JBL LE8T eaten by rats

I suggest you get these kits instead.
JBL LE8T replacement kit 8 Ohm | eBay
Aftermarket, like the Japanese ones, seem to use the same parts, but these are complete, including the aluminum dome, which is an IMPORTANT part of the sound.
Keep the Japanese page as reference, it is very detailed.

Only problem withthye Americankit is they include white carpenter´s glue to bond cone - voice coil - dome - spider which is ludicrous.
Way too soft and gummy, will kill rreble.

Proper is a speaker specific adhesive, such s light Epoxy or even better some Hernon speaker specific one such as:
Loud speaker adhesives - CTA Ltd

get a supplier more practical/closer to you.

They suggest many specialized adhesives, for the non critical joints you can use the rubber cement type supplied with the kit but fo the very stong and light voice coil to cone and metal dome you need this one or some equivalent:

Voice coil – spider assembly to cone

Voice-coil-spider-assembly-to-cone.jpg


For temperature requirements less than 200°F:

1. Apply a thin film of EF Accelerator 58 to the bore of the cone and voice coil.

2. Shim and secure voice coil into final position.Voice coil - spider assembly to cone

3. Apply 360° bead of Quantum 147 adhesive to the voice coil-cone junction. Additional mist of accelerator is recommended

For temperature requirements greater than 200°F:

1. Shim and secure voice coil into final position.

2. Apply 360° bead of Conebonder 395 adhesive to the voice coil-cone junction.

3. Heat cure parts – @ 300°F for 1.5minutes, @ 250°F for 2.5minutes, or @ 212°F for 7minutes.

As of:
@JMFahey, what are the best PRO speakers today?
Still JBL/Altec, or some other brand?

in the 30s 40s 50s maybe even early 60s it was easy to answer: either of them, plus maybe the rare Western Electric, Westrex or Vitavox, but later many excellent competitors appeared.

In that era, THE main PRO Audio market was Cinema, it´s hard to evenly fill a 1500 to 2500 people (sometimes more) huge boomy rectangular room where everybody who paid a ticket had to listen clearly so they invested whatever was necessary, cost no object.

That said, JBL is still a powerhouse and the others more or less clone their designs, so .... 🙂
 
i have seen studios that still uses ns10s. familiarity and knowing how it would sound like after mixing is probably more important. and i dont quite see the rationale why they would degrade for such a short period of time? but im not a pro so take it with a large grain of salt.
 
its a patch up job. the guy i brought them too have a large inventory of cones from jbl, altec, ev and almost every brand imaginable. luckily he found a some torn cones from some jbl le8ts that he reconed from before he used those to patch what is missing . the surrounds arent original but the guy has a diy rig to cut the edge to the right sie. now they sing wonderfully in temporary 3 cubit feet cabs with 4*2'' vent.