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#1 | ||||||||
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diyAudio Member
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Hello everyone.
After the recent thread below, there has been interest in seeing how the circuit can be improved. This thread was created so that those not interested in changing the circuit can continue in the old thread. The Very Best Amplifier I Have Ever Heard!!!! This thread is to discuss improvements in performance, stability, and reliability. Among the issues which were brought up: 1: The circuit can be unstable 2: Output stage bias has no clear adjustment 3: The topology can be improved 4: The frontend CCS is strange, it is hard to know what it was designed for. A more conventional CCS will be less confusing and more flexible. 5: Frontend rails may have sub-optimal power supply 6: Transistors used don't have adequate voltage specs for the rails To start, I will offer my thoughts. These are not final, only to give you something to think about. I have attached several files. The first schematic is the original Goldmund amp. The second is the one containing the mods I describe here. The third attachment contains LTSpice simulations of them (where no models could be found for the original transistors, substitutions were attempted). These mods aren't my final word, I vomited them into the simulator at light speed, for lack of time. How to use the simulations: To change test frequency, change parameter "freq" - to change number of warm-up cycles, change parameter "dlycyc" - to change simulated number of cycles, change parameter "numcyc". When performing an FFT, select the same number of points as in the parameter "FFT". If the .MODEL statements are annoying, right-click them and select "invisible". They will reappear the next time you open the file. Stability Simulated, the frontend is actually VERY stable, showing textbook curves and well-defined behavior. The issues seem to lie in the output stage. Quote:
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Firstly, the output FETs have no emitter resistors. Since devices vary widely, and no equalizing force is present, the FETs probably won't share the load equally unless matched by hand. Secondly, there are not trimmers included in the circuit for output stage adjustment, only one for offset adjustment. We do not know how - or if - the output stage was adjusted at the factory. Adding an adjustment for offset would go a long ways towards making the design more consistent and reliable between builds. My suggested options for adjustment: 1: Use a trimmer for R20 first, and set bias to a reasonable value. Then turn off unit, measure trimmer and replace with a close value resistor. 2: Install a trimmer permanently, in such a way that a wiper disconnect will not destroy the output stage. Topology Improvements The general topology of the Goldmund amp has been seen many times over in the past. Many members of this forum have worked to refine it in their own time over the years, and I am sure many changes might be made. While we may be tempted to go all-out, this would likely result in the amp being hardly recognizeable in the end. If this is so, why not simply create a whole new amplifier? In this light I would prefer to keep the design "close" to the original. After all, it is my observation that after a few powerful mods have been made, the leftover mods decrease in the ratio of performance gain to price. There is one thing that I suspect is important to the amp's sonic performance. I will copy a post I made: Quote:
The transistors of the second LTP don't see an equal Vce, and so aren't balanced, even if they have the same quiescent. Without the second LTP being balanced, the current mirror is more or less for show. MikeB's Symasym cascodes this transistor to ground, and this balances the LTP at no signal. However the best way is to make the Vce's match. In my schematic I do this be cascoding the left transistor to the right's collector. This decreases distortion by a factor of 10, to .003%! The second mod is considered after seeing Early affect on the lower VAS's linearity. At hundreds of volts Vce variation, it is not a good current mirror. One more transistor helps with this by shielding the mirror from large voltage swings. This brings THD down by a fraction, to .0025%. CCS The CCS was made in an odd way. I am not sure whether the designers' concern was noise or temperature stability, but one transistor is turned upside-down and it's B-C junction used as a diode. The behavior of this configuration will depend a lot on the specific transistor used, the originals being the BC182B. The Zener used is a 6V type, and IIRC zeners around this area have the lowest temperature coefficient. If we flip the odd transistor back the "right" way, tempco is fairly low among CCS's, given the two transistors are thermally coupled. This is the way I recommend. The output impedance of this configuration is not very high. However, because the gain of the amp is so high, the voltage variation across it is very low. Because of this, the contribution of the CCS to the overall performance is swamped by larger issues in other parts of the circuit. I don't believe going beyond this will reap great benefits, as far as the numbers go. Frontend Rails The frontend rails are constructed using a voltage doubler taken from a 60VAC supply. This results in ~120V rails. OS has described this as a "trainwreck" Transistor Safety For the frontend, rails are nearly +-120V. This means that at max power/clipping a transistor may see near 240V. Our transistors should be rated higher than this. An apt alternative to using high-voltage transistors is to cascode. This way we can use common, familiar parts. In my mod, the MPSA93/43 are replaced by the suitably spec'd MPSA92/42, and output drivers are cascoded. *catches breath* Okay, I'm ready. - keantoken
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Contribute to the DIYAudio WIKI! http://www.diyaudio.com/forums/every...p-sign-up.html LTSpice wiki with special attention to new users' troubles Last edited by keantoken; 13th October 2010 at 09:24 AM. |
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#2 |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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I don't know about amplifier design but please keep the slew rate high (at least 100V/us if possible). Or at least, mention the slew rate of every options that you have because I know some of you will argue about it's audibility.
