Hey peeps...
I have 3 AD825's, 2 AD8610's and 1 AD797 that i got sent. I wanna do a op-amp pre with plenty of gain that i can feed into some valve fuzz/saturator effect circuits. On the output stage it'd be nice to have a varible DC(biased) transformer so u could adjust the sound...plenty of knobd all round really...
Just wondering what more exprienced, knowledgeble ppl know or can give direction on as i'm a diy newbie...
rspx
I have 3 AD825's, 2 AD8610's and 1 AD797 that i got sent. I wanna do a op-amp pre with plenty of gain that i can feed into some valve fuzz/saturator effect circuits. On the output stage it'd be nice to have a varible DC(biased) transformer so u could adjust the sound...plenty of knobd all round really...
Just wondering what more exprienced, knowledgeble ppl know or can give direction on as i'm a diy newbie...
rspx
Input from ....
And where is the input coming from?
An amplifier is an adaptor between
an input, a source, and an output to another device.
For a good adaptor both things are to consider.
And where is the input coming from?
An amplifier is an adaptor between
an input, a source, and an output to another device.
For a good adaptor both things are to consider.
soz, this was meant to go in the valves forum...
the input would be outboard (synths, drums and so on...)
Cheers...
the input would be outboard (synths, drums and so on...)
Cheers...
Hi-Fi op-amps for MI applications?
Most MI effects use more common op-amps such as the TL072, 4558 or 5532. those devices you mention are gonna be a bit edgy as sources to be over-driven. the most hi-end I would go is the lf412 and the op-275 for MI applications.
Robert Morin
Most MI effects use more common op-amps such as the TL072, 4558 or 5532. those devices you mention are gonna be a bit edgy as sources to be over-driven. the most hi-end I would go is the lf412 and the op-275 for MI applications.
Robert Morin
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