The Black Hole......

The one with the lcr measurements that best suit your system....mine does not prefer high capacitance. The measurements can get pretty high on some of your top shelf speaker cables, could indeed make things worse (as was my case)

It does make a difference but not because of how many 9’s are after the 99
 
Hi guys. I don't post often, but I try to read as much as I can. So, I have no doubt that various cables can sound different. The various variables are very varied. Connector quality, connector-to-conductor quality, conductors, conductor spacing and style, on and on.
So, which one(s) more accurately conducts the signal from point A to point B? How can we determine this? Does it make a difference as to what pieces of equipment are at each end of the cable?
Now we get into the original signal. What is that signal supposed to sound like? Take a trumpet sound for example. What room was it recorded in? What microphone was used? what electronics were in the recording chain? What speakers were used to master the recording? Let's not even get into the playback chain! And, let's not worry about minutiae about the differences in sound from one trumpet brand or model or player's mouthpiece to another - they all sound the same - LOL.
So, this raises an important, if not critical, question: How do we know if cable A is "better" or "worse" than cable B?
If cable A costs $20, and cable B costs $3,000, and they sound different, which one is more accurate?
An interesting incident occurred at the Tannoy factory in Scotland1 , in the early 1990s, where a group of people of some repute in terms of their auditory acuity were assembled to select an amplifier to offer as standard with a new range of loudspeakers. There were four loudspeakers in the range, and four different amplifiers had been short-listed for audition. The intention was to select one amplifier from the four.

However, in the blind tests, one amplifier was selected as sounding most accurate on one of the loudspeakers, another amplifier was chosen for another loudspeaker, and a third amplifier was deemed to sound most accurate on the remaining two loudspeakers of the range. The loudspeakers in question were all of similar design concept, but varying in size. The participants in the tests were all highly experienced and respected engineers, and all had been expecting that they would choose one amplifier for the whole range of the loudspeakers.

Philip Newell is an international consultant on acoustic design, and former technical director of Virgin Records. He has over 30 years experience in the recording industry and has been involved in the design of over 200 studios, including the famous Manor and Townhouse Studios. He is also author of Project Studios, Recording Spaces and Studio Monitoring Design, all published by Focal Press.
 
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I don’t quite agree with that because those high capacitance wires sounded better on another amp (same speakers) seemed to calm the hot top end specific to that amp. I think it’s system dependent, and that’s why some may go through many different wires before finding a good fit.
But yah, the low measure of all three parameters would probably be least invasive.
 
The closer the conductors are located in the audio cable to each other, the greater their capacity, but less inductance. Thus, to win both in capacitance and inductance at the same time, and to cheap is very controversial. Therefore, cables are usually chosen for the amplifier and speakers.
 
GUNFU, you are new here, and I appreciate your input. Please note, however, that many of the ideas that you have presented here have been known in the West for many decades, but people tend to ignore them, unless they are true hi fi enthusiasts. I, for example found that a 3.3ohm resistor placed in series with a 4 ohm loudspeaker (AR-1) back in 1963, made the sound better. Kept it for years. Now, I use a complicated speaker with a finely tuned passive crossover, and I try to keep the drive impedance below 1/2 ohm or less. Playing around with series resistance would change too many parameters in the crossover to bother trying. Most here, don't believe in much, including wires, amp differences, etc., but I certainly do! Keep contributing.