and I want to know if you can provide me with a diagram to build the turntable base and tonearm board as the Teres serie 200 has. Any help would be appreciated. By the way your turntable picture is no longer available. Do you some others?
Thanks...
Thanks...
I'm afraid I can't be very helpful. My Teres is custom except for the platter (an early acrylic one) and the bearing. It probably looks nothing like a model 200 or any production Teres.
The Teres bearing is excellent. I would think that just about any base and tonearm mount would give good results.
Sorry I can't be more helpful.
The Teres bearing is excellent. I would think that just about any base and tonearm mount would give good results.
Sorry I can't be more helpful.
Hi Paul... I stumbled across this thread recently as well. Seeing I have been looking into the same air bushings for my tonearm, would you mind providing some photos?
The website from a few years back does not seem to work.
Thanks!
The website from a few years back does not seem to work.
Thanks!
yeah, the website is no longer available. I'll have to find another place for the pictures (if I still have some).
I ended up giving up on the tonearm. I just could not resolve the Bernoulli effect problem. And, I got tired of the noise from the compressor, even with it in the basement.
If I had to do it over again, I would use the smallest bushing and have it move on a stationary shaft. My design was like the ET-2 where the bushing was stationary and the shaft moved. This resulted in too much horizontal inertia.
I ended up giving up on the tonearm. I just could not resolve the Bernoulli effect problem. And, I got tired of the noise from the compressor, even with it in the basement.
If I had to do it over again, I would use the smallest bushing and have it move on a stationary shaft. My design was like the ET-2 where the bushing was stationary and the shaft moved. This resulted in too much horizontal inertia.
Well, I'm sort of around. I haven't used the arm since '07. It is disassembled in a box in the basement somewhere. Since then I have used an MG-1 tonearm (see Advanced Analog Audio - Home) which I have been very happy with. It has some air rush that must be put up with, but it works very well and sounds good too (especially for the price).
I think about making another arm from time to time, but I probably would not go with an air bearing. I've considered a Schroeder clone, but it will be a long while before I would have time to try it.
I think about making another arm from time to time, but I probably would not go with an air bearing. I've considered a Schroeder clone, but it will be a long while before I would have time to try it.
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