Multitones?, maybe for loudspeakers but not low THD electronics
please show a "bad multitone" of audio electronics
we have Scott's, PMA's soundcard multitones showing the indifferent stock op amps on those boards give no noise floor rise
please show a "bad multitone" of audio electronics
we have Scott's, PMA's soundcard multitones showing the indifferent stock op amps on those boards give no noise floor rise
Define "designed for audio"...what are you expecting?If this is correct (and I am not saying it is or is not), then a data sheet stating 'designed for audio' can only be BS.
Jan
Jan,
With your wide network you probably know what it takes to make great audiophile gear better than most.
Opamps are from a different industry with quite different objectives and constraints (many more constraints) and know-how. So should we expect the same outcome?
That's why I think it depends on what we expect and what the mfr intends by "designed for audio".
With your wide network you probably know what it takes to make great audiophile gear better than most.
Opamps are from a different industry with quite different objectives and constraints (many more constraints) and know-how. So should we expect the same outcome?
That's why I think it depends on what we expect and what the mfr intends by "designed for audio".
Jan,
With your wide network you probably know what it takes to make great audiophile gear better than most.
Opamps are from a different industry with quite different objectives and constraints (many more constraints) and know-how. So should we expect the same outcome?
That's why I think it depends on what we expect and what the mfr intends by "designed for audio".
You put too much trust in me😱
If a data sheet says designed for audio, it can mean two things:
1) it's a great opamp for a lot of purposes and audio is one; mentioning it may get some sales from audio people. This is generally the case with the big manu's. Maybe Scott can comment but I doiubt very much that ADI has opamps designed specifically for audio, although they have a lot that fit nicely in audio apps and say so in the dartasheet. After all, audio is just a low-key low BW subset of all possible apps 😉
2) the opamp is really designed for audio. This is for instance the case with THAT parts - specifically for audio apps and having some attributes to make it a better fit; like VCAs, absolute value circuits, etc..
The funny thing is that the parts in cat 1) often perform at least as good or better than those specifically designed for audio. Since manu lot sizes determine to a large extend the price, they often are also cheaper than the specific audio parts. Then again, the specific audio parts sell because it appeals to people's gut feelings.
Capitalism is quite interesting, don't you think? 😎
Jan
please show a "bad multitone" of audio electronics
we have Scott's, PMA's soundcard multitones showing the indifferent stock op amps on those boards give no noise floor rise
One aspect of multitone tests is that the crest factor is often ignored, even with DSL drivers usually the floor made a dramatic change only at the onset of clipping.
The funny thing is that the parts in cat 1) often perform at least as good or better than those specifically designed for audio. Since manu lot sizes determine to a large extend the price, they often are also cheaper than the specific audio parts. Then again, the specific audio parts sell because it appeals to people's gut feelings.
And have the infrastructure and expertise afforded by being a bigger company (and, in most cases, owning their analog fab) to simply out-design and out-fab "made for audio" parts, even in audio bandwidth. Not to say I don't admire THAT's efforts, much of which is pro-sound dedicated (for obvious reasons). IC's for fru-fru audio? You'd never make back the physical cost of the mask set (unless done with 5 µm design rules...).
In no way, shape, or form are we hurting for stupidly good analog IC's that work in our needed bandwidth (and then continue to have loop gain for a_long_while_past 😀).
And have the infrastructure and expertise afforded by being a bigger company (and, in most cases, owning their analog fab) to simply out-design and out-fab "made for audio" parts, even in audio bandwidth. Not to say I don't admire THAT's efforts, much of which is pro-sound dedicated (for obvious reasons). IC's for fru-fru audio? You'd never make back the physical cost of the mask set (unless done with 5 µm design rules...).
In no way, shape, or form are we hurting for stupidly good analog IC's that work in our needed bandwidth (and then continue to have loop gain for a_long_while_past 😀).
Exactly! If you are only looking at stuff that has the words 'designed for audio' in the datasheet, you are shortchanging yourself big time.
Jan
I have had a look at Hypex' website and some N-Core datasheets. A really great product in terms of size and power dissipation. They appear to use a load of discrete parts so I suppose I should conclude that they do not have custom ICs but use a combination of standard op-amps and various components. I wonder what op-amps it uses in its signal paths?
It is one thing to use gobs of NFB over the audio range but you only get the theoretical benefit if the circuitry providing that gain is extremely good. This brings us back to just how good for audio these op-amps are and the other components in the signal path (or affecting the signal path)?
It also interests me that some of these modules use on-board SMPS. I have never used these for audio. I like their size and efficiency, no big transformers or caps. I immediately imagine HF noise both radiated and on the rails...has anyone got experience of SMPS for audio?
It is one thing to use gobs of NFB over the audio range but you only get the theoretical benefit if the circuitry providing that gain is extremely good. This brings us back to just how good for audio these op-amps are and the other components in the signal path (or affecting the signal path)?
It also interests me that some of these modules use on-board SMPS. I have never used these for audio. I like their size and efficiency, no big transformers or caps. I immediately imagine HF noise both radiated and on the rails...has anyone got experience of SMPS for audio?
SMPS are used and discussed a fair bit on the JLH thread, they seem to be used with great success
It also interests me that some of these modules use on-board SMPS. I have never used these for audio. I like their size and efficiency, no big transformers or caps. I immediately imagine HF noise both radiated and on the rails...has anyone got experience of SMPS for audio?
Enough to be found on this subject.
Please stay on topic 🙁
No. You get the benefits of NFB unless the circuitry providing the gain is extremely bad. That is why people use NFB: to improve something which is already not too bad. For some strange baffling reason, NFB works in practice in the way which theory says it does. This is even true in audio circuits, despite their requirements being allegedly far more onerous than defence, aerospace, healthcare, scientific research and instrumentation.traderbam said:It is one thing to use gobs of NFB over the audio range but you only get the theoretical benefit if the circuitry providing that gain is extremely good.
Thanks.SMPS are used and discussed a fair bit on the JLH thread, they seem to be used with great success
So what measurements should they use?
WHD, or Weighted Harmonic Distortions on powers from zero to max. I.e. what is audible and reveals presence of the amp. It is what can be measured. But what should be measured, preservation of waveforms, including envelopes.
Here is an example of proper usage of nested feedbacks, to minimize audible distortions the most.
https://www.facebook.com/Wavebourn/videos/vb.371503329574641/1376979269027037/?type=2&theater
https://www.facebook.com/Wavebourn/videos/vb.371503329574641/1376979269027037/?type=2&theater
Here is an example of proper usage of nested feedbacks, to minimize audible distortions the most.
https://www.facebook.com/Wavebourn/videos/vb.371503329574641/1376979269027037/?type=2&theater
20 kHz 10V amplitude
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