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EL34 schematic confusion

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SY said:


Yes, but...

It appears that the original design must have used fixed bias, since there's an extra 50V winding on the power transformer unused in the production version. Now why in the world would the engineers have changed to cathode bias?

My hunch is the power supply. The HF87 uses a doubler, which is not exactly a champion when it comes to regulation. Cathode bias conditions are closer to class A, less current swing, thus less reliance on a stiff supply. It may well be that the fixed bias version suffered from high power distortion and compression because of dropping rail voltage.

how about, the engineers chickened out last minute! fixed bias give more power but maintenance wise, once something goes wrong with the bias pots, the output tubes could be lost.

cathode bias is still the the safest way to go imho.:D
 
Tony said:


cathode bias is still the the safest way to go imho.:D


isn't ss the safest way to go? :D :D :D

seriously I agree with you on cathode bias being safe, but I have been there so many times that I have lost the feeling. figuring out fixed bias satisfies my need for excitement. i'm sure you've been there before. ;)

I've finished my tube rectified, fixed biased Williamson and so it is now time to make an ss rectified fixed bias amp. :cool: trying to get something useful out of the irons and parts I have laying around for so long.

have a nice one Tony,

JojoD
 
how about, the engineers chickened out last minute! fixed bias give more power but maintenance wise, once something goes wrong with the bias pots, the output tubes could be lost.

Unlikely, IMO. They made other amps with fixed bias. The most populat tube power amp ever made in the US, the Dyna Stereo 70, used fixed bias. And the marketing penalty for a lower rated power is severe- most audiophiles, and all nonaudiophile consumers, don't have an appreciation of how small a level change 3 dB is. All they know is that THIS amp is 25 watts and THAT amp is 50 watts!
 
Sorry, I haven't been near a scanner, but I Painted a sketch of how idle current balancing is actually done.
 

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SY said:
Sorry, I haven't been near a scanner, but I Painted a sketch of how idle current balancing is actually done.


thanks SY. We await the full and final version.
BTW SY I got an idea....

what if in include the crossover inside the power amp as follows....

ECC88 based Steve Bench Crossover. 1 tube per channel.

mated to a ckt simiar to the HIF 87 but eliminating the ECC83 as one does not need gain with today's sources. it is just that my design skills do not allow me to figure out where to put the NFB loop.

6SN7 Phase splitter. 2 tubes per channel one for Low pass and one for High pass.

EL34 Power. 4 tubes per channel. 2 for high pass (Triode PP) and 2 for low pass (UL PP).

now this is 7 tubes per channel.

the preamp would be a passive input selector and volume control.
 
Navin, that balancing setup is not what I use, it was just to illustrate the right way to do what Jojo was trying. My own preference is for 4 separate pots, one for each output tube. No advantage either way that I can see, it's just a matter of how you like to do your idle current checks.

The Eico's extra winding with a solid state bridge rectifier and a moderate cap (100uF/150V) give a nice 100V. The 7027A will need roughly -40 to -45V. So the string could easily be set with a potentiometer sandwiched between two resistors of the same value as the pot. For example, I happen to have some very cool double trimmers in a dip package, 20K each. So two of these packages gives me 4 trimpots. If they are all in parallel (other than the wipers!), they form a 5K resistor. So a string of a 4.7K, the four pots in parallel, and the second 4.7K gives me plenty of adjustment range. If it's too twitchy to adjust, I can diddle the series resistor values to narrow the adjustment range.

If the output stage will be run as UL or triode without regulation, the bias supply should likewise be unregulated.
 
SY said:
And the marketing penalty for a lower rated power is severe- most audiophiles, and all nonaudiophile consumers, don't have an appreciation of how small a level change 3 dB is. All they know is that THIS amp is 25 watts and THAT amp is 50 watts!

SY et al
(Sigh) aint that too true! But going back slightly (I have been away for awhile): This is also true in most cases for fixed bias. Meaning that one does not readily get more than +3 dB going from cathode to fixed bias, the rest being equal. Fixed bias does have its charm (I am using it too), but in reality, what is the actual gain we get from it?

