So, let us say we have the following drivers:
Fane Sovereign 12-300 for the bass (in its own 60 litres BR enclosure)
FaitalPro 6FE200 for bass-midrange (mounted on open baffle)
and
SEOS 12 with B&C DE250 for mid-highs
What freqs and slopes would you use for crossovers?
I am thinking about 250Hz / 24dB and 3500Hz / 24dB ... would make sense? in ideea not cross in that important area up to 3500Hz
Otherwise, I would consider same for first crossover but 1600Hz / 24db for the second.
It might be helpful to know some opinions since I don't know where to use the miniDSP: for 250Hz crossover (or other value here) or for mids to high crossover!? of course the other crossover will have to be done in old fashion way ...
I attach the drivers specs and resp curves ...
Fane Sovereign 12-300 for the bass (in its own 60 litres BR enclosure)
FaitalPro 6FE200 for bass-midrange (mounted on open baffle)
and
SEOS 12 with B&C DE250 for mid-highs
What freqs and slopes would you use for crossovers?
I am thinking about 250Hz / 24dB and 3500Hz / 24dB ... would make sense? in ideea not cross in that important area up to 3500Hz
Otherwise, I would consider same for first crossover but 1600Hz / 24db for the second.
It might be helpful to know some opinions since I don't know where to use the miniDSP: for 250Hz crossover (or other value here) or for mids to high crossover!? of course the other crossover will have to be done in old fashion way ...
I attach the drivers specs and resp curves ...
my opinion as well. the most uncoloured midrange ive heard.Westlake has used the PR170 ( a variant of ) in their BBSM-12 studio monitor ( for decades now ).
A look inside ( here at LHF ).
The PR170 is a pro mid that everybody ought to explore ( DIYing ) at one time or another ( IMHO, of course ).
- Replacement parts ( foam surrounds etc. ) here!
- Status
- This old topic is closed. If you want to reopen this topic, contact a moderator using the "Report Post" button.