I don't believe cables make a difference, any input?

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So I understand you are discounting resistance as a factor in what you have observed. To my mind there only remains C and L.

To cut to the chase, I'm guessing you are of the mind that some yet to be measured property of the cables will explain what you hear.
I don't think you will get the research you need until someone like your good self can demonstrate that there is actually something to investigate. 🙂

Doesn't wire dia also influence C and L?

I'm thinking of the variation in group delay with larger dia cables as a possible explanation. I'm wondering what the brain would make of the harmonics arriving before the fundamental frequency. What would the effect of harmonic timing errors be on the signal itself?
 
I don't think the skin effect should be invoked for audio frequencies.

Can a 48% increase in impedance with 11AWG cable at 20kHz really be ignored?

On using thinner wire for the HF on 2 ways with a high crossover point there is no argument as with a higher crossover point there is less current being drawn from the amp through that cable . Can be explained with Ohm's Law.

I don't understand what you are getting at, Ohm's law will only show inaudibly small differences, isn't it? 🙂

To me the lower current allows for using smaller dia cable which are more linear at HF.

If the audible differences are very obvious I would expect the measured differences to be likewise..........unless there is something spooky going on, which you and Andre seem to be suggesting. We all like the spooky experiences we can enjoy whilst listening to our systems, but they are in the head not in non spooky physical objects, methinks. 🙂

Since you mentioned it, isn't you the one looking for spookies. 😀
 
Is realism one of your system goals?

I would surely hope so but 'realism' on a hi-fi system may vary depending on what you are listening to. If you like to listen to amplified life rock shows, your system may be very different than one optimised for unamplified jazz type of music.

Like you, I also have systems with W series (22) Seas (minus the box restrictions). The mids on the 12 are fine. The 97db sensitivity provides a system low level linearity magnifying glass effect that a lower sensitivity system (like yours) cannot provide.

You sacrifice midrange detail even with the 8" SeasW22, therefore my concern about large cones on midrange detail.
 
Is realism one of your system goals?

AJ

In an audio system there is "realism" in some areas,and compromises/sucrifices in other areas.Two good listeners might talk about realism but also be willing to compromise/sucrifice different things.IMO the best way to enjoy "realism" of your system is to try eliminate things that disturb/annoy you when listening.This will "improve" the "realistic" part of your system🙂
 
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So I see no need these days to do anything but sighted tests.
I still remain very confident of my ability to detect differences in wires on my present system.
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It is absolutely fine to be confident, but if you haven´t got any experience with blind tests in general and this sort of protocol that SY has proposed, then i strongly recommend some training under this blind test conditions.

It is _not_ easy to remain in the same state of awareness during a blind test as during "normal listening" , and therefore some training is essential.
And use during the training period some (known as audible) differences to check for the progress.

Last step should be training with the cables itsself or something comparable.

Wishes

P.S. For p <=0.05 it still needs 10 correct answers in a 12 trial test.
 
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33% of what? Translate that into dB changes in SPL.

33% more than dc resistance, 33% non linearity.

Is SPL all that can influence sound?

That uis meaningless without knowing source / load Z.

An increase of from 0.01 to 0.0133 at 15Khz in a nominally 8 ohm circuit is audible?

Read the second part of that post, I don't think it is realistic to try and find all the answers of accurate music reproduction in amplitude response.
 
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