Jumping capacitors (parallel)

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so putting capacitors in parallel.

couple questions.

1) does say putting one cap in a xo with a value of 18uf make a sonic difference rather than having one 16uf cap jumped by another cap of 2uf ( =18uf) ? Is better to have just one cap with the 18uf value or the two jumped equaling that value?

2) does the cap you put on to jump the other make the sonic difference? For example if you had a cheap electrolytic and jumped it with a poly cap, would the sonic characteristics be that of the poly cap?


thanks in advance !
 
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The only real difference between a single and two paralleled caps is the ESR, that goes lower with the multiple parallel caps (it follows the resistors rules). If it is advisable or not to lower the ESR depends on the application. For example adding a film cap in parallel to an electrolytic one in a crossover is generally not a good idea if the designer used the ESR on the electrolytic cap into the design.

Ralf
 
How high can the ESR be on an electrolytic?

legit question.

i mean my xo uses one 16uf ALCAP in the woofer circuit. ( which is actually 18uf after i measured)
These caps say they are low loss and low ESR.
so I don’t think Proac were going for ESR in the design but rather size and cost.
a poly 18uf cap would have been huge on the board.
also interesting that they say 16uf but both measured at 18uf.
the speakers are only 2.5 years old. Couldn’t have drifted that much in such a short time. They are +-10%. So did the original design call for 16uf?

https://www.falconacoustics.co.uk/a...lectrolytic-capacitors-low-loss-50v-100v.html
 

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In my opinion, avoiding parallel capacitors is the preferred way to go.
At least in the audio path, PS supplies are different.
And as for crossovers a few uF differences do not make a hearable difference... I challenge anyone to tell the difference between 18uF and a standard value 22uF in a crossover........ with their EARS, not using lab equipment.
 
I accept that challenge. Lol.
sorry but I do. It made a discernible difference that I could easily tell even blindfolded.
i am a musician though so my ears are quite trained. Not bragging , just stating an important variable.

but why would you avoid parallel caps in the long run? Does it alter the DCR that much?

thanks
 
I accept that challenge. Lol.
sorry but I do. It made a discernible difference that I could easily tell even blindfolded.
i am a musician though so my ears are quite trained. Not bragging , just stating an important variable.
but why would you avoid parallel caps in the long run? Does it alter the DCR that much?

You can use any circuit that works for you, and many do use bypass capacitors with larger film or electrolytics
and like the results. Of course, adding any component to a crossover does change the results, to some extent.

This is a very old technique. Some comments on bypassing are here:
https://www.humblehomemadehifi.com/Cap.html
 
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what’s the difference?
wouldnt that resonant peak show up in the system ?
legit question.
thanks man

Everything interacts.
The filter response changes when connected to the driver, speaker wires, and the amplifier.

Even if there were no such interaction, if the peak region were higher in frequency than the woofer's drop off,
it would not increase something that is not there in the first place.

And you don't know the operating Q of the LP filter anyway, it could be lower rather than higher.