Acoustic reflectors and piston drivers

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Sure ! That however, is a bit easier with your little box 😉
Actually I forgot to generate one diagram: 90° without reflector. Here is an older take for now (slightly different measurement setup).
 

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Here's a elliptical reflector, mounted 45°. When viewed from the cone, the reflector looks like a perfect circle the same size as the piston area. The size is more or less random although the largest dimension is as big as the wavelength@1500Hz.

An externally hosted image should be here but it was not working when we last tested it.


0° to 90° in 10° steps - box without reflector/with reflector:

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An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


Box only:

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Box with elliptical reflector:

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Well, actually distortion refers to non-linearities.
BTW, two waves "crossing" each other will not generate a non-linearity or IM distortion.

Sorry, but this is untrue in a technical sense.

It is possible to have a very non-linear amplifying stage with very low distortion. For example, I design active speakers which contain analog filters as a crossover. They should be non-linear, low distortion, and they are.

Now, you can also have amplifiers that are very linear, in that the do 20-20Khz within a fraction of a dB, but with high distortion.

In other words, linearity and distortion are very distinct concepts that cannot be mixed.
 
certainly it it good to keep the difference between non-flat frequency response of a linear system form being confused with a nonlinear transfer function with a power series representation (or hysterisis, ect.) the latter is usually assumed in audio when no qualification is given to the word distortion

actually nonlinear distortions give variation in fundamentals so your "precise" frequency response becomes itself a function of signal level

it is recognized as an issue in loudspeaker frequency reponse measurement
 
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Hope this is better:

Without reflector:

DISTWOREFL.jpg

And with reflector:

DISTREFL.jpg

Note: one measurement starts at 20Hz, the other at 50Hz.

The speaker I used for these measurements is of my own design and for IP reasons cannot yet publish pictures, sorry, but it is nothing special in the sense that it is a two way active speaker.

As a reflector, I appropriately used Vance Dickason's "loudspeaker design cookbook'' which I had laying around.

So, these are very quick and dirty measurements, but the result is so obvious and in line with expectations, that I don't plan to spend any more time on refining them.
 
Thanks.
Whoever the programmer of your S/W is, would benefit from a lesson in visual contrast (dark blue on black vs. yellow on white, douh ! 🙂 )
Of course I have seen the reflections off the cone in the impulse response in my measurements but did not think further about it yet.
Most likely this will not be a killer criterion for the purpose of my speaker but I will certainly double-check it.
Anyway, good one !
 
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