I didn't plan on using a flared port, although I gather it would help immensly.
But I'm shooting for about a F3 of 19Hz, at around 109db.
But I'm shooting for about a F3 of 19Hz, at around 109db.
As a general rule, I would leave at least one port dia. distance away from the back wall. If you port dia. is 4", leave at least 4" from the wall.
I leave three times the port size from the wall or it will continue to act as one large port of an unknown legth.
I would use more distance then, just to be on the safe side.mitch808 said:I didn't plan on using a flared port, although I gather it would help immensly.
But I'm shooting for about a F3 of 19Hz, at around 109db.
In a quick search, a number of manufacturers suggest placement similar to Vikash at about one port diameter. I must admit that, intuitively, this seems wrong to me. Particularly considering the air velocity for 109db @ 19Hz in a 3" port will approach 30ft/sec. (this is also an argument that velocity and not acceleration is more directly responsible for SPL, but that's a different discussion.)
I think I would consider a larger port if possible.
I would be very interested to hear an explenation on how you can place the port so close to a wall and not adversely affect its output.
I think I would consider a larger port if possible.
I would be very interested to hear an explenation on how you can place the port so close to a wall and not adversely affect its output.
The critical distance is when the the CSA of the port
circumference to the wall = the CSA of the port.
This occurs when the spacing is 1/4 of the port diameter.
So I agree with Vikash, and have to disagree with MarkP.
And to answer Roddyama's query with a spacing of 1 port
diameter away from the wall the acoustic impedance change
at the exit of the port is only slightly affected.
Note that there is a huge change in air velocity at the exit.
🙂 sreten.
circumference to the wall = the CSA of the port.
This occurs when the spacing is 1/4 of the port diameter.
So I agree with Vikash, and have to disagree with MarkP.
And to answer Roddyama's query with a spacing of 1 port
diameter away from the wall the acoustic impedance change
at the exit of the port is only slightly affected.
Note that there is a huge change in air velocity at the exit.
🙂 sreten.
Yes, I can see the where the air velocity would change dramatically at the port exit (essentially a half space). What it seems you should get is the loading on the port of a conical horn that is expanding at the rate of 2pi X distance from the ports center.sreten said:And to answer Roddyama's query with a spacing of 1 port
diameter away from the wall the acoustic impedance change
at the exit of the port is only slightly affected.
Note that there is a huge change in air velocity at the exit.
🙂 sreten.
.roddyama said:
Yes, I can see the where the air velocity would change dramatically at the port exit (essentially a half space). What it seems you should get is the loading on the port of a conical horn that is expanding at the rate of 2pi X distance from the ports center.
Well its only 2pi for half effective baffle width, after that its 4pi,
given free space. For close to wall its ~ 2pi above baffle width.
🙂 sreten.
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