Mr Wood,
please allow me to sing a soothing Deteriorata song for you, four will do too.
(Mr WithTarragon has already built a reputation here for lack of subtlety & modesty)
Thanks Jacco. And I am a fluke of the universe. I feel better already, but that may be in part due to the 2003 Lorca Pinot Noir drinking oh so very well.
I apologize to Mr Tarragon, who has after all only attempted to vouchsafe us wisdom, while imperiling his security clearances.
Looks like I have a competitor. I have a 16 foot roll up door in my shop. It is so I can get my ego in each morning.
IIRC Siegfried Linkwitz found .2 dB or so discernible by some people over broad ranges (low Q) on his Orion's. This seemed to cause concern for driver and crossover variances but that is what was found.
Hi fellow Audiophiles, I havent been on here forever.Also I have never really posted either so please forgive my ineptitude or rudeness of hijacking this post.Its not on purpose.I seen the legendary John Curl name& the date. i am pleading semi ignorance but it is a emergency lol.The story follows I recently developed problems with my Parasound 1500A amp.I never had any before.I have never abused her and only gave her the best care& always was not only impressed with the build quality but also the sound.Anyways it was working fine .That is until I bought a new house that has the older kind of electric wiring that was never being updated.Also may have put the high current power cord with 1 of my other amps?The problem is when I turn it on I only get the orange AC on and nothing else.No clicking or standby or anything green? I am upset because I its to hot forany of my tube gear which I take out in the winter and most of my other ss gear is not even close to her in sound quality..Just wanted to end with a thanks for any help offered.I need it I am broke because of this money pit house lol regards Glen
Welcome to the loony bin.
First thing to check is the AC line voltage when you turn on the amplifier. I suspect it may be dropping low enough the amp is unhappy but not broken.
dueling quotes?
pg 180, 7.1.2 Just-Noticeable Level Differences
Psychoacoustics: Facts and Models (Springer Series in Information Sciences) [Hardcover]
Hugo Fastl, Eberhard Zwicker
Publication Date: January 13, 2010 | ISBN-10: 3540231595 | ISBN-13: 978-3540231592 | Edition: 3rd
http://www.amazon.com/books/dp/3540231595
pg 180, 7.1.2 Just-Noticeable Level Differences
For low sound pressure levels below 20 dB, JNDL increases greatly towards the threshold, but decreases from about 0.4 dB at 40 dB to about 0.2 dB at 100 dB sound pressure level.
Psychoacoustics: Facts and Models (Springer Series in Information Sciences) [Hardcover]
Hugo Fastl, Eberhard Zwicker
Publication Date: January 13, 2010 | ISBN-10: 3540231595 | ISBN-13: 978-3540231592 | Edition: 3rd
http://www.amazon.com/books/dp/3540231595
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It is a red herring --- the matching of amp levels --- I gave two examples of hearing problems (1st distortion traced to a loudspeaker's fuse/holder and 2nd an off-center center image due to different path lengths from left-right). Neither need matching of levels to hear. I wasnt trying to know if I hear something or not.
This is an example of a completely misapplied requirement.
Thx-RNMarsh
This is an example of a completely misapplied requirement.
Thx-RNMarsh
Digital amplifier US7286008 ZETEX
A digital amplifier (1) comprising a first modulation stage (9) arranged to receive a digital data signal and to generate a corresponding modulated reference signal; a comparator (12) arranged to receive a feedback signal and the modulated reference signal and generate a corresponding error signal (13) indicative of a difference between the modulated reference signal and the feedback signal; an integration stage (44) arranged to integrate the error signal (13) from the comparator (12) to generate an integrated digital error signal; a summer (19) arranged to receive the integrated digital error signal and the digital data signal (8) and generate an adjusted digital data signal indicative of their sum; an output stage comprising a second modulation stage, the output stage being arranged to receive the adjusted digital data signal and to generate a corresponding modulated output signal for driving a load (7); and a feedback circuit arranged to provide said feedback signal to the comparator (12), the feedback signal being indicative of the modulated output signal.