Keantoken, I was confused with your ASC file because I was expecting 80V for the front end rail but it showed above 110V (I thought I mistakenly changed something). Didn't realize it is a voltage doubler!! (I won't use the original regulator) But I think high voltage for the front end is also responsible for the slew rate. With higher voltage, you need higher Vce transistor, and with higher Vce transistor usually you will get lower fT/hfe (and higher capacitance), then you will get lower slew rate (or simply "slower" sound)! So you see that Goldmund has really put the circuit "on risk" to achieve good performance soundwise, by choosing critical transistors in critical operating condition. It is not easy to find replacement for BSS (it has even only 200V of breakdown voltage). It's specified fT for example is 50-200MHz (@Ic=100mA). Typically it is 75MHz but I think Goldmund select the best ones. 2N5551 OTOH is only 150V device and needs paralleling for the same bias current as the Goldmund. If there is a way of cascoding a 2N5551/5401 to make it possible to operate at high voltage...? My bigger transistor for driver is 2SC3298/A1306B, a bit inferior than the BSS I guess but that is the best one I have. I want to see what transistor you will come up with for the driver... |
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#3 |
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diyAudio Member
Join Date: May 2008
Location: Albany , NY (smallbany)
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I am truly amazed , my young friend !!
![]() Your presentation is very professional , readable and addresses the main issues as they should of been in the "main thread". I didn't bother to do what you did (explain the exact problems) as few were receptive to the obvious issues at hand. I don't feel the zener adds anything musical to the design at all , but some purists would insist on adhering to the original goldmund design. I hope prospective builders at least read this to avoid a less than ideal DIY experience. VERY well done , Keen. edit-for the bss_xx use a 2sc4793/2sa1837 pair (Ft 100mhz/hfe 150+/Cob 20p/230v Vce) better than original. keeping the original in mind , sourcing a second small 60-0-60 trafo might be problematic, suspect the Goldmund had a custom dual winding trafo. A 30-0-30 /50va is EASY to source , at least at Mouser. Using a voltage tripler , since this frontend is just driving the big Cob of the laterals , a compact 100-0-100v source can be made. For both channels , I would expect no more than 60mA per rail. OS
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Mongrel website , always current and updated : http://67.248.209.21/D%3A/WEBSITE/ Last edited by ostripper; 13th October 2010 at 11:10 AM. |
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#4 |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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I think you need to set the minimum requirement for the power. I believe it is easier to lower the power to achieve maximum sound quality. But how much lower everyone want to go? Or is it just about setting the bias current after final schematic has been decided?? Hmmm... I think it must be decided prior to designing the circuit.
TRANSFORMER I think 57V secondary (to give 80V rail) is not common. May be a more friendly number should be used. The front end may use additional winding or small transformer. |
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#5 | |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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Indeed, keantoken is very sharp!
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The zener is not important imo. Even the topology for the front end can be changed. But if the topology is the same, I'm tired of that SK170. Transistors do not sound the same, that's it. I have K303, K301, K31, K389BL, K369, K246, K247, 2N5457 (and of course K170). They operate differently, so better if the JFET is decided (if same topology is used) Wow, it must be a new product. I hope I can source that. |
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#6 |
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diyAudio Member
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Thanks OS.
I've gotten another compliment as well. That's funny to me since I threw this together as fast as I could! As far as slew rate... I'm not sure how to measure it. In the simulator I'm getting about 200V/uS, but that might be optimistic... Judging by the behavior I'm seeing I suspect slew rate will depend largely on PCB design. Last time I checked, the BSS transistors were 500mA, 500mW devices. The 2N5551/5401 are 600mA, 625mW devices, so if we cascode them like in my second schematic I think we should be fine. - keantoken
__________________
Contribute to the DIYAudio WIKI! http://www.diyaudio.com/forums/every...p-sign-up.html LTSpice wiki with special attention to new users' troubles |
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#7 |
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diyAudio Member
Join Date: Mar 2006
Location: Outside Copenhagen
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Hi Jay,
Nagys is recommending Hammond transformers for his amps. You can buy them at www.partsconnection.com for approx. 75-90 $ US/pc. Go for the 182 series, 60 VAC. I really don´t know about the exact VA rating but here are a few examples: Hammond Transformer - More Information Page - 160 VA, 74,24 $ US Hammond Transformer - More Information Page - 225 VA, 81,92 $ US Hammond Transformer - More Information Page - 300 VA, 94,72 $ US Hammond Transformer - More Information Page - 500 VA, 120,32 $ US. I don´t know if it is possible to finde the above mentioned transformers at a cheaper price somewhere else? OK, if there is enough interest for this project what about a GB with high quality customized (potted?) transformers? Karsten |
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#8 |
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diyAudio Member
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There is also the 2SD669A/B649A to think about, perhaps? These have better specs than the C4793/A1837 IIRC. These can be had from Profusionplc.com.
PS, I must leave this thread for the rest of the day, bye. - keantoken
__________________
Contribute to the DIYAudio WIKI! http://www.diyaudio.com/forums/every...p-sign-up.html LTSpice wiki with special attention to new users' troubles |
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#9 |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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The 2SD669/649 is good sounding driver. I didn't notice it has a good spec. Will check later as I have a few of them as well.
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#10 | |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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Quote:
I have enough transformers but the highest only 40Vac. Eight of them! Thanks Karsten. |
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