Very interesting, thank you. Sounds like quantum entanglement. Now that you calculated the tensor product of the teeth and butt vector state spaces, all you have to do is to calculate the density matrix and the expectation values for the teeth and the butt subsystems and show the combined system is a near singlet.
There are plenty of others, from the mid to late 20th century's Edgard Varese, Iannis Xenakis, Gyorgy Ligeti, Luigi Nono, Luciano Berio, Gottfried Michael Koenig, Stockhausen (of course) to the more recent Richard Barrett, Brian Ferneyhough, James Dillon, Natasha Barrett (no relation) and there are many many more...
Is rumour true that Lindsey B did all the breathy grunt sounds, both parts, on the title track, using a sampler/pitch shifter ?Not Tango in the night.
I'll let it be. There are stranger things, the minister at one Cambridge church decided she was a lesbian so her husband got a sex change operation.
At 4:30 his use of what I call the "bee hive" effect, is brilliant.
People will catch on to his brilliance at some point in the future. He is the Picasso of modern music. The paradigm has been shifted for all to follow. We have a bright future ahead of us with this sort of talent being discovered on a daily basis, thanks to youtube.
Or the gay mayor of cambridge (uk) where they both got a sex change! went from 2 plugs to 2 sockets.
I'll stick with the old...
https://www.youtube.com/watch?v=n4DnXSo_FIg
Better yet...
https://www.youtube.com/watch?v=W4H0rwumscA
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No idea.
But in the concert i was very surprised with the sound he produced.
Earlier i always wondered myself how FM made some sounds, i thought abouth synthesizers or whatever, but live in concert i became clear to me, Lindsey B. i was simply able to play it live on his electric guitars with some effect boxes.
Yes, it's truly a masterpiece, could easily be called the Best of... all by itself.
Do try the Incredible String band, there should be some of their work on Youtube. Also, look up Jonathan King's take on the Stones' "Satisfaction". An outstanding piece of work, in my view.
What? Don't you hear the overuse of the Aphex Aural Exciter??? I'm not commenting on the music, but the production, which, ummm... *enthusiastically* embraced the new toy - the aphex aural exciter. Later, engineers used it less obviously (because it's so hifi), this may have been the first major release to use it.
I remember , *Rumours* was advertised, that it has been recorded with the Aural Exciter and it is the first time, that this thingie is used for a record and makes it sounding so naturally for the human ears.
They did not say a lot how it works, just something like an enhancer for the harmonic overtones and this will be the sonic revolution.
For my ears i would say, this record has a sound of its own and i like it.
They did not say a lot how it works, just something like an enhancer for the harmonic overtones and this will be the sonic revolution.
For my ears i would say, this record has a sound of its own and i like it.
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