A digital amplifier (1) comprising a first modulation stage (9) arranged to receive a digital data signal and to generate a corresponding modulated reference signal; a comparator (12) arranged to receive a feedback signal and the modulated reference signal and generate a corresponding error signal (13) indicative of a difference between the modulated reference signal and the feedback signal; an integration stage (44) arranged to integrate the error signal (13) from the comparator (12) to generate an integrated digital error signal; a summer (19) arranged to receive the integrated digital error signal and the digital data signal (8) and generate an adjusted digital data signal indicative of their sum; an output stage comprising a second modulation stage, the output stage being arranged to receive the adjusted digital data signal and to generate a corresponding modulated output signal for driving a load (7); and a feedback circuit arranged to provide said feedback signal to the comparator (12), the feedback signal being indicative of the modulated output signal.
Attachments
Firstly I would have drawn a professional looking schematic for the patent application, that one looks scruffy and amateur.
Secondly, it looks like a class D bridge amplifier, or very similar.
Secondly, it looks like a class D bridge amplifier, or very similar.
What difference in signal path would you need to get an off centre image?
probably just less/attenuated output on one side in some, or all frequencies.
thanks for the info tvi, appreciated
We are not asking a listener to say which loudspeakers are louder, but which are preferred.
Precisely, although I would extend that to include electronics and sources. As has been noted, loudspeakers present the issue of decoupling frequency response from level (both of which are demonstrably of paramount importance to human ears).
The simple experiment I outlined previously will demonstrate this nicely; when I tried it on myself, even though I knew that the differences were level, the 0.2dB louder track still seemed just a bit "clearer" to me. Using the foobar ABX plug-in, I scored 10/12, so the difference seemed significant.
The misunderstanding about perception of small level shifts has put more than one commission check in a hifi salesman's pocket.
Okay, please explain to my simple brain how you can have the following. A signal that is preferred to another yet at the same time it cannot be detected as being different.
It was not claimed, obviously, that it wasn't different. It was claimed that the difference is not perceived as louder.
jan
I'll try again.It was not claimed, obviously, that it wasn't different. It was claimed that the difference is not perceived as louder.
jan
In a detection or discrimination procedure the listener is only required to identify the interval that is different or whether two intervals are the same or not. In this case the difference is level. Yes, differences in level can be perceived as differences in loudness. But the subject can use any difference in percept that is noticeable (and they will). At threshold differences, the percept is actually rather subtle and the listener will make mistakes (they are less than 100% but above a rate of chance or guessing). A preference procedure is a different beast altogether.
Maybe my comments will make more sense now. With this in mind, it would suggst that some of the informal observations cited above would in fact create a bit of a paradox.
Although I think the dead horse has been sufficiently beaten
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The ABX amplitude/frequency matching plot, linked to by JCX, doesn't look all that informal to me.
(did you know Tarragon means Fermented Dragon)
(did you know Tarragon means Fermented Dragon)
The ABX amplitude/frequency matching plot, linked to by JCX, doesn't look all that informal to me.
(did you know Tarragon means Fermented Dragon)
I'll keep that in mind.
BTW Has anyone here started to read Doug Self's 6th edition? I just stumbled on a great section titled 'feedback intermodulation' (FID anyone?).
He provides, among other very worthwhile things, a solid technical reason why it is indeed a Good Thing to linearise your amp before applying nfb.
(And please, don't start with 'I told you so' - give credit where it is due).
jan
He provides, among other very worthwhile things, a solid technical reason why it is indeed a Good Thing to linearise your amp before applying nfb.
(And please, don't start with 'I told you so' - give credit where it is due).
jan
keep that in mind.
My pleasure.
(In a couple of months, I'll commemorate Mr Tom Colangelo. How swift does half a dozen years fly by, seemingly faster than an automobile)
Jan ? Jan ? JD, where are you ?
My pleasure.
(In a couple of months, I'll commemorate Mr Tom Colangelo. How swift does half a dozen years fly by, seemingly faster than an automobile)
Jan ? Jan ? JD, where are you ?
You called, father?
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