Within an amplifier, every signal component frequency modulates every other by some (small) amount. We accept this easily for loudspeakers, and for a single full-range driver is very significant. A generic amplifier is also full range, but the magnitude of effects is still under discussion.
Thanks,
Chris
Thanks,
Chris
I don't discuss differences in magnitudes of mechanical and electrical distortions. Electrical distortions sound nastier. Period. 🙂
Mr. Marsh, have you got a method to get rid ofThis is not even remotely close to what I am talking about.
which does not introduce phase shift?.. a distortion limiting parameter: common-mode rejection.... rejection of the dc component, as i call it, or the 'average' of a non-sine wave.
The methods I'm aware of are either linear & minimum phase (ie as God intended) or non-linear. But even the evil DSP and non-linear methods introduce big phase shifts.
I apologise for inserting (pseudo?) guru microphone stuff into this thread.
For people who have access to the AES Convention Paper 8722:
Any similarities with the content of this patent?
METHOD AND APPARATUS TO MEASURE DIFFERENTIAL PHASE AND FREQUENCY MODULATION DISTORTIONS FOR AUDIO EQUIPMENT
George
There is an element of the truely bizzare here, an extremely verbose recent patent application citing wow and flutter of cassette recorders and VCR's, I don't get it. I mean even AM radios have outlived cassettes in cars.
Just came back from the AES. Met Ed Simon and Jan Didden there. Had a good time, but I am old, and I am glad to be back home. '-)
There is an element of the truely bizzare here, an extremely verbose recent patent application citing wow and flutter of cassette recorders and VCR's, I don't get it. I mean even AM radios have outlived cassettes in cars.
I believe the attempt is made to distinguish similar techniques from his by virtue of their application. That is, he is not attempting to patent a wow and flutter meter as used for tape machines, or a system for characterizing chroma distortions in video, etc.
Not sure if the strategy is going to be productive.
Yes, Ron is 'verbose'. He writes his own patents, how about you?
Pro se patents are usually a bad thing, they might feel good at the time but one tends to be blind to how they actually work in favor of their "baby". Nothing worse that an inventor written patent coupled with a bad examiner, in fact someone was even able to re-patent the current feedback op-amp because he thought he invented it in 1992.
I have no interest is re-engaging on the PIM discussion, I would rather like to see clarification of Jan's observation. If Ron's test shows most modern op-amps to measure perfectly I would like to see you address that in light of past comments.
Who's The Devil in this discussion, does anyone know?
Not sure if the strategy is going to be productive.
A typical strategy is to show how previous art was adequate for the time but now something better is needed as the art moves forward, but mechanical analog recording is not except to a tiny group.
Just came back from the AES. Met Ed Simon and Jan Didden there. Had a good time, but I am old, and I am glad to be back home. '-)
Are you coming tomorrow to BAF John?
Edit: listening I Hear A Rhapsody, by Bill Evans & Jim Hall on Undercurrent. Nice music, but annoying rumble around 20 Hz. What is it? It is not stable, like modulated by amplitide by noise.
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You, i presume.Who's The Devil in this discussion, does anyone know?
With so little ego, you surely have something to hide.😉
I have no interest is re-engaging on the PIM discussion, I would rather like to see clarification of Jan's observation
Wasn’t Mr. Cordell clear enough?
Hi Jan,
Although I haven't seen Ron's paper, I'm really looking forward to seeing it.
I think the phase deviations you show here are probably fairly easy to explain. As the operating points change, the forward gain of the amplifier changes and the closed-loop bandwidth changes. A far-out change in the closed-loop bandwidth, often acting roughly like a single pole at the gain crossover frequency, will cause a change in phase shift at frequencies well below that crossover frequency. That is what causes PIM.
These operating point forward gain changes can occur due to numerous things happening, but at high frequencies one of them could be the voltage-dependency of junction capacitances.…
The idea of looking at phase lag as a function of a DC offset is largely the same as Matti Otala's original proposal for measuring PIM. That is, mix a 60Hz signal with a 6 kHz signal and look at the phase modulation on the 6kHz "carrier" after the test signal is passed through the amplifier under test. This is sort of like the SMPTE IM test, except that we look for phase modulation on the carrier instead of amplitude modulation (AIM). …
As long as we can argue that the 60Hz stimulus is low enough in frequency to look like a DC offset for purposes of measurement, the two approaches are essentially the same.
It is virtually impossible to have any significant amount of PIM without also having an easily measureable amount of THD-20, since the same nonlinearity that causes PIM will also cause HF THD.
Cheers,
Bob
Who's The Devil in this discussion, does anyone know?
I know of one Devil only
The Rolling Stones - Sympathy for the Devil (1969 Hyde Park Concert) - YouTube
Rolling Stones - Sympathy for The Devil ( Live 1969 Altamont - YouTube
The Rolling Stones - Sympathy For The Devil (Live) - OFFICIAL - YouTube
The Rolling Stones : Sympathy For The Devil (live) HQ - YouTube
George
Richard, audio signal is assymetric, I agree. But has zero dc component..
Sorry to be mixing issues in unclear way - email short hand isnt good enough to make it clear in a short sentence -- The average (CM signal) is not zero in music but is zero with a sine wave. Got to think of the implications. I got to git out of here... they're coming for me soon to go to airport. Pls spend some time with sim on cmr of SW-OPA..... not just thd and noise. Later when we have one built on pcb we can measure the cmrr. Its an often over-look distortion source with audiophiles. xplore cmr as distortion creation with certain topologies. Thx-RNM
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Only slightly OT:
Had a great day today at the AES, JC and ES came by!
Plus several others of course that had interesting or fascinating audio stories.
Looking forward to Burning Amp tomorrow!
The pic below, from R2L: ES, JC, yours truly.
Does John wear Hi-End 3D glasses? I see something blue there...
🙂
I am blind in that eye, Wavebourn! That is why I cannot drive myself to burning amp. Just too far, just too dangerous.
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I am blind in that eye, Wavebourn! That is why I cannot drive myself to burning amp. Just too far, just too dangerous.
Sorry John! I did not know that, I thought it is some reflection from some stand.
I go tomorrow morning, I can take you. Is it Alcatraz street?
Anatolyi, if you could do that, that would be great!
If John agrees of course, and has a way to get back home at some time.
jan
If John agrees of course, and has a way to get back home at some time.
jan
Thanks for the offer, Wavebourn, but Jan is right, and I have a limited capacity for such doings. I only lasted till 1:00 today, maybe 3 hours, and I was ready to go home. It is just too uncomfortable to hang around such events. But thanks again, for your offer, enjoy yourself. '-)
average (CM signal) is not zero in music but is zero with a sine wave.
What is a common mode for an audio signal? Do you mean an amplifier connected for non-inverting gain. Common mode and DC for air pressure as it relates to the propagation of waves doesn't make much sense. I suppose popping a balloon in a sealed room would leave a change of DC pressure.
The statement that AC coupled asymmetric waveforms have a net DC component keeps coming up like it's a fact.
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