By bear - As you well know, the proper application of feedback effectively "cures" all of these minor deviations of linearity?
That is one road to follow, hope that NFB will cure all ills , or
take the other road and
try like hell to make your circuit as linear as possible before
NFB.
Since this is DIY and the constraints of commercialism are
less , why not make it better ?? (more linear)
perhaps as good as a double blind test is to A/B 2 amps
while listening to thier OP's with a pair of headphones
(Be careful !!).
I recently did this with my simple self amp and my new one
(which does the .0004%/1W thing)(attached). I could hear a better
soundfield with the new one (headphones), but little difference
when run on typical loudspeakers. I think GK just takes the
"high road" in his designs , as he also derives educational
benefits from his pursuit of excellence. 🙂
OS
Attachments
G.Kleinschmidt said:And how do you guarantee a uniformity of NPN/PNP Vbe spreads or temperature dependent Iq sharing imbalances?
All I’ll say (partly from my own experience biasing high power output stages) is that 0.15 ohms is pretty low for an amplifier with 90V rails.
Cheers,
Glen
No need to guarantee the uniformity. Regardless the distribution of NPN vs PNP spreads, the distortion will never be higher. Even in the extreme case when one of them is zero and the other enormous, the distortion is still slightly less.
I think Glen was referring to thermal runaway and assorted issues, not THD per se.
Jan Didden
Jan Didden
janneman said:I think Glen was referring to thermal runaway and assorted issues, not THD per se.
Jan Didden
Hi Jan,
He was addressing two issues:
1. Indeed, thermal runaway and/or current hogging.
2. A low bias voltage on only ~13mV, see:
http://www.diyaudio.com/forums/showthread.php?postid=1757356#post1757356
It is the latter to which I was referring. IF the amp is thermally stable with Vbias=26mV (and why not? D. Self has done it too), then switching to a lower bias will not make the amp less stable.
edit: Because this is rather obvious, I was wondering if there were other consequences like more THD, for example.
Regards,
Edmond.
PMA said:The numbers look pretty much better in 'peak power' than in rms power usually used 😀 😀
This being audio with a very high crest factor, peak is the most
appropriate figure, and is clearly identified in any case.
😎
Wow, I must have real problems with this design!
Actually, sometimes I have had a few problems. In one case, I just re-beta matched the output devices, and it worked OK. In another case, we redesigned the heatsink internally to better balance the heat distribution. We had prototypes built, before we went into production. This is where REAL PRODUCT is better and easier to test, than a SIMULATION.
Actually, sometimes I have had a few problems. In one case, I just re-beta matched the output devices, and it worked OK. In another case, we redesigned the heatsink internally to better balance the heat distribution. We had prototypes built, before we went into production. This is where REAL PRODUCT is better and easier to test, than a SIMULATION.
john curl said:Wow, I must have real problems with this design!
..........
John,
Not according to me! read my posts, please.
John has regular global negative feedback in his JC-1 (not weak), so the 'problems' are reduced 😉
PMA said:John has regular global negative feedback in his JC-1 (not weak), so the 'problems' are reduced 😉
To my experience, and after having the opportunity to measure and listen a pair, the JC-1 is certainly a very good amp, excelling in muscle and ability to handle difficult loads. It is rock solid, very well build and, given the performance and specs, certainly sells for a decent price.
The measured performance is mediocre, however I was not expect anything more for the money. The JC-1 certainly confirms that this level of objective performance is anything that a customer, more or less experienced in the high end world, may look for.
I do not have any idea on if/when/how the customers are using the bias switch, but certainly while listening to the JC-1 I felt no urge to touch it, at all power levels (don't think I went over 200W/channel).
syn08 said:
To my experience, and after having the opportunity to measure and listen a pair, the JC-1 is certainly a very good amp, excelling in muscle and ability to handle difficult loads. It is rock solid, very well build and, given the performance and specs, certainly sells for a decent price.
That's certainly what I would expect - great professional product.
andy_c said:
No.
