• WARNING: Tube/Valve amplifiers use potentially LETHAL HIGH VOLTAGES.
    Building, troubleshooting and testing of these amplifiers should only be
    performed by someone who is thoroughly familiar with
    the safety precautions around high voltages.

Low microphonics preamp tubes

is it the tube or the circuit? the 12ax7 as a preamp tube is driven at ridiculous high gain levels and max heater voltages in an effort to squeeze more out of it, which shortens life (especially in instrument pre-amps) the 12ay7 is lower in gain to begin with.
i say look at how it's being used before you jump to a conclusion the tube type has a "tendancy" to microphonics.
 
My experience is that it is often the very high gm pentodes which are microphonic. Try 6s17k for zero microphonics.

6S17K is zero microphonic, but it can't substitute 12AX7 because it's grid is too close to cathode, it's grid current is much higher. I use them with grounded cathode, and bias by 47k and it's own grid current. Excellent for new design in phono and microphone preamps, but can't replace 12AX7.
 
I am not sure, but I think it is possible that the most suitable tube for low microphonics should also be selected in order to the used circuit topology.
Currently I have a diy-preamp based of Thorsten Loesch' Shindo Claret for remove unwanted microphonic effects in the line stage - the circuit diagram and description of which can be found under
https://community.fortunecity.ws/rivendell/xentar/1179/projects/claret/Claret.html
The line stage has an extremely strong microphonic effect since several weeks, which remains unchanged even when the volume control is adjust to zero. Maybe due an aging effect of the ECC81/12AT7, but possibly additionally enhanced by Shindo's circuit topology (please note: the attenuator changed also the feedback factor due the fact, that the grid resistor don't goes to GND).

The question is, what is the best suited tube type and brand for this circuit topology ?
An other question is, whether there is a possibility to modify the circuit in such a way, that the microphonic effects is reduced.
Best thanks in advance.

P.S.: Until now I know such large microphonic effects only on MM-RIAA stages without connected ton arm cable (open input) and without or very high impedance load resistor. In this case this effect is usual and is strongly reduced by connected the ton arm cable to the phono input (input impedance was now determined by the cartridge coils).

P.S-II.: URL from post #3 under
is dead, but available here (pg. 48-50):
https://web.archive.org/web/2007102...1960_Getting_the_Most_Out_of_Vacuum_Tubes.pdf
and in the attached file.
More URL's to this topic
https://www.diyaudio.com/community/threads/tubes-microphonic.328490/ (test procedure therefore)
https://gearspace.com/board/so-many-guitars-so-little-time/1372993-microphony-tube-amps.html
 

Attachments

  • Tomer_1960_Getting_the_Most_Out_of_Vacuum_Tubes MICROPHONICS.pdf
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  • Shindo Claret by Thorsten Loesch.gif
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  • S6201-PHP-MASTER-6201-12AT7WA-Philips-ECG-NOS-NIB-1.jpg
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  • Valvo 6201 = E81CC Gold Pin - Philips SQ Label - Hamburg '62'64 Df6-I.jpg
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  • Valvo 6201 = E81CC Gold Pin - Philips SQ Label - Hamburg '62'64 Df6-II.jpg
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  • Valvo 6201 = E81CC Gold Pin - Philips SQ Label - Hamburg '62'64 Df6-data-II.jpg
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  • Valvo 6201 = E81CC Gold Pin - Philips SQ Label - Hamburg '62'64 Df6-data.jpg
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  • ECC81 Philips Miniwatt-data.jpg
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  • ECC81 Philips Miniwatt.jpg
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  • ECC81 Philips Miniwatt-data-II.jpg
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