I'm working to make a 3 way and got to wondering if the shape of a port really mattered much. Would a small diameter flared port (high velocity) sound identical to a larger port with lower velocity? What about slot ports? Would a straight port sound different than the same length slot port with an elbow or a U? Would a slot port sound the same as a round port provided tuning frequency is the same? I have the general impression that small flared circle ports are 'best' in terms of SQ, but I don't really know why I have that impression or if it's true.
Wide, flat ports have a very big port surface. That's where the air 'rubs' on the port walls. That leads to turbulences and losses, the higher the velocity, the worse it gets. How does that affect the sound? It's compression and the port dimensions virtually change. High velocity should always be avoided because of the losses and the audible chuffing it can produce, you can reduce the velocity by making the port bigger but that, ofcourse, makes the port significantly longer.
If you can't put a that long port into your enclosure (also remember the port volume doesn't count for the driver volume), it's better to use a passive membrane instead of a port.
If you can't put a that long port into your enclosure (also remember the port volume doesn't count for the driver volume), it's better to use a passive membrane instead of a port.
I'm trying to make a 3-way with the TangBand W5 as the woofer. It's surprisingly hard to get 3 drivers, and ports, on the baffle while keeping the baffle small enough that the speaker doesn't look funny. I went with 2x 1.55" ID (measured) ports with an elbow in each. WinISD shows a max velocity at 20 m/s, but it's chuff city even at low volumes. I must've botched my porting job somewhere and am creating a bunch of turbulence somewhere.
Not really sure the shape matters as much as the size being large enough not to get "chuffing" noises when playing loud. Flaring the port(s) can help with that as well.
Nice little program that could give you some idea of what size you need is on the web at: Flare-it - Free Speaker Design Software
Greg
Nice little program that could give you some idea of what size you need is on the web at: Flare-it - Free Speaker Design Software
Greg
I'm trying to make a 3-way with the TangBand W5 as the woofer. It's surprisingly hard to get 3 drivers, and ports, on the baffle while keeping the baffle small enough that the speaker doesn't look funny.
TangBand W5 you say? Well, there are at least 5 different 'W5'.
You've still got the option to put the port on the back. Or use a passive membrane (probably also on the back or side).
I went with 2x 1.55" ID (measured) ports with an elbow in each. WinISD shows a max velocity at 20 m/s, but it's chuff city even at low volumes. I must've botched my porting job somewhere and am creating a bunch of turbulence somewhere.
~20cm² isn't very much for a high excursion driver even at 5" and 20m/s is already too high. You could improve it by rounding the edges of the port at the baffle aswell as inside. And the port needs to have 'breathing room' in the enclosure aswell.
I'm working to make a 3 way and got to wondering if the shape of a port really mattered much. Would a small diameter flared port (high velocity) sound identical to a larger port with lower velocity? What about slot ports? Would a straight port sound different than the same length slot port with an elbow or a U?
To me slightly oversized flared slot ports, no less than 1, better 1.5 inch in width sound best despite the disadvantages.
Every angle or corner will introduce losses and will virtually lengthen the port and compromise sq.
In terms of sq port length is much more critical than shape given adequate diameter.
For sq I would not go above 0.7 feet in length.
The shorter the port the better it will sound.
TangBang W5 1138SMF
I thought about shooting the port out the back, out the bottom, or using a PR on the side, but I wanted everything coming out from the front. I did round off the ports on the baffle using a roundover bit. I thought 20 m/s was borderline good.
I thought about shooting the port out the back, out the bottom, or using a PR on the side, but I wanted everything coming out from the front. I did round off the ports on the baffle using a roundover bit. I thought 20 m/s was borderline good.
Depends.
If your normal listening level isn`t that loud you can probably get away with it.
Flaring also helps.
If your normal listening level isn`t that loud you can probably get away with it.
Flaring also helps.
Nice little program that could give you some idea of what size you need is on the web at: Flare-it - Free Speaker Design Software
Greg
I've been playing around with this a bit and it seems pretty helpful. What is "Core Limit"?
Dangit. That means I'll have to stuff even more port in that box.
No. The port volume is subtracted from the enclosure volume, that means you will very likely lose too much volume or have to fold the port (or both). Use a passive membrane instead, no chuffing and no mid-garbage (in case you'd use it for something different than a subwoofer).
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