Ludvig_S said:I just want to write a note about three 15" wavguides that were delivered from Gedlee today.
Ludvig, I would be interested to know about costs, with all expences
gedlee said:
Waveguides should always be countersunk. It would be bad design to use a nice smooth outer radius and then leave the edge in a step.
Yes, of course. My point was not that they should be countersunk. My point was that they needed putty and sanding after they had been countersunk, since the edge were a bit rough.
🙂
tinitus said:
Ludvig, I would be interested to know about costs, with all expences
I don't know in your case. The waveguide cost and shipping to your location is a question for Earl. Your import cost (VAT and customs) will vary depending on which country you live in, so I simply could not give you an answer.
Danmark...we are close neighbours 😉 I didnt ask you how much I should pay, but how much you have payed....but never mind, I will probably order Azura waveguides as I am doing a 3way...I was just curious
Dr. Geddes I sent another email, but haven't heard from you. They aren't getting returned, any chance they are being quarantined as spam? Let me know if you are getting my emails.
tinitus said:
Ludvig, I would be interested to know about costs, with all expences
The prices are quoted on my web site. The waveguides, mounting plate and foam plug that Ludvig ordered are $250 each. I don't know shipping since he had tham packaged locally in another order.
Hi Ludvig_S, you are not reachable...
I am very curious!
Would you mind contacting me Ludvig as you are not allowing anyone to contact you? I could have written this in swedish but that would have been impolite.
//Per
Ludvig_S said:I just want to write a note about three 15" wavguides that were delivered from Gedlee today.
They are actually bigger than 15". More like 17". The visual finish is not high enough to mount them untreated in a speaker, but that was not what I had expected either. They need to be countersinked into the baffle, and need some putty and sanding since the edges of the waveguide are a bit rugged and not completely regular. But after doing this, they should be just fine estethically.
The mounting plates are drilled with very high precision. The throat transition waveguide<->mountingplate<->compressiondriver makes a smooth, perfect fit. The foamplugs also fits very well into the waveguides and has a nice exterior roundover.
All in all I'm very satisfied with the mechanical design and finish of this product.
I am very curious!
Would you mind contacting me Ludvig as you are not allowing anyone to contact you? I could have written this in swedish but that would have been impolite.
//Per
Re: Hi Ludvig_S, you are not reachable...
Hi Per,
since I have registered here very recently, I'm under moderation and that seem to block the possibility to contact or be contacted by other members.
Please contact me on www.streamingaudio.se
phi said:
I am very curious!
Would you mind contacting me Ludvig as you are not allowing anyone to contact you? I could have written this in swedish but that would have been impolite.
//Per
Hi Per,
since I have registered here very recently, I'm under moderation and that seem to block the possibility to contact or be contacted by other members.
Please contact me on www.streamingaudio.se
Demo pair
Gedlee,
Does someone have the demo pair of Nathans you were sending out?
If so, it would be helpful and interesting for anyone listening to the demo pair to write in about their experience. Any pros or cons, what kind of speaker do they normally listen to, type of equipment, and type of music.
Thanks.
Tom
Gedlee,
Does someone have the demo pair of Nathans you were sending out?
If so, it would be helpful and interesting for anyone listening to the demo pair to write in about their experience. Any pros or cons, what kind of speaker do they normally listen to, type of equipment, and type of music.
Thanks.
Tom
The demo set took some time to get painted. Paint is such a pain. I finally broke down and bought a pro painting setup to see if I can get rid of the problems that I keep having.
They should go out this week, or early next.
But I can't force people to post. A lot of people just won't - you have to have a thick skin! The reality is that these forums don't really allow for dissent unless one is ready to take abuse. Fairness and respect are in short supply.
They should go out this week, or early next.
But I can't force people to post. A lot of people just won't - you have to have a thick skin! The reality is that these forums don't really allow for dissent unless one is ready to take abuse. Fairness and respect are in short supply.
But I can't force people to post. A lot of people just won't - you have to have a thick skin! The reality is that these forums don't really allow for dissent unless one is ready to take abuse. Fairness and respect are in short supply.
Haha. So true, so true.
Best,
Anand.
A clone of Abbey with an elliptical constant directivity horn.
Could this be a waveguide?
http://www.professionalhomecinema.com/index.php/loudspeakers/SCR_12sm
Could this be a waveguide?
http://www.professionalhomecinema.com/index.php/loudspeakers/SCR_12sm
I remember seeing that wave guide while browsing through some sites, don't recall any data was published, otherwise I would have taken notes. I do recall the guide is cast aluminum with some ribs to break up some modes. The add claimed that FEA of structural modes were conducted to determine the locations of the ribs.
soongsc said:I remember seeing that wave guide while browsing through some sites
Looks very much like 18Sound "old" XT waveguide...there are 2 fore 1" driver, hard to say which
It is similar to the Abbey, but there isn't any published data to compare, except the sensitivity, which is pretty low by Abbey standards.
Any idea of the price?
Any idea of the price?
gedlee said:It is similar to the Abbey, but there isn't any published data to compare, except the sensitivity, which is pretty low by Abbey standards.
Any idea of the price?
Well, that's the cost of the extra octave of bottom end eh?
Its hardly an octave. If 54 Hz is the -6 dB (as it is usually spec'd) point then its more like 1/3 octave or less. The Abbey goes a lot lower than the Nathan.
LF extension is matter of choice and my philosophy is not to bother. The Abbey could easily be modified to reach 54 Hz with porting, but, to me, that would be the wrong thing to do. You have to pick your target, you can't design for multiple subs and not multiple subs, something won't be optimum.
LF extension is matter of choice and my philosophy is not to bother. The Abbey could easily be modified to reach 54 Hz with porting, but, to me, that would be the wrong thing to do. You have to pick your target, you can't design for multiple subs and not multiple subs, something won't be optimum.
It is definitely the Eighteen Sound XT1086. I have used it and are very familiar with its looks.
I guess that the compression driver behind it is a BMS 4540ND, Polyester diaphragm: check
113 dB sensivity: check
Response to 30 kHz; check
😉
I guess that the compression driver behind it is a BMS 4540ND, Polyester diaphragm: check
113 dB sensivity: check
Response to 30 kHz; check
😉
I do have difficulty understanding how "random" placing of multiple subs can be optimum. Some designers think that placing multiple subs to excite as many modes as possible, which is a point of view I can understand; but a non-technical based approach as "random" just means "wherever you put them it will work regardless" is just something that cannot be technically explained.gedlee said:Its hardly an octave. If 54 Hz is the -6 dB (as it is usually spec'd) point then its more like 1/3 octave or less. The Abbey goes a lot lower than the Nathan.
LF extension is matter of choice and my philosophy is not to bother. The Abbey could easily be modified to reach 54 Hz with porting, but, to me, that would be the wrong thing to do. You have to pick your target, you can't design for multiple subs and not multiple subs, something won't be optimum.
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