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Mesh plate tubes

I guess I am unpopular then. Really unpopular
We are civilised folk here on Tubes-Valves; we try not to take things personally.

Still, your account of the 300b and Power DHTs in general requires numerous corrections.

300B, like the Marconi Osram PX25 is not embryonic. That adjective should be reserved for the DeForest Audion, or maybe the R-Type. Instead, the 1930s Power DHTs should be regarded as the high-water mark of Power Valve design. Both PX25 & 300B were expressly designed for good sound, and the transfer function shows it. What came after was designed for higher power, and lower cost. And smaller size. Miniaturisation does not improve the transfer function of a valve - it degrades it . I explained this in detail in a recent thread comparing Directly with Indirectly heated Power devices.

Have a look around at current production of power valves. If you do, you'll see that 300B, 2A3, 845 and many others of this type are supported by numerous new designs. After a shaky start in the 1990s, some of these are now reliable and good sounding.
Production of these, including the Western Electric 300B restarted just because the good sound was rediscovered by many designers, as well as listeners.

So don't worry about us competing with you for old stocks on these.
 
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Hi mbrennwa,
They are grouped together as they were designed together. The circuits evolved to best use the device at that time. Tubes evolved to operate better under those conditions. I study the history of electronics and have several period, original books. Really cool stuff.

Hi Andy,
Those tubes were designed for economy and longevity, plus higher performance. One major difference over here is we went from a 4 watt heater to a 2 watt heater maintaining performance. Power tubes went from Triode to Tetrode for improved performance, Tetrode to Pentode to solve some problems. Then we went to Beam Power tubes for another increase in performance and efficiency.

I grew up with this stuff, was apprenticed on tube equipment. Later I serviced the modern interpretations and still do. I am exposed to the supposed best quite often, and I have a very good sound system on the bench I can audition this equipment on. I am pretty familiar with this design style in fact. It isn't my cup of tea. Measured performance is exactly what you would expect.

Again. If this is your preference, that is perfectly cool. I have no problem with it. But the fad has driven supply of tubes into the basement and new manufacture has become stupid expensive (because it's an audiophile fad). I've repaired this equipment now for over 5 decades including my pre being paid for fixing stuff time. I have watched parts prices and supply over that time period.

The basic design of these older tubes has been superseded. The basic engineering has moved forward. Yes, they may have improved these old types, but the basic design is still antiquated even if manufacturing has improved. Otherwise you would have a new tube, a modern one.
 

Too bad you live in Canada, or I'd invite you to New Jersey, USA to hear what the old DHTs can do. The offer still stands if you're ever in the area...

Interestingly, although vinyl sounds very good through my homemade DHT pre and DHT amp, top-notch digital upsampled to DSD512 through my DHT-output DAC is mind-boggling. The clarity, detail and smoothness surprised even me!
To echo Andy, judicious use of modern SS tech (so-called "gyrator" loads, CCS, shunt regulators) helps to reveal the true capabilities of these old tubes, for sure!

BTW, I've recently gutted and remodeled my listening room/home theater, and this experience convinced me that the room itself is probably the biggest limitation of any system. Going from 8' to 11' ceilings, from asymmetrical to symmetrical, recessing the components into the wall, and designing with sound in mind makes a very big difference! New setup:
 

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Hi Andy. They are Infinity RSIIb, circa 1985. I completely rebuilt them, removing the crossover to external boxes, using much higher quality crossover components, bracing the cabinets, replacing the EMIM midrange diaphragms with the far superior replacements made by Apogee Acoustics in Australia, using Cardas copper litz for all wiring.

Here's a shot with the covers off, albeit in my old setup:
 

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The basic design of these older tubes has been superseded. The basic engineering has moved forward. Yes, they may have improved these old types, but the basic design is still antiquated even if manufacturing has improved. Otherwise you would have a new tube, a modern one.
I fully respect your deep knowledge of the history of tube equipment, and I do agree that in practical terms a small PP amp with EL34 outputs - like my stage amp for instance - would not have been possible in the old days. I have tried out a lot of old European radio tubes in modern SE designs, in fact, since I once had 100 of them. Some were very good sounding, like REN904, TDD4, ABC1 for instance, though I was glad to see top caps disappear from tube production. In the end I sold them all, mostly to the Far East. Only a small handful went to radio restorers - there was little interest there.

But I continue to use the 26 tube from the 1920s because it just sounds so marvellous - all the clarity and tonality I fail to get to the same degree with modern tubes. Of course it's obsolete - who would sell a tube with a gain of 8 and a 1.5V filament demanding 1 amp of current? Nuts. But it's a superb tube and fortunately plenty still about.

Anyway, back to mesh plates - I'd still be interested to know why the mesh plate 27 sounds so good. Another totally impractical tube, and much rarer these days. Interestingly the square mesh Philco type sounds better than the more common round mesh RCA type. I was lucky to buy a few from the USA so I have some stock. It sounds lovely.
 
