A couple of domes, a ribbon and a compression driver walks into a bar...

The hard dome says "When I'm surrounded by a waveguide, I am smooth and can control my directivity"
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Reference:
SB26CDC in custom 6" WG by @augerpro



The ribbon tweeter says:
"Really? I don't need a waveguide to be smooth or to control directivity. And I can be heard from all around"
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Reference: Fountek Neo CD3.0 datasheet


The compression drivers says "Well I may not be as smooth, or play as widely as you two, but I'm far more dynamic"
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Reference:
Tymphany DFM-2335R00-08 in SB Audience H225 90°H x 70°V constant directivity horn.



The soft dome says "Well I may be a bit rough around the edges, and I'm not as sensitive, but people have accepted me just the way I am"
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Reference: SB Acoustics SB29SDAC centred on a 8" wide x 12" high baffle

edit: correct SPL responses for 2.83V @1m, clickable polar maps for comparisons, example HF units explicitly named
 
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I want to know what happens next.. i.e., which of these does the guy with the ears prefer the most.. 😀

By the way, there are compression drivers which are pretty smooth too.. 😉
Here is the Peerless DFM 2544R on an ST260KVAR waveguide (I think this one was just a 4.5ish ms gated measurement with no additional smoothing)
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Must be a very very small one because
off Axis usually aint very good for large ribbons.

But directivity is not all its cracked up to be.

Because clarity and detail is usually very
good with even cheap ribbons.
And second one down would be Metal Dome.

Steep filters is more the game.
Many systems with " horrible"
off axis. Sound very nice in the real world.
Its nice to see directivity in graphs.
Real world, just clean and detail
no fatigue or least as possible.

Ribbon or metal dome for me.
Live sound your pretty much stuck with
a horn. And found larger horns
tend to sound better, but on paper usually
dont " look" great.
And the crossover makes most the difference
as far as when they squak or dont squak as fast
at high SPL