Compact LINEAR tone arm with a floating head-shell

In 99.9% of cases, it should be ok. Even the gaps between the groove vary a little. There is still some room to compensate for the difference in the floating headshell.
Yes, there's enough of a slop room to compensate most record groove width even in a fixed pitch movement. But we also have to add in eccentricity. So the headshell rail width has to accommodate the widest groove gaps AND eccentricity. It's probably doable.


wiseoldtech: "Utter waste of time this contraption."
Utter waste of time to pay attention to any of your posts.
 
Utter waste of time this contraption.
When commercial designs have already done research and development on suitable turntables for decades.
And the TD124 with that contraption is just not suitable, nor reasonable to provide any benefits.
I don't know what you are talking about! Are you saying that Thorens TD-124 must be used with the original tonearm only? No other tonearm should be used with Thorens TD-124 turntable. That is utter nonsense! You don't seem too wise to me.
 
@super10018
NO....
I never implied that a TD124 Must be used with any arm.
So stop jumping to conclusions and be reasonable.
Unlike what the OP is insisting, and clearly is not.

This is labeled as a DIY site, however SOME projects/dreams are WAY overboard and UNreasonable, if not utterly stupid and sensless.
 
Another interesting project, Ralf, another step towards the solution of some of the many problems still present in every type of TA (at least for those able to see them).
And glad you joined us in the Radial TAs club (too few members, sadly). What I still haven't figured out is why, if the floating head shell can go half the way by itself, just by the SF, it couldn't do it always and completely. without any outer helping.
Couldn't a longer rail be enough?

ciao - carlo
 
Ralf really gets the cranky cranked up! When I think something is stupid I look elsewhere.

At DIYAudio it becomes a cause.

Saddle up Rocinante and engage with the enemy!!! Don Quixote rides again to protect the fragile minds of audio hobbyists from the evils of the, well, I am not quite sure but it sure must be scary.
 
The one thing stepper motors cannot do is drive at constant speed (the name is a clue). And they are extremely noisy as motors go. No point worrying about bearing noise if there's a stepper in the equation, you are just going to be making an unwanted industrial soundscape, as far as I can reckon.

This is not my design. Let me quote Ralf's original post.
The tone arm would be driven by a geared-down CONSTANT speed DC motor, or my preference, a stepping motor. There would be two limit switches to start and stop the motor, but NO servo.

Personally, I don't like any kind of active tonearm.
 
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What I still haven't figured out is why,

ciao - carlo
Hi Carlo,

What my design tries to accomplish is, to create a linear tone arm that is compact and requires no more space to install than a conventional pivoting tone arm.

Take a look at one of the drawers in a modern office file cabinet. It rolls in and out, supported by a telescoping guide rail. The guide rail only moves half the distance that the drawer moves.

Sincerely,

Ralf
 
And they are extremely noisy as motors go.
Hi Mark,

In 1984 or so, I designed and built my first tangentially tracking tone arm. It was servo controlled and used an Airpax stepping motor to drive its carriage.
I applied for US Patent specifically for the use of a stepping motor and the patent was granted! The motor was designed to take a 15 degree step approximately every 30 seconds. There was no bearing noise and the tone arm functioned just fine. I had it tested by "Take Five Audio" in New Haven Connecticut and it was listened to by audiophiles.

Your criticism is obviously not based on any experience you may or may not have.

Ralf
 
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Now it's clear Ralf, thanks.
Installing a linear on the normal seat of an usual 9" pivoted was also one of the goals of my Lil Casey, and even more of the CorkScrew FP, aiming above all to compactness. Certain monumental LTAs leave perplexed me too.
Another doubt is whether the uniform movement of the base, favoring just one direction, could not be problematic with eccentrics, a bit like a sloped rail. Have you already built it?
carlo
 
..... tangental to the groove within 0.2 degrees in a slow, fluid, silent advancement.
I'm certainly quite satisfied!
(wiseoldtech)

0.2°
- seems really a good measure, practically undetectable at sight.
But for a normal LTA wand (around 170 mm, maybe) this equates to 0.6mm shift. This means that the stylus has to trace a dozen grooves (0.04 to 0.08mm) just trough a cantilever bending, up to 6°-
In short, I would be a bit less satisfied.
But consider please that with our diyed passive contraptions we have been struggling for years against bendings of <<1/10 due to a cart friction of less than 2mN - (corresponding to a > 10 times higher, on your active one).

carlo
Hoping my calcs are correct - you will find a lot of useful ones on the thread dedicated to our silly DIY LTAs dreams

Sorry for this digression, Ralph
 
@nocdplz
Consider this....
A fraction of a millimeter or a fraction of a degree of non-tangency while playing a record is really undetectable and trivial.
When the stylus cantilever itself is vibrating side-to-side, up and down, at more of an angle, particularly if a warp or non-centered record groove is its resting place.
 
if you are happy...
The cantilever angle is only 1/2 arcsin 0.08 (the maximum width of a groove, if the cartridge is aligned across it) and this is the tonearm's job, in every conceivable condition- defect. With these topics we deal on these threads.

carlo
sorry again ralph