Hey guys,
I'm looking to build a quick tube overdrive/distortion for instruments (primarily bass guitar). I've looked around on the internet and these forums and haven't been able to to find anything as far as a proper schematic goes. I will use a 12AX7 tube for it. I need a schematic and the specs for a transformer and I'll go from there. What sort of B+ would get what I want? The only control I plan to give it is a gain control, going from very little overdrive, to completely nuts. Any input is greatly appreciated.
Nic.
I'm looking to build a quick tube overdrive/distortion for instruments (primarily bass guitar). I've looked around on the internet and these forums and haven't been able to to find anything as far as a proper schematic goes. I will use a 12AX7 tube for it. I need a schematic and the specs for a transformer and I'll go from there. What sort of B+ would get what I want? The only control I plan to give it is a gain control, going from very little overdrive, to completely nuts. Any input is greatly appreciated.
Nic.
Maybe you'll find something here:
http://www.freeinfosociety.com/media_index.php?cat=13&subcat=11&start=0#
http://www.freeinfosociety.com/media_index.php?cat=13&subcat=11&start=0#
Hi,
I'm afraid there are a few contradictions here ;-) ; finding the really right circuit that works for your tastes might take a while of trying, changing etc.
Don't necessarily say it needs to be tubed either, after having used a (starved tube) pedal for years, I'm now again back to a fairly simple but modified tubescreamer-based circuit. Or maybe you've already 'done the work' & know you'll be liking tube-based the best.
If you want distortion from tubes you need to decide if you want to go the 'cheap'/easier starved-plate route (lower B+) or the 'real' one with higher (normal) tube voltages.
Suggesting at least a second control: level. Some EQ will suit as well imho. A tried & tested (but not necessarily the best solving your needs) is the Real Tube pedal, that circuit should be around the interweb.
Bye,
Peter
I'm afraid there are a few contradictions here ;-) ; finding the really right circuit that works for your tastes might take a while of trying, changing etc.
Don't necessarily say it needs to be tubed either, after having used a (starved tube) pedal for years, I'm now again back to a fairly simple but modified tubescreamer-based circuit. Or maybe you've already 'done the work' & know you'll be liking tube-based the best.
If you want distortion from tubes you need to decide if you want to go the 'cheap'/easier starved-plate route (lower B+) or the 'real' one with higher (normal) tube voltages.
Suggesting at least a second control: level. Some EQ will suit as well imho. A tried & tested (but not necessarily the best solving your needs) is the Real Tube pedal, that circuit should be around the interweb.
Bye,
Peter
Hi,
I'm afraid there are a few contradictions here ;-) ; finding the really right If you want distortion from tubes you need to decide if you want to go the 'cheap'/easier starved-plate route (lower B+) or the 'real' one with higher (normal) tube voltages.
Bye,
Peter
We all have different tastes. A trip down to the music store to compare often against $$$.. I prefer a variable B+ only on a P-P stage, and fixed bias neg compensated to draw a reasonable stage current. A double pot and some control circuitry can do this. Power is good with a fairly hardish raucous sound. Can be tricky,the global nfb loop can cause strange sounds, so I drop this around 6-10dB.
There are other methods; hard clipping the grids of finals with diodes as if class B is used; this again with dropped B+. This sounds more solid state..again different amps create different sounds..Ones own choice and other guitar users have other ideas.

By doing this when playing trumpet, one gets a richer mute sound. I prefer the proper method of a mute corked in the horn of the instrument.
richy
- Status
- Not open for further replies.