Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio
SoundStage! Ultra | SoundStageUltra.com (UltraAudio.com) | Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio -- Part One
SoundStage! Ultra | SoundStageUltra.com (UltraAudio.com) | Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio -- Part Two
Some good insights into his modus operandi & methods etc etc 🙂
SoundStage! Ultra | SoundStageUltra.com (UltraAudio.com) | Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio -- Part One
SoundStage! Ultra | SoundStageUltra.com (UltraAudio.com) | Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio -- Part Two
Some good insights into his modus operandi & methods etc etc 🙂
Very good reading. I am amazed that Bruno is so free with how he thinks and where he wants to go. He must be very confident that he can leave the others in the dust!
Jan
Jan
Maybe, but he also likes to talk. Maybe he did a digital apmlifier before Tact. But the first digital prototype by Lars Risager was made in 1992, and the principles behind EQUIBIT was finished i 1994.
Very fascinating reading, thanks!
So he did a relatively simple RIAA pre that does -150 dB distortion, huh? Grrr. Not like anyone needs performance like that, but I'd be guessing that higher-order compensation, complementary input, a Class A output stage and possibly higher-than-usual supplies were involved.
So he did a relatively simple RIAA pre that does -150 dB distortion, huh? Grrr. Not like anyone needs performance like that, but I'd be guessing that higher-order compensation, complementary input, a Class A output stage and possibly higher-than-usual supplies were involved.
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