This is brand new technology called "Varispeed™".
It also regulates the beat in your favourite music, so you do not have to buy expensive Linn or Naim gear anylonger to get the beat right. Now you can adjust yourself to any beat you want, upbeat, downbeat and jus beat😀.
The Varispeed™ technology, is derived from spacetechnology, based on a special and very precise timing device which were part af a Mars landingcraft.
The varispeed™ device is placed on the speakercables in small boxes, and can be adjusted with a remote control.
There will soon be distributers overseas, so be patient and don´t buy new speakercables until you´ve listened to this
cool 😛
Absolutely! And can even be more enjoyable, at times. But the live thing is, well, alive. =)
Bach mostly. Which is what he started out with at age 4. It was a combo lecture and recital. Just him and his cello.
He mentioned being in awe of Casals. And Rostropovich, big time.
Just a fun note. Yo-yo admits that musicians can get "gear obsessed" too. Thinking that the right strings, the right bow, types of rosin, etc will make the music better. We are not alone. 😉
Only saw Rostrorovich once - unfortunately he was conducting, not playing. This was a very emotional occasion as the soloist was Pierre Faunier who played Don Juan. MR went to the wings and carried the cello for PF - who was very lame. It was a very treacly event but nevertheless memorable. I smiled when I saw your post above on the MR Triple!! That is to my mind a very poor recording deserving no more than a 3/10 rating. It does not serve the performance at all well. THe UK pressing is simply shocking.
This is brand new technology called "Varispeed™".
It also regulates the beat in your favourite music, so you do not have to buy expensive Linn or Naim gear anylonger to get the beat right. Now you can adjust yourself to any beat you want, upbeat, downbeat and jus beat😀.
The Varispeed™ technology, is derived from spacetechnology, based on a special and very precise timing device which were part af a Mars landingcraft.
The varispeed™ device is placed on the speakercables in small boxes, and can be adjusted with a remote control.
There will soon be distributers overseas, so be patient and don´t buy new speakercables until you´ve listened to this
Well! Since my little remark which was meant to be funny, didn`t fly with some moderator, I will now try the American way instead:cloud9 You can even beep it to your arm, to regulate the beep when you beep your beep😛
Only now and then the ropes
...a friend tells me that he has seen your show! He only wishes that it was available on video.😉
I must emphasize to you thoroughly, that any use or misuse of "varispeed" for purposes insinuated in the latest 5 or 6 posts will result in cancellation of the warranty.
A warning that dangerous health conditions might occur after this kind of misuse of "varispeed", is now apropriate.
Btw. try to tie it round your waiste, when you are to do your favourite moves, and then adjust to desired pace and POWER😀
This might improve the rumours heard about you
A warning that dangerous health conditions might occur after this kind of misuse of "varispeed", is now apropriate.
Btw. try to tie it round your waiste, when you are to do your favourite moves, and then adjust to desired pace and POWER😀
This might improve the rumours heard about you
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I already tried to tie it around my previously mentioned instrument but found it to be pretty much in the way when reaching the high pitched tones😀 so thank you for the warning
No problem with your smile.If you read my post I said the recording cannot be considered "accurate".You seem to miss the positive points of it though.Superbly musical and not a technical exercise...sorry,but I'm smiling now🙂
I also have no problem with your smile!!!🙂🙂🙂🙂! I was referring solely to the recording - NOT to the performance. I almost - but not quite - agree that the swirling, veiled, muffled distant quality does transfer the emotional sugar-candy which MR nearly always managed to achieve!😛...... But the Triple is such a great piece of music that it can stand any such mistreatment!
10/10 for content, 2/10 for technical aspects of recording!!!😀😀😀Must not stay off topic....my cables are probably to blame for the lousy sound quality!!
I also have no problem with your smile!!!🙂🙂🙂! I was referring solely to the recording - NOT to the performance. I almost - but not quite - agree that the swirling, veiled, muffled distant quality does transfer the emotional sugar-candy which MR nearly always managed to achieve!😛...... But the Triple is such a great piece of music that it can stand any such mistreatment!
Must not stay off topic....my cables are probably to blame for the lousy sound quality!!
Hmm. . . try patching around the preamp? Or try a different source device? Generally, there's some sort of weaker drive (usually a simple resistor) at the input for most indoor use audio, else it would be shouty. Well, for some music, you'll need a stout drive for clarity.
Problem: Both the recording and the replay equipment have a laid-back voicing. Its doubled up. That would be fine for loud rock music, but awful on classical.
This analysis brought to you by the new Mark II Guess-O-Matic Interpolator.
P.S.
You can go ahead and use an amp with a loud forwards clarity and add my little passive buffer dial (posted back a few posts) at the input for whenever you want it laid back, or not. This is much easier than swapping amps. 😀 An active buffer is also an alternative as it can also be switched out.
A double-pole, double-throw, on/on switch makes a great "cancel" for a variety of presets (passive buffering, active buffering, baxandall, capacitor trick, damper, tone, bass, auxiliary ambiance speakers, and CLEAN) to accommodate different music types. This (these) on/cancel switch(s) can be arranged to work like organ presets--instantly. Its quite similar to having numerous "tape loop" sections available, with each one pre-set to do a specific task.
You can have any system you want, specific to a particular music type, with the quick flip of a switch. There's no need for your popular music to be tinny or your classical muffled. One system can do both--just flip a switch. 😉
Sure, that's REALLY old fashioned, but its nice because one of the options is always clean. And, you need that.
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Like a washing machine.😀 Still,I could try wash out my system's dirts if I had a sample and see what it does 😀 Really
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There's a slight problem. You have to start with a low distortion lab-type system so that voicing and effects can be switched off to expose the clean system. The approach requires an amp that is clean and shouty so that you can expose that when needed. The approach can be used in combination with a botique preamp equipped with a "cancel" to patch around it. And then just flip that switch to "cancel" for "audio washing machine." 😉
Perhaps you can check your amplifier or preamp and look for resistors in-series with the + input.
If that spot is a rotary adjustable instead (using two out of three connections on an ordinary potentiometer), then you may be able to adjust the "muffled distance" sound that you're talking about.
That sure beats searching for the perfect RCA cable. 😉
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connection problems solved
Bought every superior interconnect thas was available, never used them, simply set them in the basement. My findings: a wireless connection between my hard-disk and amplifier + an empty wallet made the ultimate sound: the resonating black hole in my wallet is catching all the weird frequencies. I send it to mr S.Hawking to study its behavour.
Bought every superior interconnect thas was available, never used them, simply set them in the basement. My findings: a wireless connection between my hard-disk and amplifier + an empty wallet made the ultimate sound: the resonating black hole in my wallet is catching all the weird frequencies. I send it to mr S.Hawking to study its behavour.
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