• WARNING: Tube/Valve amplifiers use potentially LETHAL HIGH VOLTAGES.
    Building, troubleshooting and testing of these amplifiers should only be
    performed by someone who is thoroughly familiar with
    the safety precautions around high voltages.

Aesthetics

Status
Not open for further replies.
Jeb had those monoblocks at BAF 2009 last week, although we never got to hear them upstairs. They sure look nice, though, maybe next year......

I'm sure he will chime in, but IIRC, they have custom PS and OT Edcor iron (600 ohm OT's) and a 5u8 russian rectifier tube operating at relatively low voltages/high current, something like 250V/250 ma per monoblock putting out around 16w/ch.
 
Hello Kevin,
The other large tube is a rectifier. The printing on the glass says "5U8C", but I believe 5C8S is the correct translation.

The small tube is 6F1P (6bl8/ECF80). The pentode section is the input/gain stage, adjustable regulated screen, un-bypassed cathode resistor. The triode section is a cathode follower which is direct coupled to the first stage. The output stage is a self biased common-cathode. As boywonder stated, opperating point is ~ 250V/250ma. All iron is custom edcor, the OPT is 600R.

I would post a schematic, but I'm still tweaking with it regularly. Been toying with several different feedback schemes (including zero feedback) and harmonic distortion cancellation by adjusting the input pentodes screen voltage.
 
Last edited:

Attachments

  • 16a8a.jpg
    16a8a.jpg
    13.5 KB · Views: 485
  • 16a8b.jpg
    16a8b.jpg
    15.3 KB · Views: 470
I don't believe AESTHETICS can be tacked on. Good aesthetics is derived from something being well designed from the inside out and the outside in and placed in an appropriate setting. Of all the components I've seen, I like the QUAD 22 preamplifier and it's accompaning power amplifiers. This has good aesthetics IMHO. The rounded corners, the tactile presentation of the knobs in relief, the edges only partially exposed. The power amplifiers are mono block, thin and long, the power transformer is far away from the input stage. The Marantz II power amp is well designed as well as the model IX. The Nagra 4S reel to reel recorder has good aesthetics as well as the Studer J37. The most famous house in the world; Villa Savoy by Le Corbusier had excellent aesthetics but remained unoccupied and was used to store hay in by a farmer for most of it's existence until an architecture restoration society bought it and placed it in a national trust. But I don't think any of these things will appeal to a WIFE! Ray
 
Of all the components I've seen, I like the QUAD 22 preamplifier and it's accompaning power amplifiers. This has good aesthetics IMHO. The rounded corners, the tactile presentation of the knobs in relief, the edges only partially exposed. The power amplifiers are mono block, thin and long, the power transformer is far away from the input stage. The Marantz II power amp is well designed as well as the model IX. The Nagra 4S reel to reel recorder has good aesthetics as well as the Studer J37.

I like what you like.
 
whoa! I'm in electro-love! Its like the bastard love children of matings between my hi-fi gear and my espresso machine (or in some cases a stationary steam engine). Artdecovintagetechdramasciencefiction on speed!!! Now THAT'S an aesthetic to get divorced for.
 
Here are some examples of what worked, what didn’t, and what I would do different next time.

Amp1:
This was my 2nd best looking amp. Doing it over I would use 10ga Alum for the top plate, the 18ga steel looks cheap.
Amp2:
Didn’t like this one from day one. Wrong proportions. No more hum pots exposed like that. No input cables on the top of the amp (that’s if the aesthetics win over engineering!)
Amp3:
Crash and Burn on this one..what more can I say!
Amp3_Rev2:
Better, but still didn’t like, Wrong proportions, didn’t like the tube layout, too much lumber exposed on the top of the amp.
Amp4:
(see post#44) My best looking amp so far… doing it over I would make a little deeper and get rid of the big oil caps (again, if the aesthetics win over engineering!)

To summarize:
Use Alum for the top plate… You can make holes with greenlee punches, it’s just the right thickness to mount octal sockets underneath and counter sink the screw holes.
Try for a 1:1.6 ratio for the size of the amp
No screws in the top plate other than the ones that mount the sockets or the iron on top on the amp
Pay attention to the tube and iron layout, including from the height prospective

From now on I do full size prototypes with scrap lumber and the tubes before I start to build the real thing.
 

Attachments

  • amp1.jpg
    amp1.jpg
    467.2 KB · Views: 472
  • amp2.JPG
    amp2.JPG
    426.1 KB · Views: 443
  • amp3.JPG
    amp3.JPG
    482.5 KB · Views: 417
  • amp3_rev2.JPG
    amp3_rev2.JPG
    353.6 KB · Views: 394
Unlike the architects posting earlier, I´m a Industrial designer and academic in design. Form should obviously function but FORM FOLLOWS FUN.
Therefore I present to you: ELECTROLUV

Now that's design! and if it doesn't pass WAF build an extension to the house.

Those have all the tube bling; magic eye tubes, mercury vapor rectifier, what more could one ask for? :up:
 
Now we're talkin'!!......I was wondering when an industrial designer would wander over here....

Those turntables, preamps and tube amps are museum pieces!

Very, very cool IMHO.

I just find it hard to understand, why they don't make it at a respectable level of craftsmanship. Bad surface finish, and general bad finish. That's kinda sad, considering the effort put in.


Magura 🙂
 
Status
Not open for further replies.