Anyone working with DSP and active crossovers with, smaller Apogees? Specifically, the Duettas and Scintillas. Thanks.
With a diverse match, sometimes you have to work around gain disparities so no step in your system is working close to the noise level or close to the over-load level.
Thanks @bentoronto . I am looking for anyone that may have worked with XILICA or other DSP for crossover points, slopes, driver alignment, etc. As well as dealing with any gain disparities. I would think complicated due to the challenge getting sweeps on a dipole ribbons. Appreciate the response.
My rule is to let the quality speaker cover as much of the audio band as possible and esp all across the middle range. Which leads to the practice of sharp slopes, I find 48dB/8ave just honky-dory.
With a Behringer DSP, dealing in parameters and clicking speakers in and out, makes REW sweeps just as easy as could be.
Running low-power sweeps (mic at my chair... use a floor-standing mic stand)) quickly reveals what you need to know to proceed iteratively. You'll quickly see how each speaker handles the range. No problem doing freq sweeps with a dipole.
And you can start just using your laptop mic and headphone output to the amps, esp if it is an Apple.
With a Behringer DSP, dealing in parameters and clicking speakers in and out, makes REW sweeps just as easy as could be.
Running low-power sweeps (mic at my chair... use a floor-standing mic stand)) quickly reveals what you need to know to proceed iteratively. You'll quickly see how each speaker handles the range. No problem doing freq sweeps with a dipole.
And you can start just using your laptop mic and headphone output to the amps, esp if it is an Apple.