5 way small midrange ?

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I can recommend not going above 135Hz for a midbass. When sliding the crosspoint from above down to 130Hz i get the snare drum dynamic in a single driver when the sub runs kick and electric bass. It's amazing and you dont want to miss out of that if going for a 4 way plus.
 

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@mtige

is it a good track ? i dont know.:eek: i like tracks with reverb. you can check on it really fast when the speaker (the whole one) is not good. its missing the depth.


another "you never thought about to use it as test track" is everthing dies from typo negative.
you need a really good speaker to survive the intro. its a cacophony. (also here:separation of instuments) this intro ends either with rain or with applause. depending how good your speaker is ;)
also when he starts to sing, you should hear 2 times a noise from his lips as he opens the mouth.



but yes , this kind of testing needs a second pair of speaker to compare or you need to know the tracks well.




;) when im able to replace my broken grafik card i will try to do a recording between the SB12MNRX2 and the L16rnx3.

with headphones there should be a chance to hear the differences.


@viper i will test it when im at this stage.


i used the SB12 as midrange in my setup and well, at least it helped me one step forward making a decision. i will stay at metal cones ;)
i like it clear. not colored. (paper signature)



at the moment im thinking about the Seas w12cy001.
 
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http://sbacoustics.com/wp-content/uploads/2020/05/2.5in-SATORI-MD60N-6.pdf

New dome mid Satori. I didn't read the entire thread. Someone reported they heard these new dome mids and thought they were VERY good (I don't remember where this was written up at). Of course, domes don't usually go as low in frequency as cones but this might be exactly what would give you very good resolution. I am also about "micro-detail" I like to call it; very accurate and with very low distortion of ANY kind...
 
hello all, time for the update for the battle of metal ;)

the shipment took some time as the w4-1337 got delayed.
in the meantime, small boxes where glued, rockwool stuffing made and last but not least, hearing test done.

i did this test as i read a lot in the internet: this and that driver isn't worth the money, a cheaper one can do this also. it's always just a question how you want to use a driver.
well,...

all driver are burned in, an individual box was made for each driver and adjusted to qtc 0.58 with rockwool.
amps and xover from 500 too 2500 where done with the hypex FA123 module.

lets start with the w4-1337 SDF.
really, optical the best looking dude in town.
a short burn in, TSP are close to the factury once.
the desired volume for a closed QTC of 0,58 was also near the simulations.
so, prince charming !
the mms is 3,9 grams, could be really interessting.
first thing i checked was the cone.
it isn't really a cone. it's more like a membrane, a foil.
im not an expert but i thought this might be not so good.
and it wasn't good.
lack in details, 2 dimensional -- sounded like it was behind an heavy invisible curtain.envelopes are not fully played.

you hear what you pay for.


SB12CACS25-8
My biggest hope !!
available in differnet sizes and this really cool white color... a multiway would look really interesting. the price is low and the cone harder than the w4-1337sdf.
burn in, TSP measuring > this driver showed me the middle finger.
burn in like SB acoustic said to do, nothing. 15 hours later: well its like a mosquito screaming to an "elephant ill eat you raw !!" this driver doesn't care.
TSP are far away from factory (more like star strek: where no mankind was bevor) but that was i expected cause they measure with 2 Volt and i use the dats 3.
another annoying thing: simulations with factory TSP said 4,69Liters for the QTC of 0,58. Reality said: you need to use 14,4 liters...
so it took nearly a week to get this driver to the hearing test.
and at least, my biggest hope got destroyed.

playing detail wise, it's defently a step up from the w4-1337SDF. but it seems this driver ignores his own midrange and plays only the upper parts.
also flat 2 dimensional image with missing details. envelopes are not fully played.

another - you hear what you pay for.

*************
insert:
i stuffed the enclosure of the SB12RNX2-25-4 to 100% and tested it with qtc 0,58 too.
it has a paper signature which is like a layer, but it beats the both above when it comes to details.defently a more quality driver.
sad thing, my teenager cats destroyed the surround....
R.I.P SB12RNX2-25-4 !
************

W12CY001
well, i the datasheet state its designed in 2007.
i thought this driver could be outdated by others in the meantime.
the most expensiv one in this test, and to be honest, its ulgy and wouldn't win a model show.
the membrane is hard like a metal sheet, TSP like dire straits: so far way from me, but they also measure it with 2 volts.
I don't believe that the FS of 61hz and qts 0,54 of can be measured down to 45hz and a qts of 0,36 with 2 volts measurments and i really don't like such differences.
other companies are able to supply real tsp.(or at least update their datasheets)
as much as i dislike such things, as good as the details this driver are playing.
3 dimensonal, envelopes are played. its clear/transparent, not dull.
this is the material to build an exeptional good speaker.
only downside, the bill will increased like hell.

so the speaker will be build with those magnesium cones.

its a lot of text for the simple resume, money changes everthing.:)

regards
Richard
 
..small boxes where glued, rockwool stuffing made and last but not least, hearing test done.

..all driver are burned in, an individual box was made for each driver and adjusted to qtc 0.58 with rockwool.


2 dimensional -- sounded like it was behind an heavy invisible curtain.envelopes are not fully played.


regards
Richard


Actually, it was IN FRONT OF a big heavy invisible curtain.

Try it on large baffle with no enclosure to actually here what (any) driver can do. ;)

(..with of course proper filtering and eq..)


Note that there are midrange/midbass drivers that are relatively insensitive to the enclosure and stuffing, but most are not.
 
lots of questions ;)



I did the tests in a 3 way setup.
Tweeter seas noferro 650, a modified 900. i think it was a OEM tweeter for a speaker shop.

Bass driver: seas L16RNX3.and yes, the spl was controlled/adjusted.

problem here, the tweeter and the bass could match better to a specific midrange, this might an error source. feel free to give your input.

so, i think the best idea is, you should judge by yourself.

its not easy as details/resolution can't be measured so i think this is a valuable way:

below, 2 flac files one from SB12CACS25-8 and one from the W12CY001.
no tweeter, no bass. midrange only. a simple recording with my dayton omnimic

conditions:
xo 500-2500hz
1min 30 sec nearfield recording, distance of the microphone: 10cm

pro: no Bafflestep, no Baffle diffraction.
con:harder to listen at details.
Song "Illusion of you" from Jihae.


W12CY001
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SB12CACS25-8
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I'm just curious how closely the responses were matched. I've done these comparisons a lot in the past and it is easy to be led astray when the responses are "close enough". I'd find differences that went away I adjusted a crossover for example, so the roll off was exact vs being "only" 1 or 2 dB off prior (which looks pretty tiny in the roll off region).
 
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