Air compression

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Raka

Raka

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Joined 2002
#1
Hi all,


I have a question for Mr. Pass:shy:

I read your explation about the sound trip through air, and the air rarefractation and compression, and I have to say that is very encouraging and suggestive, not to mention true and exact.

But after I while I started to think: That way is how "real" sound travels from instrument to microphone!! For synth music (i.e. music that only reaches air after getting out of the speakers), could be effective, but for "natural" or "acoustic" recorded music (i.e. music that has already had the trip and the effect of comp. and raref. from the air) I don't see the reason!!

I take the opportunity to say that I love your work, mainly the writing and the essence (because I haven't finished my Alep30 yet), and above that your PWOL (pass way of life: not even one of my company engineers of my dept. shares their ideas with anyone. That is... like you)

Thanks,
 
#2
The notion of air being single-ended simply leads me
to try single-ended amplification as a path to the sound
of electronics which best mimic natural phenomenon and
whose distortions are likely to be least offensive.

If you don't like this idea, I've got others....

😉
 
#3
I've got a theory that everyone has done single-ended wrong. Air is single ended because you can go up in pressure infinitely but can only go down 14 psi or so. With an N-channel FET, NPN bipolar, or a tube, you can go all the way up to the positive rail, but you can only go down to the device's saturation voltage. But remember, what we're dealing with is electron flow, which is negative particles.

So single-ended is a great approach, but everybody has picked the wrong end. It can only sound good if you're using a P-channel FET or a PNP bipolar. N-channels, tubes, and NPNs all exacerbate the single ended nature of air and are fundamentally wrong. It's like sucking across my flute's blowhole instead of blowing. It's like hitting a bass drum from the inside, using a clever midget with earplugs and a score. It's like dragging a violin across a bow.
 
#4
??? Isn´t it pure arbitrariness to name this little bits of materia e- a negative one? I don´t get your idea.

Another point: as long as the single ended FET has same speed moving araound in both directiones between positive rail and saturation, is it really like air?

And what about temperatur , if i put some air in another pressure in very short time, it will react not only with the pressure i want, it will vary its temperaure. What should the poor e- do? become hot or cold???
 
#6
It can only sound good if you're using a P-channel FET or a PNP bipolar.

Try reversing the polarity of your speaker wires....... I guess that it also depends on the phase in the recording. Maybe a phase switch is in order.

http://half.ebay.com/cat/buy/prod.cgi?cpid=549443&domain_id=1856&ad=55327

http://www.vansevers.com/Notes/Phase/phase.html

Now if you will excuse me, I have to go change since I wet my pants laughing.....

Turn the ship upside down Unk,
Fred

P.S. Hi Clark (the one of the right wing)
 

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#9
I think as long as you p device hasn´t a positronic flow (current) the holes only move if a e- is moved. So the mass you see here is the same as e-.

But why do the mass matters? For the current flow the weight isn´t important, see it as 0. Anotherr thing is if you have a piece of copper the e- are maybe some mm second, in semiconductores they are much faster (i hope i remember right). so they have to change their speed at every connection.
 
#10
Phase, polarity and/or directionality.

"Wire has one practical dimension and two possible directions--each having its own characteristic sound."

Can anyone tell in what direction a wire is connected,
by listening to some music flowing through the wire?
How is this possible, if it is? 😕 :xeye: 😕
 
#11
hmm.

The direction you have to connect your cable depends.

If you are a Physicist you have to use the reverse direction than an Engineer. This is because of the currents direction is opposite to the electrons flow...

For everyone else it doesn´t matter.
 
#17
till, I haven't tried that, because it would bring the French Horns forward, quite unnatural. But turning my speakers 360 degrees straightened out a lot of phase problems I was hearing.

halojoy, that's not a good idea since I'm using a tube amp. Normally, the electrons follow a slightly curved path between cathode and plate due to gravity- all objects with mass and an initial acceleration follow a parabola. So, well-made tubes offset the cathode and the plate slightly, with the plate slightly lower. Turning the amp upside-down will cause the parabola to curve in the other direction. This reduces the effective area of the cathode and hence reduces transconductance.
 
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