'LGT' Construction Diary

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soundengine355 said:


Can you provide some details on which models of drivers and crossover settings?

The bass drivers are a tailored specification built to incorporate TS parameters that suited my application so those don't have a model number. The mids are a similar story too.

The tweeter is the 140-15d from RAAL.

Going into the crossover details would take some time, there's information scattered throughout this thread but a nice introduction would be this post:

http://www.diyaudio.com/forums/showthread.php?postid=1438851#post1438851

I can quickly say its a 3.5way design with 200hz, 600hz and 2500hz as the crossover points using 2nd order Linkwitz/Riley filters.
 
You changed to an IIR setup, or are you just using a 12db Q=.5 target? 2nd order targets are pretty shallow to bother with a FIR crossover.

On a side, note I played with high order FIR crossover targets (96db) as well, and found I like conventional (12,18 and 24db) targets better.

With a 24db target I could not tell the difference between my IIR and FIR setups.

All targets are acoustic

What are you finally using for amplification and DAC. You seem to keep changing those?

When is the perceive v10 comming out?
 
mbutzkies said:
You changed to an IIR setup, or are you just using a 12db Q=.5 target? 2nd order targets are pretty shallow to bother with a FIR crossover.

On a side, note I played with high order FIR crossover targets (96db) as well, and found I like conventional (12,18 and 24db) targets better.

With a 24db target I could not tell the difference between my IIR and FIR setups.

All targets are acoustic

What are you finally using for amplification and DAC. You seem to keep changing those?

When is the perceive v10 comming out?

FIR allows more accurate time domain correction without significantly affecting frequency response. That's why even with 2nd order I stick with FIR.

I actually have two identical sets of filters, one FIR and the other is IIR derived from the FIR with some minor delay tweaks to get a good pulse response. FIR is noticeably superior in my setup, its not night and day but its an improvement none the less and I'm all for that. I do use the IIR filters for situations that demand real time processing ie. gaming. Everything else such as music and movies goes through the FIR.

Amplification is Aussieamps NX-LSP400SE, DAC's are courtesy of a Lynx Aurora 16. A very nice sounding setup.

Perceive 10 has already been done, just doing the crossover and write up.
 
mbutzkies said:
Can you give a brief comparison between the ska and the aussieamps?

The last time I listened to an SKA was Nov 07. Memory is much too fuzzy to say anything concrete so bear that in mind. But from what I remember the two aren't a millions miles apart. I like both but the NX400 has appeals that go beyond sound such as DC protection, mute on power off and balanced input.
 
stryker1959 said:
Shin,beautiful render,but methinks that you have too much speaker for your room😀
What you should do is ship them to me(I'll cover the shipping) so you can relieve any clutter and scale it down to a simple MTM design with a few subs😉

😀

Yes but to be honest any speaker I place in there suffers the same brutality caused by the room.

Big speakers are a sign that you've arrived, no one took me seriously before 😀
 
markus76 said:
ShinOBIWAN, DRC can help to some extent. But only getting your room right will help you in hearing the original undistorted signal.


Everyone would agree with that but no room, even the multi million dollar studios are perfect. So given that nothing is perfect, DRC is yet another tool to aid the engineer or listener. You have to weigh up whether the distortion your adding cancels enough of the distortion that's already taking place in the room for it to be worthwhile. Often it is.

DRC isn't something to be scared of. In the next 10 or so years I expect that it will get the recognition and adoption it deserves outside of professional circles where its largely confined right now.

You get a much better result by retaining the right order of necessary measures. Top priority is a uniform indirect soundfield. And that starts by applying absorption for low frequencies and not for mid and high frequencies.

I can't help but feel your looking at it from an idealistic perspective. Most rooms and my room in particular couldn't be further from ideal.

In the real world what you suggest isn't entirely optimal. Its a lot better than nothing but you need to look at the problems to realise there's other problems that need to be addressed aside from the ever present bass issue.

From all I've read about acoustics in small rooms is that treatment's are best handled with broadband absorption not just bass traps. Your speakers and your ears are close to walls and this causes comb filtering or interference between the reflected waves and unreflected waves. The only effective measures for this is diffusion and/or absorption.

Another point is treating first reflections. Bass traps won't do anything for these.

What I'm saying is that in any regular room and particularly a small one, you need some absorption of the mids and highs as well as the bass.

If you've got a minute I highly recommend watching this video covering comb filtering, what causes it and examples of its effects.

http://www.realtraps.com/video_comb.wmv

When you're now starting to apply a foil to your construction it will become more reflective to higher frequencies but then you would have been better off in using the fiberglass for bass absorption in the rooms corners right from the start.

Best, Markus

Markus, I was talking about spot treatment for reflectivity not a wholesale application of this to all treated area. You mentioned the window on the right of the room causing an uneven tonal balance and I said I could deploy a measured amount of reflectivity on the left wall to balance the symmetry of the room.
 
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