Fetish levels of accuracy are not the path to 'nirvana' -- understanding that all issues undermining the crucial, subjectively important quality aspects of the sound need to be addressed, is the way ...
I didn't see the word "grunt" anywhere...that, and gofer...😀
"too many loafers and not enough gophers [sic]" 😉
Not in this case- they're using solid engineering.
A rare case of “demons” and “solid engineering” harmonious cooperation 😀
Guy finds his house plumbed with beer - full length version - YouTube
George
I think I've mentioned most of them over the last year or so, 😉 - put it this way, I fiddled to correct problems in these areas over the years, and have got results I can reasonably live with - far more so than the average setup ... 😀Now all we have to do is agree what they are 😉
Yes. I was joking, not making a political point. For many years I was a union member when I worked for a utility, and I have a good retirement package!RNMarsh said:I know you dont man it to the extream but extreame exists too;
Sorry, my mistake. I assumed talk of 'removing' everything that is not music meant precisely that, whereas the most engineering can do is avoid adding too much that is not music.SY said:Not in this case- they're using solid engineering.
Ahh! Thank you.
Problem is ill forget it and spell it wrong tomorrow.
I note they are advertising amps starting from $6k in the latest Stereophile. Clearly migrating down and aiming at the volume zone. 😀
Problem is ill forget it and spell it wrong tomorrow.
I note they are advertising amps starting from $6k in the latest Stereophile. Clearly migrating down and aiming at the volume zone. 😀
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Not in this case- they're using solid engineering.
It would be interesting to see how BP will go on once he realises that there's more money in audio voodoo and snake oil than in solid engineered quality products.
I guess every designer has to search his soul for that answer at least once in his career ....
jan
how BP will go on once he realises that there's more money in audio voodoo and snake oil
Bentley Patsy ?
As always, it will be about the implementation. The design may be brilliant, but if interference effects kill its real world performance then it won't make such a big splash. The trouble might be, that they will have to spend just as much money and effort chasing down and eliminating all the audible artifacts resulting from 'cross contamination' between electrical areas ...
In the world I live in, part of the design cycle is avoiding 'cross contamination' between electrical areas, me thinks thou dose fret to much🙂
And as it they seem to use engineering instead of audioeering we can presume they will think about such things.
I like to 'fret' about everything when it comes to producing quality audio.
Now, I must say that Bruno has made a very interesting phono playback board that has great specs. In fact, he is pretty much at the 'engineering limit' of what can be made using common technology. It will be interesting how it does in the marketplace based on its SONIC MERIT. We shall see, and if he is truly successful, then congratulations to him for an engineering masterpiece.
For the moment, Charles Hansen, Nelson Pass and I are sticking with the 'tried and true'. We all got our awards in TAS and Stereophile this month, so we know we make audio designs useful for the audio community. It will be interesting, like it has been with the arrival of digital processing, what the 'next generation' can do, BUT it has to sound really, really good, and establishing this qualification only comes from open listening tests, as done by reviewers and customers, alike.
Now, I must say that Bruno has made a very interesting phono playback board that has great specs. In fact, he is pretty much at the 'engineering limit' of what can be made using common technology. It will be interesting how it does in the marketplace based on its SONIC MERIT. We shall see, and if he is truly successful, then congratulations to him for an engineering masterpiece.
For the moment, Charles Hansen, Nelson Pass and I are sticking with the 'tried and true'. We all got our awards in TAS and Stereophile this month, so we know we make audio designs useful for the audio community. It will be interesting, like it has been with the arrival of digital processing, what the 'next generation' can do, BUT it has to sound really, really good, and establishing this qualification only comes from open listening tests, as done by reviewers and customers, alike.
... establishing this qualification only comes from open listening tests, as done by reviewers and customers, alike.
Yes indeed, in fashion audio, the last thing you want to do is actually trust your ears.
Keep the True Believers believing!
Open listening tests are the way that we manufacturers get feedback about how well we have succeeded in making a really high listening quality product.
Like with automobiles, where the proof of quality manufacture and design is in the DRIVING, for hi end audio it is the independent listening and reviews of products offered, that give us the 'feedback' as to whether we are on the right track. Many have tried to make what they thought as a successful product, based on measurements, only to have it rejected in the marketplace. I prefer to avoid rejection in the audio marketplace, and then to attribute lack of success as politically motivated, only. This does nothing to show 'what works' and what doesn't work, SUBJECTIVELY in audio reproduction.
Like with automobiles, where the proof of quality manufacture and design is in the DRIVING, for hi end audio it is the independent listening and reviews of products offered, that give us the 'feedback' as to whether we are on the right track. Many have tried to make what they thought as a successful product, based on measurements, only to have it rejected in the marketplace. I prefer to avoid rejection in the audio marketplace, and then to attribute lack of success as politically motivated, only. This does nothing to show 'what works' and what doesn't work, SUBJECTIVELY in audio reproduction.
Yes, it's tough to sell fashion when one judges just by ear. I can sympathize with your position.
Contrary to popular belief (as indoctrinated by the audiophile industry and media for obvious reasons), properly engineered gear usually sound pretty darn good.
It's just that producing "properly engineered" gear is not as trivial or commonplace as some would have us believe.
It's just that producing "properly engineered" gear is not as trivial or commonplace as some would have us believe.
Not for me. Reliability is my top priority - that comes only from good engineering all the way from concept to factory. Reliability has to be very poor before it will show up in a magazine driving test or a customer test drive.john curl said:Like with automobiles, where the proof of quality manufacture and design is in the DRIVING
Buy a Japanese car. Very reliable, often boring.
Don't buy an expensive German car, relatively reliable, often fun to drive, cost of repair is ridiculously high.
French cars? Past experience tells me, poor manufacture in general, usually an attractive package.
Most Americans use CONSUMER REPORTS for feedback on automobile reliability.
Don't buy an expensive German car, relatively reliable, often fun to drive, cost of repair is ridiculously high.
French cars? Past experience tells me, poor manufacture in general, usually an attractive package.
Most Americans use CONSUMER REPORTS for feedback on automobile reliability.
Most Americans use CONSUMER REPORTS for feedback on automobile reliability.
Yeah, I was stupid enough to do that when they highly recommended the '03 Passat. A couple years later, with no shame, they told the world that because of a design error, the engines had a tendency to seize up. As did mine at 65000 miles, with VW refusing warranty coverage.
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