Hi,
I'm new here but have been around reading up for a while (and I also posted this over on AudioAsylum).
Anyway, I'm a mic designer and I'm looking for some high-efficiency / hi-res listeners for an audition I'm putting together for a new microphone design which I will be bringing to the market shortly.
Anyway, I'm interested in high-efficiency listening systems because this microphone has an impulse response around 20dB better than any conventional design and I'm hoping that some of you guys might be able to hear the difference (or maybe some SET people might be interested too).
Please drop me a line (pm or email) if you are interested (I'm working out of Poland & UK) and I will send you the reference CD/DVD/etc. All audition replies/results are confidential.
Cheers,
Andy
PS, I am listening on big horns, which is why I felt the need to design a decent microphone in the first place.
PPS, the reference material will suit anybody who likes the Beatles
I'm new here but have been around reading up for a while (and I also posted this over on AudioAsylum).
Anyway, I'm a mic designer and I'm looking for some high-efficiency / hi-res listeners for an audition I'm putting together for a new microphone design which I will be bringing to the market shortly.
Anyway, I'm interested in high-efficiency listening systems because this microphone has an impulse response around 20dB better than any conventional design and I'm hoping that some of you guys might be able to hear the difference (or maybe some SET people might be interested too).
Please drop me a line (pm or email) if you are interested (I'm working out of Poland & UK) and I will send you the reference CD/DVD/etc. All audition replies/results are confidential.
Cheers,
Andy
PS, I am listening on big horns, which is why I felt the need to design a decent microphone in the first place.
PPS, the reference material will suit anybody who likes the Beatles
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