Something cool happened over here at chez The Analog Dept. I was simply minding my own business when I received an email from a gentleman named Dave Kushin. He introduced himself as a media relations consultant that was contacting me on behalf of the Minus-K corporation. And would I like to have a demo unit of one of their isolation platforms for review.
Naturally, I indicated to the positive. Next I was exchanging emails and then phone calls with Steve Varma of Minus-K.
The discussions with Steve resulted in the selection of one of their larger isolation platforms. Model 150 BM-1. That is the one seen in the above photo. It has a load capacity range of 90 to 155 lbs. I chose large because of the massive slate plinth I'm using under my Thorens TD124. But you know when I got the unit into my room, I found that the stance of the platform was just a little bit too wide for my rather massive dedicated TT stand. So I had to improvise a little bit. The photo should illustrate what I mean.
More details about my experience with the unit here:
I thought I would post this because the subject of turntable isolation comes up often enough. And there are various methods of providing isolation of the turntable from its physical surroundings.
Another popular method of support would be an "air table" type of platform. For instance a Vibraplane. The Minus-k literature indicates that their 'passive' design results in a very low 1/2-hz (vertical) and 1/2-hz (horizontal) isolation. And that this is superior to anything that can be done by a Vibraplane. But I understand that it is possible for a Vibraplane to get almost into this same ball park.
Interesting thing; with the Minus-k in good adjustment, one only needs to touch the suspended platform lightly via finger tip to observe the springing mechanism oscillating the suspended platform, and everything on top of it, at around 1/2 hz. Additionally, I'm located on a rather springy suspended wood beam floor. Third story. I can also observe the platform go into oscillation as I walk normally around the turntable stand. So.....stomp on the floor. Bump against the supporting TT stand, and what's up on top of the Minus-k can only move at 1/2 hz vertical and 1/2 hz horizontal. And it seems that there is more horizontal motion at play here than there is in the vertical. But it appears to be a combination of all axes.
The audible results of using this platform beneath my TD124 are interesting. My general listening impressions indicate that all genre's of music, whether it be hard rock or a string quartet, are reproduced in an enhanced sharpness of articulation. This is not a huge difference. But one that is noticed. And now that I've had the use of the Minus-K for some period, it has become a difference that I value.
Anyone else fiddling around with isolation platforms capable of this level of isolation?