Lindell said:I have 15 years of experience being a recording engineer so I know my freq's 'n' Q's...
I'm sure! And it comes in very handy. I still think of where would I reach over on the console and what would I tweak on the input strip to fix problems. But after so many years away from it, that's fading..... =(
Didn't know the crossover came with a basic free software. That's nice. With 16 biquads per channel, you can do a lot. Some of the DDX class-d controller chips have 10 biqauds per channel, so one might be able to get results like this straight out of the amp. Fun!
Salas said:To measure in the farfield transition you would need 5 times the woofer's diameter as measuring distance (rough rule of thumb). 50cm is a bit short.
I will measure tomorrow night again. On/Off axis plus different lenghts.
Lindell said:
I will measure tomorrow night again. On/Off axis plus different lenghts.
And?
The low end of the 3002 is practically unrivalled, considering it's basically a PA woofer.
The sensitivity of (only) 91 dB is indicative of subwoofer characteristics.
Depending on the shape, size and treatment of the room, the extension in the low-end may be too much, as illustrated by the quote from a review of the S360.
For those who'd like to clone Lindell's 2-way, but 'don't need' the low-end of the PHL 3001, there's a nice and cheaper alternative: the SM110/N, Beyma's classic 10" midwoofer.
The sensitivity of (only) 91 dB is indicative of subwoofer characteristics.
Depending on the shape, size and treatment of the room, the extension in the low-end may be too much, as illustrated by the quote from a review of the S360.
For those who'd like to clone Lindell's 2-way, but 'don't need' the low-end of the PHL 3001, there's a nice and cheaper alternative: the SM110/N, Beyma's classic 10" midwoofer.
Attachments
From:What is the current version of the 10" 3002?
Is there a similar 12" version?
The 3002 is current and is available
https://www.google.com/url?sa=t&sou...FjAKegQIAhAB&usg=AOvVaw2hgeHQSEbWIEp9whd5FwKk
From:
The 3002 is current and is available
https://www.google.com/url?sa=t&sou...FjAKegQIAhAB&usg=AOvVaw2hgeHQSEbWIEp9whd5FwKk
Well, I guess my mistake was going to the manufacturers web site and expecting to find it there.
Products
Is it listed? I didn't see it.
Thanks for the link to THLP.
Famous brand in Europe, vast choice, build like tank and good paper material that sounds good but Louis Vuitton prices -made in France-
MarkK tested a little 6" PHL that sounded very good with a 94 db spl and foam surrounds, carbon mushrom, treated paper, can get it anymore with the Internet Wayback machine ! Zaph also had a good input on his blog.
MarkK tested a little 6" PHL that sounded very good with a 94 db spl and foam surrounds, carbon mushrom, treated paper, can get it anymore with the Internet Wayback machine ! Zaph also had a good input on his blog.
too pretty to be good
Would like to hear how a driver is sounding almost an octave below its Fs...Is it the sound of the room or from the recording .
How about the sound of a driver coupled to a an enclosure from the beginning of its Fs to its end : around its impedance more or less narrow ohm peak ?
Would like to hear how a driver is sounding almost an octave below its Fs...Is it the sound of the room or from the recording .
How about the sound of a driver coupled to a an enclosure from the beginning of its Fs to its end : around its impedance more or less narrow ohm peak ?
Who knows? If these speakers are still in use now, that might tell us that they have been useful as monitors.
I think i will order a pair and try them out with one of the 1.4" Faital comp drivers. Should be a pretty awesome 2 way if the numbers add up.
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