It must be admitted that cathode bias has its conveniences - all listed here before, except for perhaps also the advantage that a 5x higher G1 resistor is allowable - that can count in some circuits! Also, when I examine signals at the crucial points while using large capacitors (including cathode bypass of 10 000 uF), and for the mark-space ratio of most music, I find very little change in voltages. That means something remarkably close to fixed bias; much less than 3 dB advantage overall.

This may not be so relevant to high-power jobs, say many 100W (I keep to 100W max. with tube amps), but every time I used fixed bias I had to convince myself that it is not just "man's vanity" with me.


And going forward, as 2005 draws to a close (at least here in the RSA): My sincere wishes to all for a good 2006 - even though we are told that the year is now shorter because of the fault that caused the severe tsunami in the east - by a full 3 mS! After all the technology expertly reported here, may there be sufficient time to relax and listen to our efforts, as well as to live performances.

Regards from RSA,
Johan
 
SY said:
If you do a naked 6SN7 diff amp, figure you'll get a gain of 7 or 8. You need 35VRMS at the 7027A grids. So before any feedback, you already need 4-5VRMS of input voltage. Unless you're doing triodes (and that brings more complication), you want feedback.

Sy, I am not using the 7027.

Yes I need feedback but an uncertain hoe to implement it if I eliminate the AF tube (ECC83 in the HIF ckt).

Do you know of any EL34 ckt that eliminates the AF tube?

Given today's suroces (CD Players, Ipod, etc..) Do we need so much gain anymore?

I hope to make my recitification all Solid State and use individual pots for each tube's bias. It is easier to set bias this way esp for a newbie.

BTW do I need bias pots for the phase splitter and other tubes as well or only for the output tubes?
 
SY said:
Sorry, I haven't been near a scanner, but I Painted a sketch of how idle current balancing is actually done.


oh man! that's exactly what I did in my working fixed bias tube amp. :D but the values are 47K going to the grids and 100K going to ground.

i'll re-write my schematic as soon as I get back from our family reunion.

Thanks SY!

Happy New Year to all!

JojoD
 
navin said:


Sy, I am not using the 7027.

Yes I need feedback but an uncertain hoe to implement it if I eliminate the AF tube (ECC83 in the HIF ckt).

Do you know of any EL34 ckt that eliminates the AF tube?

Given today's suroces (CD Players, Ipod, etc..) Do we need so much gain anymore?

I hope to make my recitification all Solid State and use individual pots for each tube's bias. It is easier to set bias this way esp for a newbie.

BTW do I need bias pots for the phase splitter and other tubes as well or only for the output tubes?

OK, sorry, can't keep track of all the amp builders without a scorecard. Anyway, the argument doesn't change much for EL34s- you still need 30V or so of drive, signal sources are 2-3V, and most phase splitters have lowish gain. And you need excess gain to implement feedback. Figure 15dB (x6) as a minumum. So if you were to do it as a single stage, say a CC diff amp, you'd need to have a stage gain of 90 or so. That's going to be tough to do!

Conventional circuits got that way by being the best engineering solutions.
 
SY said:


OK, sorry, can't keep track of all the amp builders without a scorecard. ...Figure 15dB (x6) as a minumum. So if you were to do it as a single stage, say a CC diff amp, you'd need to have a stage gain of 90 or so. That's going to be tough to do!

Conventional circuits got that way by being the best engineering solutions.

a stage gain of 90! that i dont think is possible.

Seems i would need an AF section. What tube do you recommend for the AF section? ECC83? ECC88?
 
Depends on the topology you're using. For cascaded diff amps (e.g., Ray Moth's design or Morgan Jones's Crystal Palace), my personal preference runs to 6SL7->6SN7. But there are a lot of other fine possibilities. For a single-ended stage feeding a long-tail phase splitter (e.g., the Eico circuit), I might still think of 6SL7->6SN7. But a 12AT7 will also perform great in the first hole while showing a lower input capacitance.
 
I'd swap the 47K and 100K resistors. The way you have it drawn, the effective grid resistance is under 60K. Swapped, you get about 110K as the resistance, a little gentler on the drive stage, and this will also extend the low frequency f3 from 12Hz to 6Hz. The latter will help stability, important given the relatively high feedback.
 
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