For real-world crossover distortion (good design) with a sine wave excitation, if the amplitude of the sine wave is very small, it's not enough to fully exercise the crossover nonlinearity. The distortion percentage goes to zero as the amplitude of the sine wave goes to zero. As the sine wave amplitude becomes larger (but not too large), it exercises the crossover nonlinearity fully, yet the sine wave amplitude is still small enough that the crossover distortion amplitude is now a significant portion of the fundamental amplitude. As the sine wave amplitude gets larger still, the crossover nonlinearity has already been exercised fully, so the growing fundamental starts to swamp out the crossover nonlinearity, and the percent distortion decreases somewhat. Then as the sine wave amplitude becomes yet larger, the large-signal nonlinearity swamps out the crossover nonlinearity, so the distortion percentage grows again as signal amplitude increases. That's the reason for the distortion vs. power graph looking like it does for the Ayre amp. At very low levels, THD+N increases again, but that's just the effect of noise, not distortion.
Hi Andy,
This is a very good explanation.
It is worth pointing out that under all of these conditions, spectral analysis of the distortion can be important.
Moreover, use of a spectrum analyzer can eliminate the N in THD+N so that one does not have to "assume" that rising THD+N at low levels is always just noise.
If by spectral analysis all orders of distortion are less than -100 dB at all output levels, and for all fundamental frequencies up to 20 kHz, it is very difficult for there to remain any nonlinearities that are audible under any conditions.
Cheers,
Bob
Terry Demol said:
I think it's probably a good idea most people here go over to
Krill amp thread and digest carefully the OP stage Steve has
designed. It's actually quite brilliant and a breath of fresh air
compared to the usual offerings here.
T
I don't suppose circuit analysis or analogue design is your forte.
But it is a DIY forum so I take it that comments from people like Scott Wurcer don't qualify.
The JC-1 does have too much 2'nd harmonic distortion. I would like to lower it and get more impressive specs.
Bob Cordell said:It is worth pointing out that under all of these conditions, spectral analysis of the distortion can be important.
Yes, of course - agree completely.
Moreover, use of a spectrum analyzer can eliminate the N in THD+N so that one does not have to "assume" that rising THD+N at low levels is always just noise.
Maybe this is nitpicking, but if one removes the noise from the measurement by spectral analysis, I'd call the result "THD" rather than "THD+N", and then assume that rising THD at low levels really is due to crossover distortion. If there were a plot of THD (broadband noise removed by spectral analysis) vs. level, it would be good to see a dotted line where the noise floor of the measurement is reached, if applicable.
If the crossover distortion is bad enough, then rising THD+N (that is, without spectral analysis) at low levels could be crossover distortion-related, as Nelson mentioned in his online article a while back.
If by spectral analysis all orders of distortion are less than -100 dB at all output levels, and for all fundamental frequencies up to 20 kHz, it is very difficult for there to remain any nonlinearities that are audible under any conditions.
I agree with that 🙂.
john curl said:The JC-1 does have too much 2'nd harmonic distortion. I would like to lower it and get more impressive specs.
Front stage, at high amplitude levels.
andy_c said:If the crossover distortion is bad enough, then rising THD+N (that is, without spectral analysis) at low levels could be crossover distortion-related, as Nelson mentioned in his online article a while back.
"If by spectral analysis all orders of distortion are less than -100 dB at all output levels, and for all fundamental frequencies up to 20 kHz, it is very difficult for there to remain any nonlinearities that are audible under any conditions."
I don't recall saying that. Did I?
😎
Nelson Pass said:I don't recall saying that. Did I?
Hi Nelson,
I was thinking of this statement:
If you see a curve with distortion levels climbing as the output goes down, it implies crossover distortion caused by the gap between the two push-pull gain elements. This implies high-order harmonics.
This is on this page of the six moons article, just above Figure 6.
Edit: You didn't mention THD+N specifically though.
Edit 2: Also, we talked about this before here
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