and how do you justify the hefty price tag ??
As with the $7900 stealth amp I have , and other "high end" equipment , perceived value is a major factor. While one can see much higher grade components in such equipment and a certain degree of superior engineering (it must sound better than consumer "mid-fi"), a proportional level of "hype" , fancy jargon and photographs often accompanies the product. So the price reflects the increased marketing required to "loosen" the change from a targeted group.
OS
You forgot about conditions when they wouldn't be heard: when they rise below 0.5% on the loudness above certain level. If they rise with lowering of loudness they are heard very well.Joshua_G said:2nd and 3rd harmonics below about 0.5% wouldn't be heard.
Wavebourn said:
Very simple: how small are sound distortions. 🙂
Let me cite myself once more (sorry for being boring): Signal distortions don't correlate with sound distortions because measurements ignore some distortions that hearing does not, but hearing ignores other distortions that measurement does not.
Then please define what are "sound distortions" ??
regards
trev
"sound distortions"
Never heard it put like that . 😕 Looks perfect on simulation and CRO , but I still do not like it's sound ? Sounds subjective ... but audio's final factor is very subjective (our brains).
OS
Trevor White said:
Then please define what are "sound distortions" ??
Sound distortions are aberrations of sound that are perceived as audible differences between captured and reproduced sounds
Trevor White said:
Then please define what are "sound distortions" ??
Signal distortion: something you may hear.
Sound distortion: something you may think you hear.
syn08 said:
Signal distortion: something you may hear.
Sound distortion: something you may think you hear.
😀 😀 😀
It's called "Mental disorders" 🙂
Wavebourn said:
😀 😀 😀
It's called "Mental disorders" 🙂
I thought you were being serious there for a second 😉
regards
trev
Joshua_G said:2nd and 3rd harmonics below about 0.5% wouldn't be heard.
That's quite correct, Joshua, but 3rd should be kept well below 0.1%.
Trevor White said:
I thought you were being serious there for a second 😉
I am absolutely serious. However, I have to add that hallucinations are not necessary symptoms of mental disorders. Example: stereo images.
ostripper said:
Never heard it put like that . 😕 Looks perfect on simulation and CRO , but I still do not like it's sound ? Sounds subjective ... but audio's final factor is very subjective (our brains).
OS
Then take the difference between the input and output signals and study the remaining artifacts. If there are none and you still think that it is not doing a good job then you need to book yourself in to the nearest shrink 😉
PMA said:
That's quite correct, Joshua, but 3rd should be kept well below 0.1%.
And don't forget the 7th harmonic that has to be under 0.00001%
Trevor White said:
Then take the difference between the input and output signals and study the remaining artifacts. If there are none and you still think that it is not doing a good job then you need to book yourself in to the nearest shrink 😉
This is totally wrong (and I am dead serious). Perfect accuracy is not necessary pleasant, its the less damage that an audio system can do. If one does not like the sound of accuracy, then he should look after a less accurate system that would make him happy. At the same time though, he should refrain in extrapolating his preferences, understanding that he's after his own private Nirvana.
There's nothing wrong in one appreciating the warm sound of 10% 2nd harmonic distortions but its wrong to state that is the best sound since sliced bread.
PMA said:The 7th is not my special goal, but I want the high order harmonics below -140dB.
Reported to JC.
It is not about audibility of -140dB at sine. These high order harmonics are an indicator of poor circuit, poor sound. I wanted to evaluate one circuit recently, but simulation showed constant grass of high order harmonics between -120 and -140dB, so I gave up a prototype. It would be a wasting of time only.
By trever -Then take the difference between the input and output signals and study the remaining artifacts.
Yes , one can do that into a static load , confirm acceptable levels of near perfection and be happy with our statistics. 😎 When you then drive the loudspeaker , and the same sound is expected (according to FFT's and THD) , you DO think you need a shrink.
I really did think the above quote was true initially ,but audible differences do exist between different topologies and even different semi's. There would be no market for class A or tubes if just THD perfection was the only factor.
OS
ostripper said:
I really did think the above quote was true initially ,but audible differences do exist between different topologies and even different semi's. There would be no market for class A or tubes if just THD perfection was the only factor.
Don't forget that the answer will be, "because they love specific class A or tube distortions" 😎
Atheists are religious people who believes that God does snot exist.
syn08 said:
Perfect accuracy is not necessary pleasant, its the less damage that an audio system can do.
I think the current popular criticism of overly accurate signal chains is that, "they just don't get your toes tapping".
scott wurcer said:
I think the current popular criticism of overly accurate signal chains is that, "they just don't get your toes tapping".
I never saw an overly accurate signal chain, Scott. I mean, from an air movements in front of microphones to air movements after speakers. In any case aberrations exist. But in some cases you can abstract from aberrations and imagine that the equipment does not exist, in other cases you can't no matter how hard you try to convince yourself that "the chain is an overly accurate".
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