Hi, I'm converting this DB10 to a Guitar/Harp amp. I've re-Caped it and it sounds great!
The help I need is when the guitar is connected to the second stage 6SC7 it not quite loud enough. When connected through both 6SC7 its way way to much gain. I need to calm it down a bit. I am an EE .... Computers, Transistors...just not knowledgeable enough with tubes. I have a few circuit diagrams of feed back for tubes but it shows it connected to the cathode which is connected to ground.
Thanks
The help I need is when the guitar is connected to the second stage 6SC7 it not quite loud enough. When connected through both 6SC7 its way way to much gain. I need to calm it down a bit. I am an EE .... Computers, Transistors...just not knowledgeable enough with tubes. I have a few circuit diagrams of feed back for tubes but it shows it connected to the cathode which is connected to ground.
Thanks
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If you decrease value of R29 (feedback resistor) you may not like the sound when overdriven, also probably you will need to deal with compensation (you are EE so you know what happens when you increase feedback). It's a little bit trickier than with SS because here feedback goes through an output transformer.
Also you may decrease value of grid stopper of the 2'nd preamp triode, and add resistor in cathode for bias.
Also you can increase value of R4 and connect your guitar to the "Hi output mag" input.
Also you may decrease value of grid stopper of the 2'nd preamp triode, and add resistor in cathode for bias.
Also you can increase value of R4 and connect your guitar to the "Hi output mag" input.
I was thinking that I need to control the gain of the first input stage possibly ruining the output of the V2 back to the grid of V1?

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Instruments and Amps Everything that makes music, Especially including instrument amps.
Try the "amp" input first - this may be all the gain you need.
The first and second stage as designed are not appropriate for MI use, take a look at the input stages of typical Fender, Marshall and Vox amps for ideas on what to do here.
The first and second stage as designed are not appropriate for MI use, take a look at the input stages of typical Fender, Marshall and Vox amps for ideas on what to do here.
Ive found lots of old fenders with 6SC7's but that would reqire a total rebuild.
One stage to little
Two stages to much
Need to reduce overall gain of the two stages hopefully adding only a few resistors and maybe a cap or two.
One stage to little
Two stages to much
Need to reduce overall gain of the two stages hopefully adding only a few resistors and maybe a cap or two.
Every stage of that amp uses high mu tubes, so you can reduce the gain of ANY stage by simply going to a 6SN7. Of course you have to re-bias the stage appropriately.
Problem Solved
I like this Idea as the amp stays original
Grove Tube adapter $70 is to expensive
Ebay (use a 12AX7 in a 6SC7 scocket)
I can use any of these:
gain of 100 12AX7 - ECC83, 7025, ECC803, E83CC, 6681
gain of 70 5751
gain of 60 12AT7 - ECC81, 6201, 6679
gain of 45 12AY7 - 6072
gain of 41 12AV7 - 5965
gain of 19 12AU7 - ECC82, 5963, 5814, 6189
I like this Idea as the amp stays original
Grove Tube adapter $70 is to expensive
Ebay (use a 12AX7 in a 6SC7 scocket)
I can use any of these:
gain of 100 12AX7 - ECC83, 7025, ECC803, E83CC, 6681
gain of 70 5751
gain of 60 12AT7 - ECC81, 6201, 6679
gain of 45 12AY7 - 6072
gain of 41 12AV7 - 5965
gain of 19 12AU7 - ECC82, 5963, 5814, 6189
Every stage of that amp uses high mu tubes, so you can reduce the gain of ANY stage by simply going to a 6SN7. Of course you have to re-bias the stage appropriately.
That would be the easyist way out, here's cheep ones to try it out with. could problly just stick em in an try it.

6SN7GT - Triode, Dual, Medium MU, Russian | Antique Electronic Supply LLC
I haven't read the schematic but the 2 valves are real close to each other only the amplification factor is different will gives les mic feed back when playin harp too.
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