Why do we use "smooth" as a description for speakers?

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Indeed I have. Let's take this for example:

I have certainly heard that type of statement many times. It was mostly in reference to well balanced high efficiency systems with horns. I've owned some like that. Also double stacked electrostatic panels. I'd say that L'Acoustic PA is also there. Very smooth, very dynamic. Doesn't hurt your ears when used within reasonable SPL.

It's a seductive effect. It's why I like high efficiency systems. They can be tricky to get a good tonal balance, but once achieved, it's wonderful and lifelike.

Yes, I will be there...
 
Firstly, we are all 'trapped' in our own perceptive world, we agree that something is red, but we have no idea what others actually see, they too have been taught to use the label 'red' when looking at a certain colour. Doesn't this apply to sound also?

It is easy to agree when comparing the surface of a piece of wood, whether or not it is smooth, or could be made smoother, but much harder on an abstract perception.
Isn't it a metaphor with sound?

I'd like to hear some of the supposedly validly defined sound quality descriptions.
 
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Indeed I have. Let's take this for example:

I have certainly heard that type of statement many times. It was mostly in reference to well balanced high efficiency systems with horns. I've owned some like that. Also double stacked electrostatic panels. I'd say that L'Acoustic PA is also there. Very smooth, very dynamic. Doesn't hurt your ears when used within reasonable SPL.

It's a seductive effect. It's why I like high efficiency systems. They can be tricky to get a good tonal balance, but once achieved, it's wonderful and lifelike.
Oh, so you mean smooth as in.."good tonal balance", I get it. Here's one...smooth as in 'accurate life-like timbre'? Oh, and this one..smooth as in 'time phase coherent'. Gee, I wonder how many more there could be you could render redundant in favor of just saying 'wow, those sure are smooth!'


Sure, dummy down audiophile jargon for the sake of redundancy.



Complete nonsense.
 
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Firstly, we are all 'trapped' in our own perceptive world, we agree that something is red, but we have no idea what others actually see, they too have been taught to use the label 'red' when looking at a certain colour. Doesn't this apply to sound also?

It is easy to agree when comparing the surface of a piece of wood, whether or not it is smooth, or could be made smoother, but much harder on an abstract perception.
Isn't it a metaphor with sound?

I'd like to hear some of the supposedly validly defined sound quality descriptions.
Read Pano's posts and you'll find them, and in the others as well;)
 
He alludes to posts 2,3, and 4, and I empathise to an extent, but am uncomfortable with vagueness, especially when these terms are used by reviewers.

In Hi-Fi News some years ago a letter from a reader complained about violins sounding screechy, the respondent said "Have you listened to a violin?".
 
My understanding is that smooth refers to a visual description the flatness of a frequency response curve, analogous to how it refers to the flatness of a road or any other surface. The opposite of smooth would be ragged or peaky, or perhaps boomy if we are talking about bass.
 
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Once again, a great display of how this group can a) overthink anything and b) disagree about anything.

Like most audiophile terms, "smooth" is vague. However, about 90% of us have pretty similar intuitions of what it means and there may be slight variability in the subjective experiences and definitions - but mostly it is common ground. The other 10% - who knows? Perhaps they just like to overthink stuff and/or debate. It comes as no surprise. It is DIYaudio.com, after all. :)
 
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Maybe a sticky could be a good thing to allow people to comunicate with words that has the same "definition", "tone" , "reference". For people with low average english speaking as I am, it's also sometimes hard to understand the context when experienced people help but think their shortcuts is well understood. Some illustration :


- smooth in crossover region
- bass - mid-bass - medium - upper bass - low treble (when not speaking from octaves that beginn at 20 Hz
- clear vs transparent vs light
- dark ; dark background
- presence region
- grainy (this one is ? for me)
- rough, harsh when involved in frequencies speaking.

oh I know more or less what it means but sometimes not in the definition the people answering uses it and so if I get it !


For instance reading Troels Gravsen or Humblemadehifi, you have pain to understand some descriptions, but maybe if you're english native.. and perhaps there are subtilities between north Americas and britons, guys from asia (HK, Taiwan, Singapour.. oh: India as well!)
 
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Sure, dummy down audiophile jargon for the sake of redundancy.
Complete nonsense.
The exact same could be said of your descriptions of alcohols as smooth. It's an adjective that tries to define a subjective quality. For liquors you claim you know what it means. But does it mean the same thing to other people? Yes, probably to many. That's why it's used.

Same with speakers. Many people understand and use the term. You just seem to have a grudge against its use here, yet you accept it elsewhere. It's really OT.

Anyway, I answered your question a propos the OP. You're welcome. ;)
 
  • Not being able to hear many of the speakers I am curious about, I will often message someone and ask them for their opinion of what their own speakers sound like. Although I know they will be biased, I find it interesting the word smooth seems to be used most often as the 1st words to describe their speakers. No one likes to hear edgy sounding speakers, but music is usually dynamic more than smooth . So when we refer to our speakers as smooth and easy to listen to, does that mean that we don't find extremely revealing, dynamic, and engaging speakers , also to be good designs?

  • Probably because their idea of what music is is very narrow.
 
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The exact same could be said of your descriptions of alcohols as smooth. It's an adjective that tries to define a subjective quality. For liquors you claim you know what it means. But does it mean the same thing to other people? Yes, probably to many. That's why it's used.

Correct, however you still need to account for subjectivity of individual tastes. Gibson's 12 year is "smooth" to some, and yet others find it is only palatable with ginger ale - and would much prefer something like The MacAllan 12 year triple casked, neat.
 
A word which is commonly used in loudspeaker reviews these days is 'couth'.

For example, "The midband is clean and couth".

One dictionary definition of couth, when used as an adjective, is 'cultured, refined and well-mannered'.

A synonym of couth is 'polished'. Perhaps a reviewer turns to the word couth when he has used up his quota of 'smooth'! :)
 
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Can someone please explain how it is possible to 'over-think' anything?


To me there is only one possible result of thinking too much, gaining excess or superfluous information, and which may become useful in the future.

Overthinking (in this instance) means that there is an answer to a question that most people agree with for most practical purposes and they are willing to accept it is not a perfect answer, however the over-thinker for some reason has a need to re-think it all from the beginning, challenge the consensus, debate semantics, deconstruct the collective linguistic constructs...

It's OK to do so, but just realize that the consensus of the practical majority will not budge and you will almost certainly find yourself using the word "smooth" in this context - if only because you understand that most people have a good gut feeling of what it means (even if it is "meaningless" when subjected to overthinking).
 
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