Indirectly heated valves are more susceptible to high temperatures on the grid (smaller cathode, higher heating power density). Like for like, Mesh anodes cool better, and so they are far less likely to encourage grid emission.
Early IDHTs were held back by grid emission problems (see *), well known to the valve physicists, and using mesh anodes is a good solution to it.

* Keith Thrower: « History of The British Radio Valve to 1930. » London ISBN: 9780952068402
 
I grew up with this stuff, was apprenticed on tube equipment. Later I serviced the modern interpretations and still do. I am exposed to the supposed best quite often, and I have a very good sound system on the bench I can audition this equipment on. I am pretty familiar with this design style in fact. It isn't my cup of tea. Measured performance is exactly what you would expect.
HI....You grew up with the tubes...you did a lot of repairs. Did you build anything yourself?
 
Hi hooman,
I have built a TON of stuff, and still do. My first "stereo" was a single ended amp I pulled from a console driving a pair of 12" full range speakers, open back cabinets. Large cabinets.

I've built and repaired just about everything. Having formal and apprenticeship training, I have been forced to be very practical and factual. Like I've said, some stuff is fun. No problem.
 
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Hi Andy,
I suspect the mesh plate tube differ in characteristics from the others. I've never examined each in detail.

One thing that is true, a circuit is normally designed to minimize distortion and create the desired gain. That occurs with a set of tube characteristics and deviation from that changes distortion and gain. I use number 27 tubes, they are popular in old radios. I also use '01 tubes and everything else. Each tube has a circuit where it is "happy". Why the mesh plate tube should sound better? Well if they were truly identical in characteristics to a solid plate, you couldn't hear or measure any difference between them. Tube elements (grids, plate, cathode / filament) all work on electric fields. A mesh is as effective as a solid plate in that regard.
 
Which are the interesting tubes available in mesh plate versions? I'd nominate the 27 and AZ1 or AZ11 as ones I've used and liked for instance.

Any explanation why mesh plates sound good?
They must have had their reason(s), perhaps at that time it was easier for them to degas wire/mesh than sheet metal. Wouldn't suprise me if they had an army of women weaving them by hand on a loom.
 
I mentioned that a probable reason for finding a triode with Mesh Anode is for a lower temperature of the grid, so that grid emission can be avoided.

Here is some primary source evidence that this really was the design objective.

The writer, Henderson, was a staffer at GEC Marconi Osram, among the most advanced device design companies of the 1930s, when this was written.

1000002417.jpg


There's little room for doubt now, with this information.

Reference: Henderson, F "Introduction to Valves" published by Wireless World, London, under the auspices of the GEC.
 
Thank you Rod for an evidence based answer! I am very interested in knowing how and why tubes evolved in the direction they did!

I was lamenting to my distant friend and fellow amp builder that we all live so far apart that we don't get to listen to each other's creations. If we could only listen and share facts and our own experience instead of theory, theory that borders on religion, we'd all get along better and maybe make even better amps 🙂. Or at least amps that meet our own individual goals 😎

We are here a very diverse group with some seriously cool and relevant backgrounds! I appreciate all the voices here, some more than others, but all of them in some respect.

Don't read on if you have decided I am just some kind of fool ;-)

My 2 cents on this idea, more about the ensuing heated discussion than the now solved/answered question, is that perception is the true scale; it's mushy and hard to define but better than any naked math model for critical motion forward to musical happiness. My failed/stalled PhD study was in human visual perception but lessons learned there still serve to remind me that humans must share their actual perceptions in order to make everyone come to a greater/larger agreement about the science... if the science discussed centered about a topic like music or art or even what you see when you look out the window.

Give your ears great credit! You can train them to be the best detectors and why not, in the end it is they, along with your full experiential and scientific knowledge in concert with your own heart, your ears are how everything gets judged. We are fools if we look to machines or numbers to be the full and only arbiter of what is "good" let alone "best".

Cheers fellow amp builders!
 
Yes, and tubes were a commodity item back then as well.

There are other reasons for grid emission, and yes. The grid support elements may have cooling (by radiation) fins on them.

I'm not exactly sure how much reflected radiation from the plate affects grid temperatures. The closest element to all G1 grids is the heater or filament. Much closer than the plate is. Maybe the mesh plate had some effect, and they needed every advantage they could find. Back then they were trying to solve all kinds of problems with tube technology. Even in the late 1960s and 1970s they were trying to create a cold cathode tube capable of emitting enough electrons. Anyway, had this been very successful, all tubes even today would use a mesh plate.

Hi Bluesystems,
Yeah, I simply eat mine too. It's a taste thing, just like single ended and ancient tube technology.

Given if a supply of rare tubes is being wasted by experimenting or building stuff that won't be around 20 years from now or so (most won't). Yeah, irresponsible and questionable. Just like taking a rare old car that could be restored and chopping it up and creating something new. It's history, there are a finite number of them. Same deal. Use new manufacture, okay. That's a different story.
 
George is aware of what he is doing. Some of the best early push-pull products used the 45 tube.

Anyway, this is my feeling on the subject. If it was a different device or product, some who do this would switch seats and complain as I do. If you don't value a limited supply, then you will do what you do.